(2015 Russian Art of the 20th Century and Contemporary Russian Art)
... this “Soviet Piero” that was embraced and taken as a sample by young artists of the 70s. Partly because of this their art preserved such canonical aspects of socialist realism as idealization and tendentiousness. ...
ЯКОВЛЕВА НОННА АЛЕКСАНДРОВНА (Cоюз художников РФ, Российская Федерация). Жанровая хронотипология русской реалистической живописи Нового времени: логика и флюктуации художественного процесса
NONNA YAKOVLEVA ...
ФОМЕНКО АНДРЕЙ НИКОЛАЕВИЧ (Санкт-Петербургский государственный университет, Российская Федерация). О современной пасторали
ANDREY FOMENKO (Saint Petersburg State University, Russian Federation). About ...
... changed his creative style, which was basically that of the official Socialist Realism, and reverted to the modernist style he acquired from professors of Tbilisi Academy and other Georgian artists, such ...
КОРОЛЕВА АНАСТАСИЯ ЮРЬЕВНА (Российская Академия художеств, Российская Федерация). Между «вырождением» и «возрождением». Женские образы в живописи «Новой вещественности»
ANASTASIA KOROLEVA (Russian Academy ...
МАНУЧАРОВА ДАРЬЯ (Государственная Третьяковская галерея, Российская Федерация). К вопросу об истории группы по изучению творчества М.А. Врубеля при Кабинете Секции Пространственных Искусств ГАХН
DARIA ...
КАРЕВ АНДРЕЙ АЛЕКСАНДРОВИЧ (Научно-исследовательский институт теории и истории изобразительных искусств Российской академии художеств, Московский государственный университет имени М.В. Ломоносова, Российская ...
(2015 World Art of the 20th Century and Contemporary Art)
... of realism and grotesque, which helps Rackham’s illustrations to enjoy constant popularity. The assimilation of the Art Nouveau heritage through the prism of his work is determined by the two main paths ...
... in the 1920s and 1930s by academic researchers. During the Soviet period in Estonia the Renaissance was re-written according to the Marxist-Leninist discourses of historical materialism and realism. This ...
... “K. Marx and F. Engels on realism in art (to the question of nature and boundaries of realism)” and others. The author’s correspondence with Russian researchers (V. N. Lazarev, J. B. Vipper, M. V. Alpatov, ...