SPbSU

Saint Petersburg State University

Actual Problems of Theory and History of Art

СПбГУ

Actual Problems of Theory and History of Art

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Total: 21 results found.

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      1. The “Renovatio” of Baroque Paintings in the Books of Jorge Semprun
      (2015 Western Art ca. 1600–1900)
      ... Holland, Italy and Spain lies mainly in the renovation, the new life that he attributes to them by integrating baroque works in the history of modern Europe. Three famous paintings, Johannes Vermeer’s ...
      Created on 02 January 2016
      2. Western Traditions in Ukrainian Baroque
      (2015 Western Art ca. 1600–1900)
      Tatiana Tairova Saint Petersburg State University, Russia Ukrainian Baroque dominated in the art and culture of Ukraine in the early modern period, including architecture, literature, painting, ...
      Created on 02 January 2016
      3. The Tendencies of Common European Baroque Style in the Late 17th century Spanish Court Portrait
      (2015 Western Art ca. 1600–1900)
      ... one hand, portraits by this artist represented the quintessence of the national Spanish court portrait. On the other hand, his artworks gave impulse to the development of the common European Baroque style ...
      Created on 02 January 2016
      4. The Engravings of Albrecht Dürer and Hendrick Goltzius: From Renaissance to Baroque
      (2015 Western Art ca. 1600–1900)
      Natalia Uvarova Lomonosov Moscow State University, Russia The development of engravings from the Renaissance to the Mannerism and the early Baroque era is a pressing question, which remains ...
      Created on 02 January 2016
      5. Renaissance into Baroque: Тhe Shift in Theological, Political and Cultural Ideals in Counter-Reformation Rome — the Church of Sant’Ignazio and its Decorative Programme
      (2015 Western Art ca. 1600–1900)
      Allan Doig Lady Margaret Hall, University of Oxford, Great Britain Stated contentiously, the proximate cause of the Reformation was architectural, insofar as it was the rebuilding of St Peter’s ...
      Created on 02 January 2016
      6. БЕЗГУБОВА А.А. Немецкое знаточество
      (2020 Museum Studies)
      БЕЗГУБОВА АНАСТАСИЯ АЛЕКСАНДРОВНА (Российский институт истории искусств, Российская Федерация). Немецкое знаточество на службе советских аукционов в Германии в 1920–30-е годы ANASTASIA BEZGUBOVA (Russian ...
      Created on 13 November 2020
      7. СТАНЮКОВИЧ-ДЕНИСОВА Е.Ю. Русско-европейские архитектурные связи эпохи барокко
      (2020 Russian Art in the 18th–19th Centuries)
      ... Russian-European Architectural Ties of the Baroque: Research Trends and Perspectives Проблематика русско-европейских связей применительно к архитектуре XVIII в. зародилась в умах "мирискусников" и  впервые ...
      Created on 13 November 2020
      8. O. CHIQUET. Thinking Ugliness in Italian Renaissance Art
      (2020 Renaissance Art)
      ... progressive historical process spanning the 16th century to the Baroque movement. The conceptualisation of ugliness in these works cannot be boiled down to a mere voluntary (transgression) or involuntary ...
      Created on 12 November 2020
      9. Poster presentation 2014
      (Uncategorised)
      ...  Dar’ia D. Kolpashnikova.Theatricality of the “Jesuit Baroque” and Its Manifestations on the Example of the Ceiling Paintings of the Roman Churches Art of the 20th–21st Centuries. Faces of Classical ...
      Created on 11 February 2017
      10. Poster presentation 2015
      (Uncategorised)
      ... Znamerovskaya’s Contribution to the Study of Italian Renaissance Art Western Art ca. 1600–1900 Natalia Uvarova. The Engravings of Albrecht Dürer and Hendrick Goltzius: from Renaissance to Baroque ...
      Created on 11 February 2017
      11. Ekaterina Stanuykovich-Denisova (St. Petersburg State university)
      (Organizing Committee)
      ... Yu. Denisov) St. Petersburg of the 18thcentury in the drawings from the Bergholz’ collection // Swedes at the Neva shore. Stockholm, 1998 The Baroque City of Empress Elisabeth // Water Cities ...
      Created on 03 January 2016
      12. Elena Efimova (Lomonosov State university)
      (Organizing Committee)
      ... art and architecture of the 16–18thcenturies. Teaching Baroque and classicism (France) Art history: introduction History of Western art Structural Analysis ...
      Created on 03 January 2016
      13. The Interpretation of Academic Styles’ Forms in the Architecture of Rostov-on-Don at the Turn of the 20th Century
      (2015 Russian Art ca. 1700–1900)
      ... forms of academic styles — Classical, Baroque and the Renaissance. This can be explained by a whole complex of reasons. The historical conditions of the towns’ formation of the southern region in the second ...
      Created on 02 January 2016
      14. The Vegetal Allegory of the Vignette Edition of the “Anacreontic Songs” by G. P. Derzhavin: Sources, Basic Patters, Semantics
      (2015 Russian Art ca. 1700–1900)
      ... of the entire complex of vegetal allegories. The origin of the allegories is traced from the classical antiquity to the baroque. Although having their roots mostly in the invariants of the “Symbols and ...
      Created on 02 January 2016
      15. Features of Style Formation in the Post-Petrine Russian Architecture: The Era of Empress Anna Ivanovna
      (2015 Russian Art ca. 1700–1900)
      ... Baroque, which reached its heyday in the 1740–1750s. In this respect, the 1730s are usually counterposed to diverse, stylistically mixed first quarter of the 18th century. However, the emergence in the ...
      Created on 02 January 2016
      16. The Renaissance of the Relief Mosaic: Stone Figures of Fabergé Workshop and His Contemporaries
      (2015 Western Art ca. 1600–1900)
      ... created at the end of the Italian Renaissance in the workshop of Great Duke of Medici and by its followers from German states in the time of the Baroque style. Again the interest to this very expensive, ...
      Created on 02 January 2016
      17. Singularity of Renaissance in Iberian Peninsula and Its Impact on Polychrome Sculpture of Spain and Portugal in the 16th Century
      (2015 Renaissance Art)
      ... tendencies, other­wise it’s impossible to imagine such a specific naturalistic Baroque art as polychrome sculpture as well as the Sevillian painting. Analyzing the art of Modern Age in Spain and Portugal ...
      Created on 02 January 2016
      18. Gothic in the French Theory of Architecture and Graphics of the second half of the 16th–17th Centuries
      (2015 Renaissance Art)
      Yulia Arutyunyan Saint Petersburg Academy of Arts, Russia There is a common place that the Renaissance had strictly negative attitude to the Gothic style due to its barbarous origin, rejection ...
      Created on 02 January 2016
      19. The Virgin of Passion in Russian Tradition: Actualization of Iconography in Cross-Cultural Context
      (2015 Old Russian Art)
      ... in the middle — second half of the 17th century in Moscow is absolutely understandable. It is in tune with the basic principles of Baroque art, which penetrates into Russia with Ukrainian and Belarusian ...
      Created on 02 January 2016
      20. Kosenkova, Katerina B. The Syracuse Metamorphoses: to the Problem of Successive Architectural Transformations from Antiquity to Christianity (as Exemplified by the Temples of Graecia Magna)
      (Art of the Ancient World)
      ... of the Ancient Greek temple of the 5th c. BC, the interior of Christian basilica and the decor of a baroque cathedral — are now combined to form a single structure. Keywords Early ...
      Created on 02 March 2015
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