SPbSU

Saint Petersburg State University

Actual Problems of Theory and History of Art

СПбГУ

Actual Problems of Theory and History of Art

  • Русский (РФ)
  • English (UK)
  • 2022
    • News
    • Program
    • Emblem
    • How to apply
    • Guestbook
  • About
    • Organizing Committee
    • Participants
    • Sponsors
    • Archive
      • 2020
        • About
        • Program
        • Αbstracts of communications
        • Online streaming
        • Emblem
      • 2018
        • About
        • Partner Museum
        • Emblem
        • Program
        • Αbstracts of communications
      • 2016
        • About
        • Programme
      • 2015
        • About
        • Programme
      • 2014
        • About
        • Programme
    • Gallery
    • Previous Emblems
    • Newsletters
  • Publications
    • Archive
      • Vol. 13. 2023
        • Art of the Ancient World
        • Byzantine and Eastern Christian Art
        • Medieval Russian Art
        • Western European Medieval Art
        • Art of the Renaissance
        • Russian Art in the 18th–19th Centuries
        • International Art in the 20th and 21st Centuries
        • Art Theory
        • Interdisciplinary Methods in the Research on Cultural Heritage
        • Balkan Studies
        • Art Critical Surveys and Reviews
      • Vol. 12. 2022
        • Byzantine and Eastern Christian Art
        • Western European Medieval Art
        • European Art in the Modern Times
        • Russian Art in the 18th–19th Centuries
        • International Art in the 20th and 21st Centuries
        • Oriental Art
        • Art Theory
        • Interdisciplinary Methods in the Research on Cultural Heritage
        • Collection, Exhibition, Curatorial Practices
        • Balkan Studies
      • Vol. 11. 2021
        • Art of the Ancient World
        • Byzantine and Eastern Christian Art
        • Medieval Russian Art
        • Balkan Studies
        • Western European Medieval Art
        • Art of the Renaissance
        • Russian Art in the 18th–19th Centuries
        • International Art in the 20th and 21st Centuries
        • Museum: Collection, Exhibition, Curatorial Practices
        • Oriental Art
        • Interdisciplinary Methods in the Research on Cultural Heritage
      • Vol. 10. 2020
        • Problems of Theory and History of Art — 2018. Modern and Contemporary Studies. Borders and Horizons
        • European Art in the Modern Times
        • Russian Art in the 18th–19th Centuries
        • International Art in the 20th and 21st Centuries
        • Art Theory
        • Challenges in Displaying Modern and Contemporary Art Collections
        • Art of Africa
        • Balkan Studies
      • Vol. 9. 2019
        • Actual Problems of Theory and History of Art–2018. From Antiquity to the Renaissance. Borders and Horizons
        • Art of the Ancient World
        • Byzantine and Eastern Christian Art
        • Medieval Russian Art
        • Western European Medieval Art
        • Art of the Renaissance
        • Oriental Art
        • Art Critical Surveys and Reviews
      • Vol. 8. 2018
        • Artifact. Art-Object. Argument. An Object in Fine Arts: Acquisition of New Meanings in Modern and Contemporary Eras
        • Western European Art of the Modern Age
        • Russian Art of the 18th Century
        • Russian Art of the 19th Century
        • Russian Art of the 20th–21st Century
        • International Art of the 20th and 21st Centuries: Modernity and Contemporaneity
        • Art Theory
        • Material Culture, Applied Art and Design
        • Museum — Collection, Space, Work of Art
        • Publication and Study of Sources
        • Art Critical Surveys and Reviews
      • Vol. 7. 2017
        • An Object in Fine Arts: Objectives, Methods, Results
        • Art and Artistic Culture of the Ancient World. Archaeological Object and a Work of Art: Their Similarities and Differences
        • Eastern Christian Art
        • Western European Mediaeval Art
        • Mediaeval Russian Art
        • Art of the Renaissance
        • Oriental Art
        • Art Theory
        • Cult and Artistic Culture
        • Publication and Study of Sources
        • Art Critical Surveys and Reviews
      • Vol. 6. 2016
        • Foreword
        • Art of the Ancient World
        • Eastern Christian Art
        • Old Russian Art
        • Western Mediaeval Art
        • Renaissance Art
        • Western Art ca. 1600 – 1900
        • Russian Art of the 18th and 19th centuries
        • World Art of the 20th Century and Contemporary Art
        • Russian Art of the 20th Century and Contemporary Art
        • Theory of Art
        • Cult and Artistic Culture
        • Publication and Study of Sources
        • Instead of an afterword
      • Vol. 5. 2015
        • The Art of Classical Antiquity in the Mirror of the Renaissance
        • Russian Art of the 18th–19th Centuries. Russian View of Classical Tradition
        • Western European Art of the 17th–19th Centuries. Classical Tradition’s Destiny: from Model to Interpretation
        • Art of the 20th–21st Centuries. Faces of Classical Antiquity in the Labyrinth of Modernity
        • Reviews
        • Classical Antiquity and the World around Hellas
        • Classical Legacy in the Art of Byzantine Oikoumene and Beyond
        • The Harmony of Classical Antiquity under the Vaults of Old Russ
        • Classical Antiquity on the Ribs of European Middle Ages
      • Vol. 4. 2014
        • Art of the Ancient World
        • Eastern Christian Art
        • Western Art from the Middle Ages to the 20th Century
        • Western Art of the 20th Century and Theory of Art
        • Russian Art of the 18th - Early 20th Century
        • Russian Art of the 20th Century
      • Vol. 3. 2013
        • Art of the Ancient World
        • Eastern Christian Art
        • Old Russian Art
        • Russian Art of the 18th–20th Centuries
        • Western Art of the 15th–20th Centuries
      • Vol. 2. 2012
        • Ancient and Medieval Muslim Art
        • Eastern Christian Art
        • Old Russian Art
        • Medieval and Early Modern Western Art
        • Western Art of the 19th-20th Centuries and Theory of Art
        • Russian Art of the 18th Century
        • Russian Art of the 19th and Early 20th Centuries
        • Russian Art of the 20th Century
      • Vol. 1. 2011
        • Medieval Art of the Eastern Christian World
        • Russian Art in the 18–20th Centuries
        • The East and the West, from Antiquity to the 20th Century
    • Ethic code
    • For Authors
      • Guidelines
      • Publication process
      • License agreement
    • Editors
    • Theses
      • Theses 2020
      • Theses 2015
  • Contacts
  • Account

