SPbSU

Saint Petersburg State University

Actual Problems of Theory and History of Art

СПбГУ

Actual Problems of Theory and History of Art

  • Русский (РФ)
  • English (UK)
  • 2024
    • News
    • Program
    • Emblem
    • How to apply
    • Guestbook
  • About
    • Organizing Committee
    • Participants
    • Sponsors
    • Archive
      • 2022
        • About
        • Program
        • Emblem
      • 2020
        • About
        • Program
        • Αbstracts of communications
        • Online streaming
        • Emblem
      • 2018
        • About
        • Partner Museum
        • Emblem
        • Program
        • Αbstracts of communications
      • 2016
        • About
        • Programme
      • 2015
        • About
        • Programme
      • 2014
        • About
        • Programme
    • Gallery
    • Previous Emblems
    • Newsletters
  • Publications
    • Archive
      • Vol. 14. 2024
      • Vol. 13. 2023
      • Vol. 12. 2022
      • Vol. 11. 2021
      • Vol. 10. 2020
      • Vol. 9. 2019
      • Vol. 8. 2018
      • Vol. 7. 2017
      • Vol. 6. 2016
      • Vol. 5. 2015
      • Vol. 4. 2014
      • Vol. 3. 2013
      • Vol. 2. 2012
      • Vol. 1. 2011
    • Ethic code
    • For Authors
      • Guidelines
      • Publication process
      • License agreement
    • Editors
    • Theses
      • Theses 2020
      • Theses 2015
  • Contacts
  • Account

Total: 28 results found.

Search for:
Newest First
    Search Only:
    20
      1. The Vatican Palace and the Formation of the Roman Palace Type in the Second Half of the 15th Century
      (2015 Renaissance Art)
      ... everywhere. In this respect, Rome provides a very interesting and exemplary evolution of this typology. Roman palace type is not so articulated as the ones at Florence and in other artistic centers. In the ...
      Created on 02 January 2016
      2. Typology of Apadana Palace in the Classical Architecture of Achaemenid Iran: The Problem of Origin
      (2015 Ancient Art)
      Ramil Vergazov Lomonosov Moscow State University, Russia The typology of the apadana palace has a significant place in the classical architecture of the Achaemenid Iran. The apadana is a specific ...
      Created on 02 January 2016
      3. Emblem of 2024 Conference
      (Uncategorised)
      ... surrounding environments and to adopt an artistic perspective in viewing the world. It would be inaccurate to suggest that art is solely confined to art museums. The city's streets and squares, palaces ...
      Created on 08 April 2022
      4. ХАИРОВА В.Ш. К творческому наследию русского зарубежья
      (2020 Issues of World Architecture)
      ХАИРОВА ВАЛЕНТИНА ШАЙХИТДИНОВНА (независимый исследователь, Российская Федерация). К творческому наследию русского зарубежья: работы Г.К. Лукомского в коллекции Королевского института британских архитекторов ...
      Created on 13 November 2020
      5. СМАГОЛЬ О.С. Ключевые проблемы изучения дворцовой архитектуры
      (2020 Renaissance Art)
      ... вв.: ретроспектива и перспективы OXANA SMAGOL (Lomonosov Moscow State University, Russian Federation). Key Aspects of Bologna Quattrocento Palaces’ Studies at the Turn of the 20th–21st Centuries: Retrospective ...
      Created on 12 November 2020
      6. F. ZISA. The Impact of the Ancient “Arrotino” Model on the “Crouching Boy” Type
      (2020 Art of the Ancient World)
      ... detailed guide to Pisa monuments, mentioned a sandstone statue located in the main room of the Lanfranchi Palace in Pisa, and “was made by Michelangelo Buonarroti on the model of the “Arrotino” at the ...
      Created on 12 November 2020
      7. Conference Program 2020
      (Uncategorised)
      ... 20:00 Renaissance Art (part 2)   10:30 – 19:00 Issues of World Architecture     St. Petersburg State University, Faculty of liberal arts and sciences (Bobrinsky Palace), ...
      Created on 29 March 2020
      8. Ekaterina Stanuykovich-Denisova (St. Petersburg State university)
      (Organizing Committee)
      ... Academy Archive (Roma) // Italian compendium. From ancient times to the 21st century. St. Petersburg, 2005 The Mariinsky Palace: The Legislative Assembly of St.Petersburg. St. Petersburg, 2001 (with ...
      Created on 03 January 2016
      9. “The Room of Contemporary Art” in the State Hermitage Museum in 1932–1933
      (2015 Russian Art of the 20th Century and Contemporary Russian Art)
      ... of Contemporary Art” was created to display “the modern Western European art, giving prior attention to the proletarian art and related currents” and was located on the 3rd floor of the Winter Palace, ...
      Created on 02 January 2016
      10. From Yalta to Thessaloniki: Versatile Architect Nikolai Petrovich Krasnov
      (2015 Russian Art of the 20th Century and Contemporary Russian Art)
      ... palaces designed for the Russian Imperial elite, versatile architect was once again put into service as an industrious, ever occupied state architect. Entwining Yugoslav architecture with the experiences ...
      Created on 02 January 2016
      11. Russian Belgrade (1920–1941) — Between the Real Built Environment and Historiographical Utopia
      (2015 Russian Art of the 20th Century and Contemporary Russian Art)
      ... creative and historical trace in the midwar Belgrade, especially in its sillhouets, bridges, churches, ministery buildings, public monuments, mansions and representative palaces. Many of educated eyewitnesses, ...
      Created on 02 January 2016
      12. The participation of Russian architects and sculptors in making Art Deco Architecture in Serbia
      (2015 World Art of the 20th Century and Contemporary Art)
      ... buildings with reliefs. Viktor Lukomski designed the Palace of the Patriarchate of the Serbian Orthodox Church and the State hotel on Avala. Russian artists’ sculptural oeuvre of Art Deco style in Belgrade ...
      Created on 02 January 2016
      13. The role of P. von Hess and A. I. Mikhailovsky-Danilevsky in Creating the “Official” History of the Patriotic War of 1812
      (2015 Russian Art ca. 1700–1900)
      ... of the artist P. Hess whose series of paintings was aimed for special “memorial room” of military history of Russia in the Winter Palace. By focusing on a micro-history of this artistic commission, we were ...
      Created on 02 January 2016
      14. “The Palladian Fancy” of the Counts Razumovsky
      (2015 Russian Art ca. 1700–1900)
      ... foreign ones working in Russia was reviewed many times in art history studies. However, the problem of the “Palladian fancies” of the palaces and country houses owners has been somewhat overlooked; this ...
      Created on 02 January 2016
      15. Moscow Versions of the French Opera in the Late 18th Century: Features of Production and Perception
      (2015 Russian Art ca. 1700–1900)
      ... of Catherine II in Kuskovo, when a new theater building was opened, and later of Paul I and Stanislas August Poniatowski in Ostan­kino, where a special palace-theatre was constructed, like in Paris, specially ...
      Created on 02 January 2016
      16. A. Palladio’s Villas and the Genesis of a Rotunda in the Particular Construction of the French Neoclassicism
      (2015 Western Art ca. 1600–1900)
      ... of space can be traced both in suburban palaces and in town hotels. Achievements of the French classicist architectural school in this area must be examined on the material of both realized and unrealized ...
      Created on 02 January 2016
      17. The “Myth” of Enea Silvio Piccolomini and the Art of Siena
      (2015 Renaissance Art)
      ... town Corsignano, into Pienza — an ideal city according to humanists’ conception. Main buildings of the city gave the possibility to express his origin and cultural predilections. Windows of the palace ...
      Created on 02 January 2016
      18. The Interaction of Cultural Traditions in the Architecture of Crimea
      (2015 Renaissance Art)
      ... in Kerch, the Palace of the Crimean khans in Bakhchisaray, and fortifications in the region of Kerch, Sudak and Sevastopol, religious and residential buildings of the Crimean cities. The works of the artists, ...
      Created on 02 January 2016
      19. On Italian Borrowings, Their Absorption and Transformation in the Spanish Secular Architecture of the Renaissance
      (2015 Renaissance Art)
      ... family were the first to build palaces and castles, basing themselves on new features of the Italian Renaissance. For Spain they were like Medici for Italy but they were closely connected not with the ...
      Created on 02 January 2016
      20. The Principles and Techniques of Exhibitions in the Renaissance: On the History of the Formation of a European Museum
      (2015 Renaissance Art)
      ... palace galleries, which were widespread in this period and formed a peculiar kind of presentation in the context of the leading architectural and artistic style, scientific worldview and the dominant ideology. ...
      Created on 02 January 2016
      • Start
      • Prev
      • 1
      • 2
      • Next
      • End
       
