Elizaveta Grigorieva
Lomonosov Moscow State University, Russia
The Renaissance is one of the most important periods in the history of European art. Having originated in Italy, the Renaissance ...
... the beginning, “the past that we choose to tell”. This “selective memory” is identifiable, through an “ethical” approach – borrowing the definition from anthropology — and categories of the “emic” type. ...
... composed by sculpture, an important corpus can be dated from the 6th c. to the 4th century BC. Recent studies on Lycian art have clearly shown how an Anatolian background was ingeniously mixed with borrowings ...
... faience and products from precious metals). Borrowing occurred indirectly through imitation of European models.
Experts believe that decor of most of the Russian porcelain sets of the end of the 18th ...
... 18th century. The compositions of both portraits are so much alike, as well as other formal devices, that one can not be mistaken regarding the source of borrowing. Working on his canvas Vishnyakov probably ...
... with monuments of the city, more often gave their preference to research into the Renaissance architecture. Regarding monuments of the Renaissance as a source for borrowing of constructions, plans of compositions ...
... of these ancestors must have been a late antique mosaic with compositions similar to those found in a mosaic pavement in Antioch during the 1st century. Another possible source of borrowing may be seen ...
... to unveil certain common trends in the development of arts in the region during the century. Synthesis of the stylistic borrowings from traditions of Carolingian and Ottoninan art, with influences introduced ...
Polina Maier
The University of Wurzburg, Germany
This paper explores the problem of the iconographical borrowings in the late Russian icon painting. The study intends to reveal the sources ...
Oyuna Galdanova
Russian State University for the Humanities, Russia
There are many publications about the iconography of images from Scythian scabbards and gorytoi. B. V. Farmakovsky, G. Richter, ...
... his canvases carry echoes of the voices of both Francis Bacon and Pavel Filonov. In the drawings, these voices belong to Conrad Felixmuller and Ernst Ludwig Kirchner, although there are no direct borrowings ...