SPbSU

Saint Petersburg State University

Actual Problems of Theory and History of Art

СПбГУ

Actual Problems of Theory and History of Art

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      • Vol. 13. 2023
        • Art of the Ancient World
        • Byzantine and Eastern Christian Art
        • Medieval Russian Art
        • Western European Medieval Art
        • Art of the Renaissance
        • Russian Art in the 18th–19th Centuries
        • International Art in the 20th and 21st Centuries
        • Art Theory
        • Interdisciplinary Methods in the Research on Cultural Heritage
        • Balkan Studies
        • Art Critical Surveys and Reviews
      • Vol. 12. 2022
        • Byzantine and Eastern Christian Art
        • Western European Medieval Art
        • European Art in the Modern Times
        • Russian Art in the 18th–19th Centuries
        • International Art in the 20th and 21st Centuries
        • Oriental Art
        • Art Theory
        • Interdisciplinary Methods in the Research on Cultural Heritage
        • Collection, Exhibition, Curatorial Practices
        • Balkan Studies
      • Vol. 11. 2021
        • Art of the Ancient World
        • Byzantine and Eastern Christian Art
        • Medieval Russian Art
        • Balkan Studies
        • Western European Medieval Art
        • Art of the Renaissance
        • Russian Art in the 18th–19th Centuries
        • International Art in the 20th and 21st Centuries
        • Museum: Collection, Exhibition, Curatorial Practices
        • Oriental Art
        • Interdisciplinary Methods in the Research on Cultural Heritage
      • Vol. 10. 2020
        • Problems of Theory and History of Art — 2018. Modern and Contemporary Studies. Borders and Horizons
        • European Art in the Modern Times
        • Russian Art in the 18th–19th Centuries
        • International Art in the 20th and 21st Centuries
        • Art Theory
        • Challenges in Displaying Modern and Contemporary Art Collections
        • Art of Africa
        • Balkan Studies
      • Vol. 9. 2019
        • Actual Problems of Theory and History of Art–2018. From Antiquity to the Renaissance. Borders and Horizons
        • Art of the Ancient World
        • Byzantine and Eastern Christian Art
        • Medieval Russian Art
        • Western European Medieval Art
        • Art of the Renaissance
        • Oriental Art
        • Art Critical Surveys and Reviews
      • Vol. 8. 2018
        • Artifact. Art-Object. Argument. An Object in Fine Arts: Acquisition of New Meanings in Modern and Contemporary Eras
        • Western European Art of the Modern Age
        • Russian Art of the 18th Century
        • Russian Art of the 19th Century
        • Russian Art of the 20th–21st Century
        • International Art of the 20th and 21st Centuries: Modernity and Contemporaneity
        • Art Theory
        • Material Culture, Applied Art and Design
        • Museum — Collection, Space, Work of Art
        • Publication and Study of Sources
        • Art Critical Surveys and Reviews
      • Vol. 7. 2017
        • An Object in Fine Arts: Objectives, Methods, Results
        • Art and Artistic Culture of the Ancient World. Archaeological Object and a Work of Art: Their Similarities and Differences
        • Eastern Christian Art
        • Western European Mediaeval Art
        • Mediaeval Russian Art
        • Art of the Renaissance
        • Oriental Art
        • Art Theory
        • Cult and Artistic Culture
        • Publication and Study of Sources
        • Art Critical Surveys and Reviews
      • Vol. 6. 2016
        • Foreword
        • Art of the Ancient World
        • Eastern Christian Art
        • Old Russian Art
        • Western Mediaeval Art
        • Renaissance Art
        • Western Art ca. 1600 – 1900
        • Russian Art of the 18th and 19th centuries
        • World Art of the 20th Century and Contemporary Art
        • Russian Art of the 20th Century and Contemporary Art
        • Theory of Art
        • Cult and Artistic Culture
        • Publication and Study of Sources
        • Instead of an afterword
      • Vol. 5. 2015
        • The Art of Classical Antiquity in the Mirror of the Renaissance
        • Russian Art of the 18th–19th Centuries. Russian View of Classical Tradition
        • Western European Art of the 17th–19th Centuries. Classical Tradition’s Destiny: from Model to Interpretation
        • Art of the 20th–21st Centuries. Faces of Classical Antiquity in the Labyrinth of Modernity
        • Reviews
        • Classical Antiquity and the World around Hellas
        • Classical Legacy in the Art of Byzantine Oikoumene and Beyond
        • The Harmony of Classical Antiquity under the Vaults of Old Russ
        • Classical Antiquity on the Ribs of European Middle Ages
      • Vol. 4. 2014
        • Art of the Ancient World
        • Eastern Christian Art
        • Western Art from the Middle Ages to the 20th Century
        • Western Art of the 20th Century and Theory of Art
        • Russian Art of the 18th - Early 20th Century
        • Russian Art of the 20th Century
      • Vol. 3. 2013
        • Art of the Ancient World
        • Eastern Christian Art
        • Old Russian Art
        • Russian Art of the 18th–20th Centuries
        • Western Art of the 15th–20th Centuries
      • Vol. 2. 2012
        • Ancient and Medieval Muslim Art
        • Eastern Christian Art
        • Old Russian Art
        • Medieval and Early Modern Western Art
        • Western Art of the 19th-20th Centuries and Theory of Art
        • Russian Art of the 18th Century
        • Russian Art of the 19th and Early 20th Centuries
        • Russian Art of the 20th Century
      • Vol. 1. 2011
        • Medieval Art of the Eastern Christian World
        • Russian Art in the 18–20th Centuries
        • The East and the West, from Antiquity to the 20th Century
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Total: 50 results found.

