SPbSU

Saint Petersburg State University

Actual Problems of Theory and History of Art

СПбГУ

Actual Problems of Theory and History of Art

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      • 2020
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      • Vol. 12. 2022
        • Byzantine and Eastern Christian Art
        • Western European Medieval Art
        • European Art in the Modern Times
        • Russian Art in the 18th–19th Centuries
        • International Art in the 20th and 21st Centuries
        • Oriental Art
        • Art Theory
        • Interdisciplinary Methods in the Research on Cultural Heritage
        • Collection, Exhibition, Curatorial Practices
        • Balkan Studies
      • Vol. 11. 2021
        • Art of the Ancient World
        • Byzantine and Eastern Christian Art
        • Medieval Russian Art
        • Balkan Studies
        • Western European Medieval Art
        • Art of the Renaissance
        • Russian Art in the 18th–19th Centuries
        • International Art in the 20th and 21st Centuries
        • Museum: Collection, Exhibition, Curatorial Practices
        • Oriental Art
        • Interdisciplinary Methods in the Research on Cultural Heritage
      • Vol. 10. 2020
        • Problems of Theory and History of Art — 2018. Modern and Contemporary Studies. Borders and Horizons
        • European Art in the Modern Times
        • Russian Art in the 18th–19th Centuries
        • International Art in the 20th and 21st Centuries
        • Art Theory
        • Challenges in Displaying Modern and Contemporary Art Collections
        • Art of Africa
        • Balkan Studies
      • Vol. 9. 2019
        • Actual Problems of Theory and History of Art–2018. From Antiquity to the Renaissance. Borders and Horizons
        • Art of the Ancient World
        • Byzantine and Eastern Christian Art
        • Medieval Russian Art
        • Western European Medieval Art
        • Art of the Renaissance
        • Oriental Art
        • Art Critical Surveys and Reviews
      • Vol. 8. 2018
        • Artifact. Art-Object. Argument. An Object in Fine Arts: Acquisition of New Meanings in Modern and Contemporary Eras
        • Western European Art of the Modern Age
        • Russian Art of the 18th Century
        • Russian Art of the 19th Century
        • Russian Art of the 20th–21st Century
        • International Art of the 20th and 21st Centuries: Modernity and Contemporaneity
        • Art Theory
        • Material Culture, Applied Art and Design
        • Museum — Collection, Space, Work of Art
        • Publication and Study of Sources
        • Art Critical Surveys and Reviews
      • Vol. 7. 2017
        • An Object in Fine Arts: Objectives, Methods, Results
        • Art and Artistic Culture of the Ancient World. Archaeological Object and a Work of Art: Their Similarities and Differences
        • Eastern Christian Art
        • Western European Mediaeval Art
        • Mediaeval Russian Art
        • Art of the Renaissance
        • Oriental Art
        • Art Theory
        • Cult and Artistic Culture
        • Publication and Study of Sources
        • Art Critical Surveys and Reviews
      • Vol. 6. 2016
        • Foreword
        • Art of the Ancient World
        • Eastern Christian Art
        • Old Russian Art
        • Western Mediaeval Art
        • Renaissance Art
        • Western Art ca. 1600 – 1900
        • Russian Art of the 18th and 19th centuries
        • World Art of the 20th Century and Contemporary Art
        • Russian Art of the 20th Century and Contemporary Art
        • Theory of Art
        • Cult and Artistic Culture
        • Publication and Study of Sources
        • Instead of an afterword
      • Vol. 5. 2015
        • The Art of Classical Antiquity in the Mirror of the Renaissance
        • Russian Art of the 18th–19th Centuries. Russian View of Classical Tradition
        • Western European Art of the 17th–19th Centuries. Classical Tradition’s Destiny: from Model to Interpretation
        • Art of the 20th–21st Centuries. Faces of Classical Antiquity in the Labyrinth of Modernity
        • Reviews
        • Classical Antiquity and the World around Hellas
        • Classical Legacy in the Art of Byzantine Oikoumene and Beyond
        • The Harmony of Classical Antiquity under the Vaults of Old Russ
        • Classical Antiquity on the Ribs of European Middle Ages
      • Vol. 4. 2014
        • Art of the Ancient World
        • Eastern Christian Art
        • Western Art from the Middle Ages to the 20th Century
        • Western Art of the 20th Century and Theory of Art
        • Russian Art of the 18th - Early 20th Century
        • Russian Art of the 20th Century
      • Vol. 3. 2013
        • Art of the Ancient World
        • Eastern Christian Art
        • Old Russian Art
        • Russian Art of the 18th–20th Centuries
        • Western Art of the 15th–20th Centuries
      • Vol. 2. 2012
        • Ancient and Medieval Muslim Art
        • Eastern Christian Art
        • Old Russian Art
        • Medieval and Early Modern Western Art
        • Western Art of the 19th-20th Centuries and Theory of Art
        • Russian Art of the 18th Century
        • Russian Art of the 19th and Early 20th Centuries
        • Russian Art of the 20th Century
      • Vol. 1. 2011
        • Medieval Art of the Eastern Christian World
        • Russian Art in the 18–20th Centuries
        • The East and the West, from Antiquity to the 20th Century
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Total: 7 results found.