       
       

      Publications

      • Vol. 1. 2011
      • Vol. 2. 2012
      • Vol. 3. 2013
      • Vol. 4. 2014
      • Vol. 5. 2015
      • Vol. 6. 2016
      • Vol. 7. 2017
      • Vol. 8. 2018
      • Vol. 9. 2019

      Newsletters

      Actual Problems of Theory and History of Art.
      Saint Petersburg State University © 2020.

      A
      • 2024
        • News
        • Program
        • Emblem
        • How to apply
        • Guestbook
      • About
        • Organizing Committee
        • Participants
        • Sponsors
        • Archive
          • 2022
            • About
            • Program
            • Emblem
          • 2020
            • About
            • Program
            • Αbstracts of communications
            • Online streaming
            • Emblem
          • 2018
            • About
            • Partner Museum
            • Emblem
            • Program
            • Αbstracts of communications
          • 2016
            • About
            • Programme
          • 2015
            • About
            • Programme
          • 2014
            • About
            • Programme
        • Gallery
        • Previous Emblems
        • Newsletters
      • Publications
        • Archive
          • Vol. 14. 2024
          • Vol. 13. 2023
          • Vol. 12. 2022
          • Vol. 11. 2021
          • Vol. 10. 2020
          • Vol. 9. 2019
          • Vol. 8. 2018
          • Vol. 7. 2017
          • Vol. 6. 2016
          • Vol. 5. 2015
          • Vol. 4. 2014
          • Vol. 3. 2013
          • Vol. 2. 2012
          • Vol. 1. 2011
        • Ethic code
        • For Authors
          • Guidelines
          • Publication process
          • License agreement
        • Editors
        • Theses
          • Theses 2020
          • Theses 2015
      • Contacts
      • Account