ТОКМАЧЕВА ПОЛИНА АНАТОЛЬЕВНА (Государственный музей изобразительных искусств имени А.С. Пушкина, Российская Федерация). Данте Габриэль Россетти и его круг в зеркале критики. Роман Вернон Ли «Мисс Браун» ...
ДУНИНА МАРИЯ ВЛАДИМИРОВНА (Государственный музей изобразительных искусств имени А.С. Пушкина, Российская Федерация). Мастерские эпохи Возрождения и гуманистическое воспитание: новые параллели и изменение ...
ЛОПУХОВА МАРИНА АЛЕКСАНДРОВНА (Московский государственный университет имени М.В. Ломоносова, Российская Федерация). Гротесковый орнамент в Италии на рубеже XV–XVI вв.: историография и история
MARINA ...
... true labels as “Raphael”, “Leonardo”, etc. Eminent art
historians, Lionello Venturi and G. C. Argan, A. Chastel and P. Francastel, M. Dvorak and H. Sedlmayr created new forms of reception according ...
... Renaissance painting in Polish art are related to the activities of the artistic colony in Rome formed around 1820. In the center of interest was mainly the work of Raphael, to which Wojciech Korneli Stattler ...
... original commission by Grand Master Martin de Redin (1657–1660) related to his — failed — project of crusade.
• The unknown role played by the two Grand Masters Raphael (1660–1663) and Nicolas Cotoner ...
... of Gotzkowsky brought to Catherine II included the works of the great masters of the European Renaissance: Raphael, Titian, Veronese, Tintoretto, Holbein. Today part of attributions is not confirmed. Scholars ...
... compositions with a diversified programme like in “Parnassus” by Andrea Mantegna painted for Isabella d’Este’s studiolo at Mantua. It seems true that the apogee of the theme was reached in Raphael’s “Parnassus”, ...
... in 1800s–1850s
3.5.16. Oksana I. Dubitskaia (Association of Art Critics, Russia) Pre-Raphaelites and Antiquity: Seeing through the Prism of Subjective “Avant-garde” Aesthetics
3.5.17. Irina V. ...