Search - The Actual Problems of History and Theory of Art

1. O. CHIQUET. Thinking Ugliness in Italian Renaissance Art: (2020 Renaissance Art); ... Thinking Ugliness in Italian Renaissance Art: From Disharmony to Beautiful Ugliness Italian Renaissance art has long been exclusively seen as the quest for beauty and harmony. Drawing from seminal research ...; Created on 12 November 2020
2. Reversing the Perspective: The Debate about the Space of the Icon and the Renaissance Icon of the Space: (2015 Theory of Art); ... of space, including the particular case of the sacred space, the present paper aims at examining the strategic “perspectival” implications of the radical interpretation of the Renaissance alleged “discovery” ...; Created on 02 January 2016
3. Post-Renaissance Art as a Dissipative System: (2015 Theory of Art); Viktor Vlasov Saint Petersburg State University, Russia In the age “after postmodernism” studies of post-Renaissance art go beyond the traditional history and are governed by the rules of the ...; Created on 02 January 2016
4. The First Page of Erwin Panofsky’s “Renaissance and Renascences in Western Art”: The Unending Problem of Alterity in Art-historical Judgment: (2015 Theory of Art); ... and epistemological underpinnings of the concept of historical otherness that is an essential condition for the construction of the “Renaissance” as an epoch-making, aesthetic and artistic category. On the ...; Created on 02 January 2016
5. The Phantom Pain. On the Reception of Renaissance Art in the Modernist Epoch: (2015 Theory of Art); Anatolii Rykov Saint Petersburg State University, Russia The conception of the Renaissance in Russian and Western art studies was to the large extent creation of Modernist discourse. From ...; Created on 02 January 2016
6. Reconstruction of I. V. Stalin Avenue in Leningrad in the 1950–1955s as a Phenomenon of the Renaissance Culture: (2015 Artistic Culture and Cult); ... and opened “the pragmatics of the Modern History — the era N. Khrushchev”. Soviet architects managed to achieve in a five-year period (1950–1955) what people of the Italian Renaissance attained in two ...; Created on 02 January 2016
7. Italian Renaissance as a Model of a New Culture, Nation and Society (on the Example of England of the Second Half of the 19th Century): (2015 Artistic Culture and Cult); Lada Balashova University of Essex, United Kingdom The problems of the Renaissance in modern English culture have attracted the attention of researchers quite recently. However, Italian Renaissance ...; Created on 02 January 2016
8. Soviet Portrait Painting at the Turn of the 1960s and the 1970s between Renaissance Heritage and Social Realism Traditions: (2015 Russian Art of the 20th Century and Contemporary Russian Art); ... young artists declared passeism and stylization. Renaissance art was one of the sources that shaped the “style” of such artists as D. Zhilinskyi, T. Nazarenko, O. Filatchev, etc. However, the vision ...; Created on 02 January 2016
9. Renaissance Motifs in the Contemporary Art of St. Petersburg Academic Artists: (2015 Russian Art of the 20th Century and Contemporary Russian Art); Svetlana Gracheva Saint Petersburg Academy of Arts, Russia Since the foundation of the Russian Imperial Academy of Arts, its education system has been mainly based on the study of the Renaissance ...; Created on 02 January 2016
10. Association of Artists of Revolutionary Russia: “Russian Painting Renaissance” or “Obsolescent Art of Epigones”? On the Question of the Polemic against 8th AKhRR Exhibition «Life and Being of the People ...: (2015 Russian Art of the 20th Century and Contemporary Russian Art); ... till November 1926. The opinions varied from the definition of AKhRR as “Russian painting Renaissance” to regarding it as an extreme “artistic conservatism”. Consideration of the exhibition gradually ...; Created on 02 January 2016
11. Remaking the New Perspective from Old Methods: Bela Uitz and Renaissance Aesthetics in Soviet Monumental Art: (2015 Russian Art of the 20th Century and Contemporary Russian Art); ... the constructivists and the futurists’ ideas about perspective in painting with his own understanding of the theories of perspective developed during the Renaissance, in order to create a new theory of monumental ...; Created on 02 January 2016
12. Antique and Renaissance Reminiscences in the Monumental Russian Neoclassical Painting of the early 20th Century: Favourite Themes: (2015 Russian Art of the 20th Century and Contemporary Russian Art); Andrey Nikolskiy State Institute of Art Studies, Moscow, Russia The report focuses on the antique and Renaissance themes in the national monumental painting of the 1900–1910s, the subject ...; Created on 02 January 2016
13. Renaissance Line in the Neoclassical Architecture of Mansions in Moscow During 1910s: Some Aspects of Style in the Work of D. V. Adamovich: (2015 Russian Art of the 20th Century and Contemporary Russian Art); ... comprehended it in the context of the iconographic evolution: from the neo-empire style to the revival of “taste of Italian architects” of the Renaissance. Construction in Moscow is only a partial subject ...; Created on 02 January 2016
14. Renaissance Aspects in the Works of Alexey Venetsianov in the Context of “Russian Biedermeier”: (2015 Russian Art ca. 1700–1900); ... aspects of Biedermeier style. It was long ago pointed out that the Enlightenment, despite its didactic character, was a sort of a continuation of the ideas of the Renaissance at a new level. The ideal ...; Created on 02 January 2016
15. The Art of the Renaissance and Russian Porcelain Sets of the Classical Period of the Second Half of the 18th Century: (2015 Russian Art ca. 1700–1900); Tatiana Litvin Saint Petersburg State University, Russia Many antique decorative motifs of porcelain crockery of Russian classicism were adopted from Western Renaissance dishes (majolica, ...; Created on 02 January 2016
16. “The Russian Renaissance” by I. I. Ioffe. To the 70th Anniversary of the Article Publication: (2015 Russian Art ca. 1700–1900); Ekaterina Tyukhmeneva Institute of Theory and History of Fine Arts of Russian Academy of Arts, Russia The article by Jeremia Isayevich Ioffe (1891–1947) entiled “The Russian Renaissance” was ...; Created on 02 January 2016
17. “National renaissance” and the Development of Porcelain Art in Sweden: 1850–1910: (2015 Western Art ca. 1600–1900); Anastasiia Yarmosh Saint Petersburg State University, Russia Special aspects of the development of artistic and cultural environment of the second half of the 19th century in Sweden stemmed ...; Created on 02 January 2016
18. The Renaissance of the Relief Mosaic: Stone Figures of Fabergé Workshop and His Contemporaries: (2015 Western Art ca. 1600–1900); ... created at the end of the Italian Renaissance in the workshop of Great Duke of Medici and by its followers from German states in the time of the Baroque style. Again the interest to this very expensive, ...; Created on 02 January 2016
19. “Wooden Renaissance”in the Architecture of the Baltic Resorts of the Late 19th and Early 20th Centuries: (2015 Western Art ca. 1600–1900); ... or logs and blocks. At the end of the 19th century there was a true “renaissance” of this building material, which can be explained by the appeal to people’s roots and national traditions, and the speed ...; Created on 02 January 2016
20. Renaissance Vector in the Works by Ferdinand Hodler: (2015 Western Art ca. 1600–1900); ... (1856–1918) and the art of the Renaissance. Artistic practice of the outstanding Swiss master had obvious humanist and anthropocentric focus. A deep interest in the achievements of the Renaissance had ...; Created on 02 January 2016