Chechik, Liya A. ‘Friend-or-foe’ in the ‘Diplomatic’ Painting of the Renaissance Venice

Title ‘Friend-or-foe’ in the ‘Diplomatic’ Painting of the Renaissance Venice
Author email likachechik@gmail.com
About author Chechik, Liya A. ‘Friend-or-foe’ in the ‘Diplomatic’ Painting of the Renaissance Venice. Actual Problems of Theory and History of Art : Collection of articles. Vol. 1. St. Petersburg State University. — St. Petersburg, 2011 — P. 322–328.
In the section The East and the West, from Antiquity to the 20th Century
Year 2011 Volume 1 Pages 322–328
Type of article RAR Index UDK 75.03 Index BBK 85.147
Abstract

In the history of culture the unique image of Venice was emerging during a thousand years. It was forming in parallel with the “myth of Venice”, a critical component of which was the main idea of Venice as a bridge between East and West. The article defines the features of Venetian artists rendering images of the Muslim world in secular painting of the Renaissance. 
Keywords
Reference Chechik, Liya A. ‘Friend-or-foe’ in the ‘Diplomatic’ Painting of the Renaissance Venice. Actual Problems of Theory and History of Art: Collection of articles. Vol. 1. Eds: Svetlana V. Maltseva, Ekaterina Yu. Stanyukovich-Denisova. St. Petersburg, NP-Print Publ., 2011, pp. 322–328. ISSN 2312-2129.
Publication Article language russian
Bibliography
  • • Gentile Bellini and the East. Exhibition catalogue, National Gallery, London, 2005 / Ed. C. Campbell, A. Chong. London, 2005.
  • • Muratori-Philip A. Venise et l’Orient // Connaissance des Arts. 2006. № 300. P. 7.
  • • Raby J. Venice, Dürer, and the Oriental Mode. The Huns Huth Memorial Studies I. Islamic Art Publications. London; New Jersey, 1982. P. 55.
  • • Venezia e l’Islam 827–1797. Catalogodella mostra, Palazzo Ducale, 2007 / A cura di S. Carboni. Venezia, 2007.
  • • Wolters W. Storia e politica nei dipinti di palazzo Ducale: Aspetti dell’autocelebrazione della reppublica di Venezia nel Cinquecento. Venezia, 1987. P. 220.
  • • Бодров С. С. Архитектура в венецианской живописи Возрождения. М., 2004. С. 36.
  • • Брагина Л. М. Культ государства в Венеции XV в. // Античность. Средние века. Эпоха Возрождения. М., 1988. С. 153–154.
  • • Данилова И. Е. Итальянская монументальная живопись. Раннее Возрождение. М., 1970. С. 235.
  • • Кардини Ф. Европа и Ислам. История непонимания. СПб., 2007.
  • • Чиколини Л. С. Венеция на рубеже XVI–XVII вв. // От средних веков к Возрождению. СПб., 2003. С. 93.
  • • Чужое: Опыты преодоления. Очерки из истории культуры Средиземноморья / Под ред. Р. М. Шукурова. М., 1999.
  • • Шукуров Ш. М. Мир Александра. Истолкование пространственной модели // Шукуров Ш. М. Смысл, образ, форма. Алматы, 2008.