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1. ПОЛЕЩУК Д.В. Надписи икон «Воскресения Христова» XVII в
(2020 Old Russian Art)
... Иоанна Предтечи во ад» Евсевия Александрийского DENIS POLESHCHUK (Committee for the State Preservation of Historical and Cultural Monuments, Russian Federation). The Inscriptions of Russian Icons of ...
Created on 12 November 2020
2. F. COLAS RANNOU. An Anatolian Perspective for Lycian art?
(2020 Art of the Ancient World)
... from Greek and Oriental visual cultures. Other sources are also available, such as ancient Greek texts, Greek and Lycian inscriptions, coins, ceramics, which allow to understand the history of Lycia. Thus, ...
Created on 12 November 2020
3. The Iconography of Securitas in Chartres Cathedral
(2015 Artistic Culture and Cult)
... concordia, honor, potestas, securitas, gaudium” (cap. XLVIII). Edmer’s list is identical to the inscriptions made by an unknown sculptor, with one exception — there is “agilitas” instead of “velocitas” ...
Created on 02 January 2016
4. The Court Art of the Emperor Maximilian I of Habsburg as Reflection of the Vanitas Theme in German Renaissance Art
(2015 Renaissance Art)
... as reflection of vanitas theme. Portraits of Maximilian, preserving his face after his or her death, carry inscriptions common to ancient Roman epitaphs. Memory of Maximilian’s acts was preserved in autobiographical ...
Created on 02 January 2016
5. Greek Metrical Epigrams on Byzantine Works of Applied Art in the Context of Byzantine Ekphrasis
(2015 Eastern Christian Art)
... created in Constantinople in 1059–1067. The two inscriptions form a brilliant dodecasyllabic verse, telling us the story of execution of the piece upon the order of a mistographos named John. This artwork ...
Created on 02 January 2016
6. Jevtic, Ivana. Narrative Mode in Late Byzantine Painting: Questions it Raises about Sacred Images
(Eastern Christian Art)
... 83‒91. White H. The Value of Narrativity in the Representation of Reality. Critical Inquiry, 1980, no 7, pp. 5‒6. Zarras N. Inscriptions from the Church of St. George ...
Created on 02 March 2015
7. Kostrova, Anna S. To the Problem of Specific Features of Roman Architecture in the Cities of Gallia Narbonensis in the 1st Century BC – 2nd Century AD
(Art of the Ancient World)
... Paris, Imprimerie nationale, 1991. 118 p. Benoit F. Essai de quadrillage d’un plan d’Arles. Comptes-rendus des séances de l’Académie des Inscriptions et Belles-Lettres. 1941, no. 2, pp. ...
Created on 02 March 2015
 
 
 

Publications

  • Vol. 1. 2011
  • Vol. 2. 2012
  • Vol. 3. 2013
  • Vol. 4. 2014
  • Vol. 5. 2015
  • Vol. 6. 2016
  • Vol. 7. 2017
  • Vol. 8. 2018
  • Vol. 9. 2019

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