Search - The Actual Problems of History and Theory of Art

1. СТЕПАНОВ М.А. Деавтономия постчеловеческого воображения: (2020 Art Theory); ... искусства MIKHAIL STEPANOV (Saint Petersburg State University of Industrial Technologies and Design, Russian Federation). The De-Autonomy of Post-Human Imagination: New Directions in the Theory of Art ...; Created on 13 November 2020
2. A. CORSO. When and Why Ancient Art Became Anonymous: (2020 Art of the Ancient World); ... arts must no longer respond to the ‘mimesis’ but to the ‘phantasia’, which is meant to be creative imagination which translates the transcendent beauty and truth into the earthly world (Philostratus, Apollonius ...; Created on 12 November 2020
3. Moscow Versions of the French Opera in the Late 18th Century: Features of Production and Perception: (2015 Russian Art ca. 1700–1900); ... dinner, dancing and fireworks alternating and affecting vision, hearing and imagination of a viewer. The perception of the performance by Moscow audience was sometimes very different from the perception ...; Created on 02 January 2016
4. Symbolism and Antiquity: Perception through the Lens of Subjective “avant-garde” Aesthetics: (2015 Western Art ca. 1600–1900); ... of the spirit, heart and imagination” whose goal was “through line, arabesque and plastic possibilities to resurrect the idea”. Elusive references of Moreau to the legends of antiquity were equal with ...; Created on 02 January 2016
5. The Image and the Word in Works by Piero di Cosimo: (2015 Renaissance Art); ... His religious subjects are more discreet and solemn and close to the Florentine tradition. Despite the prominent role of imagination, Piero di Cosimo uses specific sources, first of all, literary, and ...; Created on 02 January 2016