SPbSU

Saint Petersburg State University

Actual Problems of Theory and History of Art

СПбГУ

Actual Problems of Theory and History of Art

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Total: 10 results found.

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      1. Soviet Portrait Painting at the Turn of the 1960s and the 1970s between Renaissance Heritage and Social Realism Traditions
      (2015 Russian Art of the 20th Century and Contemporary Russian Art)
      ... this “Soviet Piero” that was embraced and taken as a sample by young artists of the 70s. Partly because of this their art preserved such canonical aspects of socialist realism as idealization and tendentiousness. ...
      Created on 02 January 2016
      2. ЯКОВЛЕВА Н.А. Жанровая хронотипология
      (2020 Artistic Culture and Cult)
      ЯКОВЛЕВА НОННА АЛЕКСАНДРОВНА (Cоюз художников РФ, Российская Федерация). Жанровая хронотипология русской реалистической живописи Нового времени: логика и флюктуации художественного процесса NONNA YAKOVLEVA ...
      Created on 13 November 2020
      3. ФОМЕНКО А.Н. О современной пасторали
      (2020 Art Theory)
      ФОМЕНКО АНДРЕЙ НИКОЛАЕВИЧ (Санкт-Петербургский государственный университет, Российская Федерация). О современной пасторали ANDREY FOMENKO (Saint Petersburg State University, Russian Federation). About ...
      Created on 13 November 2020
      4. H. YAKOU. A Georgian Artist and the Art History in Sakhalin
      (2020 The 20th-Century and Contemporary Art)
      ... changed his creative style, which was basically that of the official Socialist Realism, and reverted to the modernist style he acquired from professors of Tbilisi Academy and other Georgian artists, such ...
      Created on 13 November 2020
      5. КОРОЛЕВА А.Ю. Между «вырождением» и «возрождением»
      (2020 The 20th-Century and Contemporary Art)
      КОРОЛЕВА АНАСТАСИЯ ЮРЬЕВНА (Российская Академия художеств, Российская Федерация). Между «вырождением» и «возрождением». Женские образы в живописи «Новой вещественности»  ANASTASIA KOROLEVA (Russian Academy ...
      Created on 13 November 2020
      6. МАНУЧАРОВА Д. К вопросу об истории группы по изучению творчества
      (2020 The 20th-Century and Contemporary Art)
      МАНУЧАРОВА ДАРЬЯ (Государственная Третьяковская галерея, Российская Федерация). К вопросу об истории группы по изучению творчества М.А. Врубеля при Кабинете Секции Пространственных Искусств ГАХН DARIA ...
      Created on 13 November 2020
      7. КАРЕВ А.А. Проблема самобытности русского искусства XVIII века
      (2020 Russian Art in the 18th–19th Centuries)
      КАРЕВ АНДРЕЙ АЛЕКСАНДРОВИЧ (Научно-исследовательский институт теории и истории изобразительных искусств Российской академии художеств, Московский государственный университет имени М.В. Ломоносова, Российская ...
      Created on 13 November 2020
      8. Assimilation of the Art Nouveau Heritage in the Modern Book Culture
      (2015 World Art of the 20th Century and Contemporary Art)
      ... of realism and grotesque, which helps Rackham’s illustrations to enjoy constant popularity. The assimilation of the Art Nouveau heritage through the prism of his work is determined by the two main paths ...
      Created on 02 January 2016
      9. What is Renaissance? Interpreting an Artistic Epoch in Estonia in the 19th and 20th Centuries
      (2015 Renaissance Art)
      ... in the 1920s and 1930s by academic researchers. During the Soviet period in Estonia the Renaissance was re-written according to the Marxist-Leninist discourses of historical materialism and realism. This ...
      Created on 02 January 2016
      10. T. P. Znamerovskaya’s Contribution to the Study of Italian Renaissance Art
      (2015 Renaissance Art)
      ... “K. Marx and F. Engels on realism in art (to the question of nature and boundaries of realism)” and others. The author’s correspondence with Russian researchers (V. N. Lazarev, J. B. Vipper, M. V. Alpatov, ...
      Created on 02 January 2016
       
       
       

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      Actual Problems of Theory and History of Art.
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          • 2016
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          • 2015
            • About
            • Programme
          • 2014
            • About
            • Programme
        • Gallery
        • Previous Emblems
        • Newsletters
      • Publications
        • Archive
          • Vol. 14. 2024
          • Vol. 13. 2023
          • Vol. 12. 2022
          • Vol. 11. 2021
          • Vol. 10. 2020
          • Vol. 9. 2019
          • Vol. 8. 2018
          • Vol. 7. 2017
          • Vol. 6. 2016
          • Vol. 5. 2015
          • Vol. 4. 2014
          • Vol. 3. 2013
          • Vol. 2. 2012
          • Vol. 1. 2011
        • Ethic code
        • For Authors
          • Guidelines
          • Publication process
          • License agreement
        • Editors
        • Theses
          • Theses 2020
          • Theses 2015
      • Contacts
      • Account