Total: 50 results found.

Search for:
Search Only:
21. Predisciplinarity — Pathway into Actual Eternity
(2015 Theory of Art)
... an era of “Enlivenment”. Whereas the Enlightenment intended to elevate mankind from its incapacitation by granting it rational agency, the “Enlivenment” would preserve the Enlightenment values such as individual ...
Created on 02 January 2016
22. The New School of Curatorial Research and Art Criticism: Looking from Inside and Outside
(2015 Theory of Art)
Tatiana Yurieva Saint Petersburg State University, Russia Iconographic description of a contemporary Russian critic consists of paradoxes. However, critics create the foundation for future ...
Created on 02 January 2016
23. Semiotic Approach to the Study of the World of Objects in Art
(2015 Theory of Art)
... in representation of the world of objects. In our case study we will examine the world of objects in satiric graphics by William Hogarth, both in the context of Rococo and British Enlightenment.  PDF ...
Created on 02 January 2016
24. Patriarch Nikon’s Hierotopical Project “Russian Palestine” as an Image-Paradigm of Heavenly Jerusalem
(2015 Artistic Culture and Cult)
Grigory Isaev Saint Tikhon’s Orthodox University, Russia The paper examines interaction of religion and art. Any culture is in fact a cult of certain spiritual powers: either light — creative, ...
Created on 02 January 2016
25. Christianity, Folklore and Moral-Aesthetic Ideals of the Russians
(2015 Artistic Culture and Cult)
... pre-Petrine and Russia of the Age of Enlightment, there is some specificity of folklore in cultural of these historical periods, pagan in its nature, which contradicts basic components of official orthodox ...
Created on 02 January 2016
26. The Cultural Mission as a Form of Humanitarian Diplomacy
(2015 Artistic Culture and Cult)
Irina Dashevskaia Interregional Institute of Economics and Law, Russia A distinctive feature of the present stage of development of human society is a close link between cultural and political ...
Created on 02 January 2016
27. The Оld European Synagogues in G. K. Lukomski’s Drawings
(2015 Artistic Culture and Cult)
... and was delighted with their originality. In his opinion, the charm of this art lies in its “directness, naive archaism”. Strikingly, the frescoes of the old Polish-Russian synagogues, examined and ...
Created on 02 January 2016
28. Italian Renaissance as a Model of a New Culture, Nation and Society (on the Example of England of the Second Half of the 19th Century)
(2015 Artistic Culture and Cult)
... was interpreted mostly as a counterpart of Elizabethan era, a source of national revival. In this essay, we would like to highlight other aspects including the reasons for emerging interest in the Renaissance ...
Created on 02 January 2016
29. Hesychasm and Leonardo da Vinci
(2015 Artistic Culture and Cult)
Mikhail Anikin The State Hermitage Museum, Russia What impresses most in Leonardo Da Vinci’s works is their transcendental qualities, the empyreal light, which the maitre manages to capture ...
Created on 02 January 2016
30. Rhythm and Metaphor in the Context of Theological and Aesthetic Analysis of Icons
(2015 Artistic Culture and Cult)
... (by way of light, flattening, so-called “reverse perspective” and other stylistic devices which are traditionally pointed out by iconology), but creation of an entire microcosm, an image perfectly fitted ...
Created on 02 January 2016
31. Temple Art Ontology
(2015 Artistic Culture and Cult)
... prototype of notions not only in art, but also in public enlightment, education — the fundamental principle of ethical word-meaning sacrificial predestination; • examples of religious themes in the ...
Created on 02 January 2016
32. Utopias in Russian Art of the First Quarter of the 20th Century
