(2015 Russian Art of the 20th Century and Contemporary Russian Art)
Olga Ivanova
The publishing house “Prosvescheni”, Russia
The unique creative method of Evgeny Kibrik (1906–1978) as one of the most prominent classics of the Soviet graphic art of the 20th ...
... of your application, you can do it in your account.
If you are participating in the conference with a poster presentation, please send the text and illustrations for your poster to the Organizing Committee ...
... and the section, as soon as they could have been changed.
Should your application be accepted for the conference as poster presentation, you will need to send the text and illustrations for your poster ...
... of Association “Makovetz”
Ekaterina Voronina. Moscow in S. Y. Adlivankin’s Works
Olga Ivanova. The Mystery of Creating a Graphical Image in Evgeny Kibrik’s Illustrations. Transformation Mystery according ...
... (for students)
Please, leave an empty space in the upper right corner of your cover page (12 x 4 cm) for official use.
Illustrations
Illustrations should be visible and text should ...
... Atkinson’s illustrations for “Miseries of human life” by J. Beresford and for “Carver...” by A. Evans // Actual problems of theory and history of art, St. Petersburg, 2012
Battles in J. Atkinson’s ...
(2015 Russian Art of the 20th Century and Contemporary Russian Art)
... enjoyed painting the region where he lived (the Maslovka district). Some of his portraits were depicted against the Petrovskii Park (The Girl with a red bow, 1930). His genre paintings and magazine illustrations ...
(2015 World Art of the 20th Century and Contemporary Art)
... of realism and grotesque, which helps Rackham’s illustrations to enjoy constant popularity. The assimilation of the Art Nouveau heritage through the prism of his work is determined by the two main paths ...
... errors. The illustrations used by A. N. Olenin in his work clearly demonstrate the credibility of his arguments.
The book of A. N. Olenin reflected a new concept of restoration formed as a result of both ...
Klara Sharafadina
Saint Petersburg Humanitarian University of Trade Unions, Russia
G. Derzhavin could not abandon the idea of publishing his poems with illustrations for several decades as he could ...
... alive as if emphasizing their eternity.
The idea of fortune, another reflection of vanitas theme, was also reflected in official art of Maximilian I: in design of “Arch of Honor” and in illustrations ...
... language bibliography, the tables of the above-mentioned manuscript were read and translated. The way in which the illustrations were composed was analysed, including how exactly the images and texts correspond ...
... and Jesuits, which is directly reflected in the figurative and plastic language of illustrations.
These publications were actively used as models not only in Western Europe but also in Asia. Stained ...
... The monastery in it looks like Jerusalem in the illustrations of New Testament.
Monastic subjects spread widely in the late 15th and in the early 16th century, already in the post-Byzantine period. ...
... and typology of images, illustrative and compositional techniques of medieval artists. Historians often perceive these miniatures literally, ignoring their art nature, and often use them as illustrations ...
... The La Tene Style was transformed under influence of Oriental, Eastern Mediterranean, Christian and German art to a new form of artistic expression — visible on metal works, in book illustrations and ...
... to publish and have not committed to anyone else to use them otherwise;
Authors guarantee that they have the official permission to publish illustrations they submit together with the article;
Editors ...
... Hercules… Book illustrations, made by some artist called Rudakov, are black and white and are a bit dark, as if the story had taken place in a dimly lit cupboard. It is obvious from the very first glance ...
... byzantine à la fin du Moyen âge. Paris, 1977, pp. 50‒54, 99‒121.
Velmans T., Suput M., Korac V. Rayonnement de Byzance. Paris, 1999, pp. 241‒242.
Weitzmann K. Illustrations ...