... geographical, historical and political borders essential for the artistic process? Where are the borderlines between the local and the global, and where do they intersect? Which rules and limitations influence ...
... the global, and where do they intersect? Which rules and limitations influence the artistic development, how and why are they being broken? What can transgression of canons lead to? Where is the horizon ...
... Employing the method of archaeological imitation, the architect used the Church of St. Sergius and Bacchus in Istanbul as a base for his work. The ecclesiastical art of the “golden age” of Justinian the ...
... as with the change of its function into a representative mansion of the new cultural and business elite of Russia. The transformation of the mansion in “il palazzo delle arti” in imitation of the Renaissance ...
... faience and products from precious metals). Borrowing occurred indirectly through imitation of European models.
Experts believe that decor of most of the Russian porcelain sets of the end of the 18th ...
... was higher than European standard of his time — Italian painting.
In biographies of certain masters he constantly stressed their mastership in the imitation of nature. Instinctively he was inclined ...
... icon as a copy; the icon as an imitation of another icon, all of these aspects are not only different areas of culture but are the different aspects of artistic life of the icon, a different story of its ...
... admiration and imitation. Thus, cuirasse esthétique, on the one hand, is in itself a mark of a certain aesthetic unity of antiquity and the Renaissance, while on the other, separates the specified eras ...
... method of the modern art studies.
At first Celtic coins were struck in imitation of the Greek and Roman prototypes. But later Celtic craftsmen transformed the original image and showed their artistic ...
... design, imitation of weaving and, in my opinion, the most important factor — the human body is the primary element for the artist, while clothes are only secondary. That’s why the dress is rendered flat. ...
... or indications of imitation. This is more a manifestation of the memory of the art itself— increasing as a result of the short distance between the artist and the formation of these new paths. Vyacheslav ...
... Image in the Art of Renaissance
1.1.16. Ol’ga G. Makho (State Hermitage Museum; St. Petersburg University for Cinematography and Television, Russia) Originals and Imitations of the Art of Classical ...
... important that during the recent years the antiquity and its influence on the culture and art of the following centuries (repetitions, imitations and transformations) has begun one of the main themes of ...