(2015 Russian Art of the 20th Century and Contemporary Russian Art)
... the town and the country was reflected in the views on the ideal structure of society, especially in the light of the eschatological sentiment of the early 20th century. The city as a perfect hierarchy ...
Created on 02 January 2016
33. Polycarp Sudomoykin. A naive artist from Buryatia
(2015 Russian Art of the 20th Century and Contemporary Russian Art)
... main purpose of our report is to present the artistic world of the painter, to highlight the system of his spiritual values and his means of artistic expression. Icon-painting and nude art contrast in his ...
Created on 02 January 2016
34. Siberian Avant-garde of P. G. Jakubowski and O. Jankus. The problem of Identifying Periphery Artists
(2015 Russian Art of the 20th Century and Contemporary Russian Art)
Maria Drobyshevskaya, Maksim Prokop’ev Novosibirsk State University, Russia Unfortunately, the art of Siberian artists has been often neglected. But it is art of outstanding Siberian masters, ...
Created on 02 January 2016
35. In Search of Harmony. The Artist Raisa Kotovich-Borisyak
(2015 Russian Art of the 20th Century and Contemporary Russian Art)
... The pictures devoted to religious and mystical themes were inspired by the images of people and events of the epoch, of wars and revolutions disclosed to her as visions, sometimes calm and enlightened, ...
Created on 02 January 2016
36. New Discoveries in Archives about Gustav Klutsis’ Creative Work
(2015 Russian Art of the 20th Century and Contemporary Russian Art)
... the innovator in the exhibition design, Klutsis sincerely believed in the ideas of transformation of the world and transformation of a person. The author of this work tries to shed a new light at the pedagogy ...
Created on 02 January 2016
37. Association of Artists of Revolutionary Russia: “Russian Painting Renaissance” or “Obsolescent Art of Epigones”? On the Question of the Polemic against 8th AKhRR Exhibition «Life and Being of the People ...
(2015 Russian Art of the 20th Century and Contemporary Russian Art)
... The discussion revealed controversy in the state arts policy and opposite views of the People’s Commissar of Enlightenment and the Head of the Art Department of the same Commissariat was a perfect example. ...
Created on 02 January 2016
38. Monuments to Heroes and Victims of the Great Patriotic War. Unrealized Projects of the 1960–1970s in Leningrad
(2015 Russian Art of the 20th Century and Contemporary Russian Art)
... searchlight mounted in the center of it allows using it as a beacon. Non-professional architect V. Klimov creates a grandiose project on the Neva River, by the Old Saint Petersburg Stock Exchange and ...
Created on 02 January 2016
39. Paul Sourikoff (1897–1943)
(2015 World Art of the 20th Century and Contemporary Art)
... chance to find their canvas enables us to view their creative activity in a new light. I am going to present a picture called “The children’s party” (1928) by Paul Sourikoff in my report. The picture ...
Created on 02 January 2016
40. Andreas Leonhard Roller’s Panorama and New Facts about Panoramas in St. Petersburg in the mid-19th Century
(2015 Russian Art ca. 1700–1900)
... of the paper is to shed new light upon a significant, but hitherto unknown episode in the development of panoramas and dioramas in the Russian Empire, namely a panorama “View of Palermo” (1846), painted ...
Created on 02 January 2016
  • Start
  • Prev
  • 1
  • 2
  • 3
  • Next
  • End
 
 
 

Publications

  • Vol. 1. 2011
  • Vol. 2. 2012
  • Vol. 3. 2013
  • Vol. 4. 2014
  • Vol. 5. 2015
  • Vol. 6. 2016
  • Vol. 7. 2017
  • Vol. 8. 2018
  • Vol. 9. 2019

Newsletters

Actual Problems of Theory and History of Art.
Saint Petersburg State University © 2020.

A