... since the Middle Ages and the Renaissance. Paul Delaroche became a leader of this new direction in historical painting.
I will consider the works of Delaroche that were originally purchased by Anatoly ...
Viacheslav Tsivatyi
Diplomatic Academy of the Ukraine Ministry of Foreign Affairs, Ukraine
The era of transition from the Middle Ages to the Renaissance is rightly recognized as a period of innovative ...
... part, monumental. On the other hand, in Italy the garland was further developed in the Middle Ages. The result of the synthesis of traditions from different eras is such a bright element of the Renaissance ...
... same time, applied arts undeservedly rest in a shadow.
Nevertheless, numerous “Memento mori” jewellery referred to in the late Middle Ages and Renaissance, show the development of a special artistic ...
Anastasia Egorova
Lomonosov Moscow State University, Russia
The paper is dedicated to the visual diagrams of the Latin Middle Ages at a time of prosperity in the 13th century, which is a very ...
... Middle Ages, their iconography and their reading direction in relation to the holy stairs leading to the cave and in the broader context of the debate on new religious orders after the Council of Lyons ...
... from Western Europe: decorated alphabets of the late Middle Ages and Renaissance which contain either figural (i.e. composed of figures) or historiated letters. Some of these alphabets (as, for example, ...
... to a large number and variety of Old Testament episodes, the Suzdal cycle remains unique not only in the earliest, pre-Mongol, period of Old Rus’, but also throughout the entire Russian Middle Ages.
The ...
... between the Antiquity and the Middle Ages. First of all, it is characterized by the coexistence and unique combination of antique and Christian art elements. During the 5th century an active research and ...
... Roman and Christian emperors are often depicted with the raised right hand well into the Middle Ages. The place of this gesture in Christian iconography is well-documented; it became a predominant gesture ...
... research in the art of the Ancient World, Byzantium, Western Europe and Russia from the Middle Ages to the 21st c. and theory of art.
The edition is addressed to art historians, historians, art students ...
... Ancient World, Byzantium, Western Europe and Russia from the Middle Ages to the 21th c. and theory of art.
The edition is addressed to art historians, historians, art students and art lovers.
On ...
... Medieval Russia, Western Europe from the Middle Ages to the 20th c., Russian art from the 18th to the 20th c., theory of art.
The edition is addressed to art historians, historians, art students ...
... and foreign authors (in Russian and in English) present the results of research in the art of the Ancient World, Byzantium, Medieval Russia, Western Europe from the Middle Ages to the 21 st c., Russian ...
... (in Russian and in English) present the results of research in the art of the Ancient World, Byzantium, Medieval Russia, Western Europe from the Middle Ages to the 20th c., Russian art from the 18th to ...
... pp. 1‒29, 261‒296.
Belting H. The Image and Its Public in the Middle Ages. Form and Function of Early Paintings of the Passion. New York, 1981, pp. 11‒27.
Chatzidakis ...
... Ribs of European Middle Ages”)
2.6. 14:30–15:30 – Excursion to St. Petersburg State University (The Twelve Colleges Building), St. Petersburg, Vasilievsky Island, Universitetskaya emb., 7–9
2.7. Session ...
... culture and various national cultures.
Working languages of the conference: Russian and English.
Applicants are welcome to suggest papers on all the themes on art from early Middle Ages up to ...
... and cultural studies devoted to the ancient part of the culture and art of Byzantium, European and Russian Middle Ages, art of the 17th-18th and 19th - early 20th century. Completeness of the current knowledge ...