... increased considerably.
The poster contains several reconstructions of different monuments from antiquity to 18th–19th сenturies, they are made by the authors themselves or under their supervision. ...
... Paris, Rome, Venice, etc. His interest in architectural antiquities combined the study of architectural forms with a relentless desire to render them in his pictures.
From February 1934 to July 1935 ...
(2015 Russian Art of the 20th Century and Contemporary Russian Art)
...
The understanding of antiquity and the Renaissance was controversial in Russia in the early 20th century: some works were based on the national version of classicism of the late 18th — early 19th centuries; ...
(2015 World Art of the 20th Century and Contemporary Art)
... he sees in antiquity, and to the written language in particular. So, on the one hand, affecting this subject, the artist joins the great debate on the crisis of Western culture, which transformed its language ...
... of the entire complex of vegetal allegories. The origin of the allegories is traced from the classical antiquity to the baroque. Although having their roots mostly in the invariants of the “Symbols and ...
... of the Modern period art as the appeal to the real world and the real human, the secular and open character of culture welcoming close international art contacts. Antiquity is understood as the common ...
... of Fernand Khnopff’s creativity problems as: Anglophile and James Whistler’s influence on the Belgian art in the first half of the 1880s, the peculiarities of visual perception of Classical Antiquity art ...
...
Recognition of ideal in antiquity, interest in studying it and its emulation became the basis of neo-classicism ideology formation for Europe. But for Italy the antiquity was one of the components ...
... as the evidence which proves the link between the Renaissance culture and culture of Classical Antiquity. Their images are to be found in significant ensembles like paintings from Lionello d’Este’s studiolo ...
... Strictly, there were two great revolutions: the first one was the turning towards the heritage of the classical antiquity, the second one was the new method of fortifying places. Today the first event ...
... of the iconographic type “Memento mori” since Antiquity, and also help to identify major trends, and their stylistic and technological features. Special attention is paid to the reflection of religious ...
... by the medieval culture with new meanings, like many other elements of antiquity. S. Ćurčić and H. G. Saradi mentioned the special role of architecture in Byzantine painting as means of expressing certain ...
... very important for the culture of Antiquity. In Greek and Roman architecture and sculpture it was understood as a tectonic element and also as a metaphor of the human body. In Early Cristian art these ...
... between the Antiquity and the Middle Ages. First of all, it is characterized by the coexistence and unique combination of antique and Christian art elements. During the 5th century an active research and ...
... different (economic reasons and the “rennaissance of antiquity”). As far as the synogagues are concerned, the situation was different: the use of spolia was forbidden, with the exception of the deserted ...
Renate Rosenthal-Heginbottom
Hebrew University of Jerusalem; Israel Antiquities Authority, Israel
The so-called “gesture of blessing” — the raised right hand with the palm turned outward — is open ...
Fanny Vitto
Israel Antiquities Authority, Israel
The swinging of thuribles in which incense is burned to produce a sweet smelling smoke is a familiar scene in Eastern Orthodox and Roman Catholic ...
... Antiquity not only by rejecting Gothic forms and reviving the order system, but also by returning to Classical proportional harmony. An example of the Renaissance architecture recalling models of Classical ...
Nadia Jijina
The State Hermitage Museum; Saint Petersburg State University, Russia
The problem of style development belongs to the mainstream of art research. Discussion on presuppositions ...
... admiration and imitation. Thus, cuirasse esthétique, on the one hand, is in itself a mark of a certain aesthetic unity of antiquity and the Renaissance, while on the other, separates the specified eras ...