Search - The Actual Problems of History and Theory of Art

1. The Avant-garde (1910–1920) within the Context of the Spiritual and Aesthetic Tradition Illustrated by the Art of K. Petrov-Vodkin: (2015 Artistic Culture and Cult); ... artist, the beauty of colours, shapes, figures, rhythm and the diversity of patterns and textures. One of the honourable representatives of the Russian avant-garde is Kuzma Petrov-Vodkin, who created ...; Created on 02 January 2016
2. Tondo of Vyacheslav Mikhailov: (2015 Russian Art of the 20th Century and Contemporary Russian Art); ... of the conference focused on the idea of Renaissance in art. Explicit and implicit connotations are produced by the very circular shape and color composition. Diversity and elaborateness of texture creates ...; Created on 02 January 2016
3. Leonardo da Vinci’s “Old Paranoid Wall” in Surrealist Photography: (2015 World Art of the 20th Century and Contemporary Art); ... works from Brassai’s series “Graffiti” 1933–1956), showing how a wall texture participates in creation of the image, or easily read forms (E. Medkova “Eye” 1962, “Torso” 1965, K. J. Laughlin “The magic ...; Created on 02 January 2016
4. The Image of Italy in the Art of Russian Emigrant Artists (on the Example of N. N. Lochoff and V. D. Falileev): (2015 World Art of the 20th Century and Contemporary Art); ... to ancient recipes, elaborately copied brushstrokes and the texture of canvases. Not only did he imitate individual style of the artists, but also contributed his own artistic sense to the paintings, revealing ...; Created on 02 January 2016
5. Emblem: (Uncategorised); ... drawings. This deep thinking develops itself in strong texture of his painting and expressive brushstrokes that make it look similar to frozen magma. Grotesque, which Mikhailov understands as consolidation ...; Created on 16 March 2015