Search - The Actual Problems of History and Theory of Art

1. Poetics of the Title in Russian Painting. Stating the Problem: (2015 Theory of Art); ... in visual arts we use examples from Russian painting. We came to a conclusion that a title, considered to be a true one, always has an impact on perception. This is easy to prove on several cases: “Empty ...; Created on 02 January 2016
2. The Phantom Pain. On the Reception of Renaissance Art in the Modernist Epoch: (2015 Theory of Art); ... ideological and methodological strategies. The Renaissance was phantom pain of Modernism caused by the lost and impossible alternative to the capitalist reality. The main avant-garde myths, categories ...; Created on 02 January 2016
3. The “Shikotan Group” and Two Tendencies of the Soviet Landscape Painting: (2015 Russian Art of the 20th Century and Contemporary Russian Art); ... after the island where they summered for months at a time and created thousands of landscape paintings. Their activities lasted until 1991, when the group disappeared soon after the demise of the communist ...; Created on 02 January 2016
4. Soviet Portrait Painting at the Turn of the 1960s and the 1970s between Renaissance Heritage and Social Realism Traditions: (2015 Russian Art of the 20th Century and Contemporary Russian Art); Vera Otdelnova State Institute of Art Studies, Russia At the turn of the 1960s and the 1970s the new generation of the seventies came to stage. In contrast to the civil pathos of their predecessors ...; Created on 02 January 2016
5. Representation of Traditional Cultures in the Painting of the First Half of the 20th Century on the Example of Grigory Ivanovich Choros-Gurkin and Albert Namatjira: (2015 Russian Art of the 20th Century and Contemporary Russian Art); ... and became a professional artist. His thematic preferences and approaches to painting were similar to a representative of the indigenous population of Central Australia Albert Namatjira, who mastered the ...; Created on 02 January 2016
6. Association of Artists of Revolutionary Russia: “Russian Painting Renaissance” or “Obsolescent Art of Epigones”? On the Question of the Polemic against 8th AKhRR Exhibition «Life and Being of the People ...: (2015 Russian Art of the 20th Century and Contemporary Russian Art); ... till November 1926. The opinions varied from the definition of AKhRR as “Russian painting Renaissance” to regarding it as an extreme “artistic conservatism”. Consideration of the exhibition gradually ...; Created on 02 January 2016
7. Antique and Renaissance Reminiscences in the Monumental Russian Neoclassical Painting of the early 20th Century: Favourite Themes: (2015 Russian Art of the 20th Century and Contemporary Russian Art); Andrey Nikolskiy State Institute of Art Studies, Moscow, Russia The report focuses on the antique and Renaissance themes in the national monumental painting of the 1900–1910s, the subject ...; Created on 02 January 2016
8. Ornament and Its Interpretation in the Monumental Painting of Russian and Polish Artists of the Late 19th Century: (2015 Russian Art ca. 1700–1900); Leila Khasianova The Russian Academy of Arts, Russia In Russia, the monumental painting of the 60–80s of the 19th century is experiencing a crisis, this was due to the interest of the creative ...; Created on 02 January 2016
9. Russian Icon Painting at the Turn of the 20th Century and the Modern Style: (2015 Russian Art ca. 1700–1900); Alexandra Radushevskaya Saint Petersburg State University, Russia Russian icon painting of the modern era has not been researched for a long time because of historical and economic reasons, ...; Created on 02 January 2016
10. Artistic Word Born from the Painting: The Role of Ceremonial Portrait in the Chronicle “Zahudaliy Rod” by N. S. Leskov: (2015 Russian Art ca. 1700–1900); ... both verbal and visual. The subject of the writer’s creative interest is not only paintings, but also the history of their creation, as well as the artist and the broadest approach to his work. In this ...; Created on 02 January 2016
11. Art of Polish Painters in Siberia in the 19th Century: (2015 Russian Art ca. 1700–1900); Joanna Woch Polish Institute of World Art Studies, Poland People fascinated with Siberia in the 19th century were mainly researchers, collectors, travellers, artists and adventurers, as well ...; Created on 02 January 2016
12. The “Renovatio” of Baroque Paintings in the Books of Jorge Semprun: (2015 Western Art ca. 1600–1900); ... of culture in Spain’s socialist government from 1988 to 1991. His interest which manifested itself in the extensive and recurring references, made in his works, to three paintings from 17th century ...; Created on 02 January 2016
13. Renaissance Themes in the 19th Century Historical Painting. Works by Paul Delaroche from the Collection of Anatoly Demidov: (2015 Western Art ca. 1600–1900); Maria Chernysheva Saint Petersburg State University, Russia A new type of history painting emerges in the 19th century France due to the unprecedented development of historical consciousness. ...; Created on 02 January 2016
14. Renaissance Inspirations in the Polish Paintings of the 19th and 20th Centuries: (2015 Western Art ca. 1600–1900); ... Renaissance painting in Polish art are related to the activities of the artistic colony in Rome formed around 1820. In the center of interest was mainly the work of Raphael, to which Wojciech Korneli Stattler ...; Created on 02 January 2016
15. The Problem of Distinctive Character of Spanish Painting in the 17th–18th Centuries in the National Literature on Art: (2015 Western Art ca. 1600–1900); Anna Morozova Saint Petersburg State University, Russia The Spanish Art was badly known in Europe of the 17th–18th centuries. Spanish painting was understood only as the variant of Italian ...; Created on 02 January 2016
16. The Still Lives of the 18th century Spanish Painter Luis Melendez: (2015 Western Art ca. 1600–1900); ... (the 1990s) and at the beginning of 21st century, for example, in fundamental work by T. P. Kaptereva (“Spain. History of Art”, 2003). Russian spectator and art-lover in our country was able to see ...; Created on 02 January 2016
17. Paintings for the Knights of Malta. Mattia Preti and the Celebration of Martyrdom: (2015 Western Art ca. 1600–1900); Alessandro Cosma Sapienza University of Rome, Italy Arriving in Malta in 1660, Mattia Preti progressively become the official painter of the Knights of St. John, and changed radically their ...; Created on 02 January 2016
18. Painting of the Italian Renaissance in the Collection of Stroganoffs. New Facts about the Destiny of the Masterpieces from the Collection: (2015 Renaissance Art); ... attribution and contained 87 canvases. In 1800 it included the descriptions of 116 paintings, and 16 of them were the creations of the Renaissance masters with Andrea del Sarto, Bronzino, Correggio, Carracci ...; Created on 02 January 2016
19. Singularity of Renaissance in Iberian Peninsula and Its Impact on Polychrome Sculpture of Spain and Portugal in the 16th Century: (2015 Renaissance Art); ... tendencies, otherwise it’s impossible to imagine such a specific naturalistic Baroque art as polychrome sculpture as well as the Sevillian painting. Analyzing the art of Modern Age in Spain and Portugal ...; Created on 02 January 2016
20. “The Sky of Salamanca”. Spain and the Renaissance: (2015 Renaissance Art); Viktoria Dremova Saint Petersburg State University, Russia The continuous development of art and the evolution of aesthetics in Spain of the 15th century induce increasing interest of the ...; Created on 02 January 2016