Search - The Actual Problems of History and Theory of Art

1. The Engravings of Albrecht Dürer and Hendrick Goltzius: From Renaissance to Baroque: (2015 Western Art ca. 1600–1900); Natalia Uvarova Lomonosov Moscow State University, Russia The development of engravings from the Renaissance to the Mannerism and the early Baroque era is a pressing question, which remains ...; Created on 02 January 2016
2. ДЕМИЧЕВА Т.М. Имперский вопрос во французских гравюрах: (2020 Western Art of the Modern Times); ... State University, Russian Federation). The Imperial Question in French Engravings of the Second Half of the 18th Century В докладе показано как во французских гравюрах второй половины XVIII века были ...; Created on 12 November 2020
3. БРУК Е.Г. Гравюры Бернара Пикара: (2020 Western Art of the Modern Times); ... of the History of Religion, Russian Federation). Bernard Picart’s Engravings and a New Attitude towards Ancient Greek and Roman Mythology in the Early 18th Century Начало XVIII столетия может быть определено ...; Created on 12 November 2020
4. СУББОТИНА О.В. Интерпретация гравюр парижских богослужебных книг: (2020 Renaissance Art); ... концепциям визуального нарратива OLGA SUBBOTINA (Library of the Russian Academy of Sciences, Russian Federation). Interpretation of Parisian Liturgical Books’ Engravings in the First Half of the 16th ...; Created on 12 November 2020
5. Poster presentation 2015: (Uncategorised); ... Znamerovskaya’s Contribution to the Study of Italian Renaissance Art Western Art ca. 1600–1900 Natalia Uvarova. The Engravings of Albrecht Dürer and Hendrick Goltzius: from Renaissance to Baroque ...; Created on 11 February 2017
6. The Water Color Series “The Russian Alphabet. Gift to Russian Children in the Memory of the French Invasion of Russia in 1812”: (2015 Russian Art ca. 1700–1900); ... researched by art historians or displayed for the public. But engraving sets of “The Russian Alphabet” are well-known to specialists. It is believed that the alphabet had been made by the Russian sculptor ...; Created on 02 January 2016
7. Portrait of Sarah Eleonora Fairmore by Ivan Vishnyakov: To the Question of Iconography: (2015 Russian Art ca. 1700–1900); ... used an engraving after the painted original by Nattier. The practice of using prints as patterns was widely spread in art. Considering the popularity of Nattier’s work in Russia, which local artists ...; Created on 02 January 2016
8. “The work to wonder at: perhaps a Stowe”: Formation of the Model Landscape Park and Its Role in the Enlightenment Garden Tradition: (2015 Western Art ca. 1600–1900); ... and has visited Stowe four times (1994–2011). The paper will be illustrated by historical engravings, the author’s photos and the author’s complete translations of all the texts mentioned above. PDF ...; Created on 02 January 2016
9. The Principles and Techniques of Exhibitions in the Renaissance: On the History of the Formation of a European Museum: (2015 Renaissance Art); ... techniques and presentation of collections in the nascent European museums. It had a significant effect on subsequent periods of their development. The article also provides extensive visual material — engravings ...; Created on 02 January 2016
10. Compagnie della Calza in the Venetian Art of the 15th–16th Centuries: (2015 Renaissance Art); ... forces for the purpose of entertainment”. The illustrative witnesses of how exactly Companions looked “at their full blossom” could be divided into three groups: 1. Drawings, prints and engravings ...; Created on 02 January 2016
11. The Antiquity in the Eyes of an Antiquarian, Architect and Engraver: The State Hermitage Albums and the Development of Architectural Drawing after Antiquity in the Second Half of the 16th Century: (2015 Renaissance Art); ... stating this fact, the scholar has not set a goal to trace this tradition in the mid 16th century, in particular in Roman architectural engraving, which shows more similarities to the Album B rather than ...; Created on 02 January 2016
12. New Facts about Western Models of Russian Art in the 17th Century: (2015 Old Russian Art); ... Russian art of the 17th century. As a rule they were albums of engravings on biblical themes (ouvrages), published in the end of the 16th–17th centuries in the Netherlands and Germany. The report focuses ...; Created on 02 January 2016
13. The Virgin of Passion in Russian Tradition: Actualization of Iconography in Cross-Cultural Context: (2015 Old Russian Art); ... book culture. The Instruments of the Passion of Christ in different iconographic versions become usual elements of different objects (for example, metal crosses), in fine art (portrait engravings), and ...; Created on 02 January 2016
14. Different Types of Western European Prints’ Reminiscences in Illustrative Cycles of Russian 16th Century Apocalypse Manuscripts. Problem Statement: (2015 Old Russian Art); ... known and described in literature (primarily engravings of the Piscator’s Bible and related publications). However F. I. Buslaev already observed that some compositions in a certain cycle of Russian miniatures ...; Created on 02 January 2016
15. Dmitrieva, Elena N. Phenomenon of Neoclassicism and Count Lev A. Perovsky’s Dactyliotheca of Antique Engraved Gems: (Art of the Ancient World); ... Iu.O., Neverov O.Ia. Sud'ba odnoi kollektsii. 500 reznykh kamnei iz kabineta gertsoga Orleanskogo. St.Petersburg, Slaviia, 2001. 231 p. (in Russian). Kagan J. Gem engraving in Britain ...; Created on 02 March 2015