Title ‘Friend-or-foe’ in the ‘Diplomatic’ Painting of the Renaissance Venice
Author email likachechik@gmail.com
About author Chechik, Liya A. ‘Friend-or-foe’ in the ‘Diplomatic’ Painting of the Renaissance Venice. Actual Problems of Theory and History of Art : Collection of articles. Vol. 1. St. Petersburg State University. — St. Petersburg, 2011 — P. 322–328.
In the section The East and the West, from Antiquity to the 20th Century
Year 2011 Volume 1 Pages 322328
Type of article RAR Index UDK 75.03 Index BBK 85.147

In the history of culture the unique image of Venice was emerging during a thousand years. It was forming in parallel with the “myth of Venice”, a critical component of which was the main idea of Venice as a bridge between East and West. The article defines the features of Venetian artists rendering images of the Muslim world in secular painting of the Renaissance. 

Reference Chechik, Liya A. ‘Friend-or-foe’ in the ‘Diplomatic’ Painting of the Renaissance Venice. Actual Problems of Theory and History of Art: Collection of articles. Vol. 1. Eds: Svetlana V. Maltseva, Ekaterina Yu. Stanyukovich-Denisova. St. Petersburg, NP-Print Publ., 2011, pp. 322–328. ISSN 2312-2129.
Publication Article language russian
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