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41. Renaissance Aspects in the Works of Alexey Venetsianov in the Context of “Russian Biedermeier”
(2015 Russian Art ca. 1700–1900)
... aspects of Biedermeier style. It was long ago pointed out that the Enlightenment, despite its didactic character, was a sort of a continuation of the ideas of the Renaissance at a new level. The ideal ...
Created on 02 January 2016
42. The role of P. von Hess and A. I. Mikhailovsky-Danilevsky in Creating the “Official” History of the Patriotic War of 1812
(2015 Russian Art ca. 1700–1900)
... able to compare the censorship edits that were made in the text personally by the emperor and visual interpretation of the history of war. This allowed us to highlight the priorities in Nicholas’ vision ...
Created on 02 January 2016
43. Renaissance Vector in the Works by Ferdinand Hodler
(2015 Western Art ca. 1600–1900)
... of parallelism in the context of his works. It will highlight the actual and indirect influence and the intersection with the works of A. Dürer and H. Holbein, Giotto and other “Italian primitives”, Mantegna ...
Created on 02 January 2016
44. J. M. W. Turner’s Art in the Context of I. Goethe and M. Faraday’s Views
(2015 Western Art ca. 1600–1900)
... occur upon reflection, dispersion, refraction of light could be a worthy art challenge. He stu­died these effects with optical experiments using prisms and lenses, tried to understand and use phenomena ...
Created on 02 January 2016
45. European Portrait around 1800. England and France
(2015 Western Art ca. 1600–1900)
... of unusual compositions, si­zes, background, making more nuanced colors. Most of paintings were filled with air and natural light. It should be noted that there is a lot of literature devoted to European ...
Created on 02 January 2016
46. A. Palladio’s Villas and the Genesis of a Rotunda in the Particular Construction of the French Neoclassicism
(2015 Western Art ca. 1600–1900)
... residential and civil construction is one of the key matters in infiltration of the master’s creative heritage in the architectural language of the Enlightenment. The search for a new type of organization ...
Created on 02 January 2016
47. The Origin of the Landscape Garden and the Birth of Modern Environment
(2015 Western Art ca. 1600–1900)
... of the British classicism belonging to the generation of sir William Chambers and Charles Cameron, who introduced the dialog of Classic, Gothic and Oriental into the making of “enlightened” environment. ...
Created on 02 January 2016
48. A New Narcissus Code-Named “Lygdamus”: Poetical 16th Century Sources for a Different Interpretation of Michelangelo’s “Crouching Youth” at the Hermitage
(2015 Renaissance Art)
... gathered some new information on Fabri and his poetical work, and discovered a few facts about his biography. This sheds further light on the intellectual circle of Michelangelo’s admirers in Northern ...
Created on 02 January 2016
49. The Interaction of Cultural Traditions in the Architecture of Crimea
(2015 Renaissance Art)
... have focused their attention on the topic of interaction of traditions in Crimean architecture, and it still remains an open question. In light of recent political events and new archaeological findings, ...
Created on 02 January 2016
50. Compagnie della Calza in the Venetian Art of the 15th–16th Centuries
(2015 Renaissance Art)
... Concert” whose attribution to Giorgione or Titian is still disputable we see that the man who holds an instrument in his hands is also dressed in striped hoses. The stripes are clearly seen as the light ...
Created on 02 January 2016
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Publications

  • Vol. 1. 2011
  • Vol. 2. 2012
  • Vol. 3. 2013
  • Vol. 4. 2014
  • Vol. 5. 2015
  • Vol. 6. 2016
  • Vol. 7. 2017
  • Vol. 8. 2018
  • Vol. 9. 2019

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