Search - The Actual Problems of History and Theory of Art

1. СМАГОЛЬ О.С. Ключевые проблемы изучения дворцовой архитектуры: (2020 Renaissance Art); ... вв.: ретроспектива и перспективы OXANA SMAGOL (Lomonosov Moscow State University, Russian Federation). Key Aspects of Bologna Quattrocento Palaces’ Studies at the Turn of the 20th–21st Centuries: Retrospective ...; Created on 12 November 2020
2. T. SIZONENKO. Inscribing Venice through Celestial Visions: (2020 Renaissance Art); ... of Venetian image-making that complemented contemporaneous humanist discourse on Venice’s cultural identity and origins. Few quattrocento paintings make stronger claims to historical fidelity than large-scale ...; Created on 12 November 2020
3. Renaissance Motifs in the Contemporary Art of St. Petersburg Academic Artists: (2015 Russian Art of the 20th Century and Contemporary Russian Art); ... perfection. L. Kirillova, Y. Behova, N. Ryzhikova are fascinated with quattrocento painting, while sculptors P. Shevchenko, I. Korneev are captivated by plastic discoveries of Donatello and Michelangelo. ...; Created on 02 January 2016
4. Renaissance Inspirations in the Polish Paintings of the 19th and 20th Centuries: (2015 Western Art ca. 1600–1900); ... like Eugeniusz Zak drew on Leonardo (portraits), Botticelli (idyllic scenes, like The Bather). Quattrocento appealed to Waclaw Borowski in the polychromy in the church in Miloslaw. These artists formed ...; Created on 02 January 2016
5. “Vision of St. Bernard” by Filippino Lippi and Its Legacy in the Florentine Painting of the Early 1500s: (2015 Renaissance Art); ... (Gabinetto Disegni e Stampe degli Uffizi, Florence, inv. 175F). The minor Florentine artists of the late Quattrocento often demonstrate a disposition to reproduce on altered scale the whole compositional ...; Created on 02 January 2016
6. The Vatican Palace and the Formation of the Roman Palace Type in the Second Half of the 15th Century: (2015 Renaissance Art); ... first half of Quattrocento, the Avignon Papacy was just over, so the Roman private architecture developed in a chaotic manner and had neither theoretical base nor consistent logic of artistic design. ...; Created on 02 January 2016
7. Muses Images in the Renaissance and after-Renaissance Painting From Lionello d’Este’s Studiolo to Neo-Classical Paintings: (2015 Renaissance Art); ... at Belfiore palace, or a small Muse sanctuary close to Federico da Montefeltro’s studiolo at Palazzo Ducale di Urbino. In the works created by the artists of Quattrocento the images are filled with versatile ...; Created on 02 January 2016