|Title||The New Museology and Curatorial Practice|
|About author||Yuko Hasegawa — Ph. D., director. Museum of Contemporary Art Tokyo, 4–1–1 Miyoshi, Kotoku, Tokyo 135–0022, Japan; professor. 12–8 Uenokoen, Taito City, Tokyo 110–8714, Japan.|
|In the section||Challenges in Displaying Modern and Contemporary Art Collections||DOI||10.18688/aa200-5-61|
|Type of article||RAR||Index UDK||7.036(4), 069.02:7||Index BBK||79.17|
The exhibition might be flat if it only exhibits the museum’s own collection. It would be ableto make the exhibition narrative and give visitors the whole new historical view by bringing collection fromoutside its own museum. Collections do not always mean the true collection of fine arts. It also includes worksin various filled, architecture, design, and so on. Exhibiting all these various works from different fields in onespace allows to create a completely new space and give visitors the whole new experience.
|Reference||Hasegawa,Yuko. The New Museology and Curatorial Practice. Actual Problems of Theory and History of Art: Collection of articles. Vol. 10. Ed: A. V. Zakharova, S. V. Maltseva, E. Iu. Staniukovich-Denisova. — Lomonosov Moscow State University / St. Petersburg: NP-Print, 2020, pp. 657–661. ISSN 2312-2129. http://dx.doi.org/10.18688/aa200-5-61|
|Full text version of the article||Article language||english|