Search - The Actual Problems of History and Theory of Art

1. The Iconography of the Last Supper in the Light of Christian Ontology and Anthropology: (2015 Artistic Culture and Cult); ... is the Body of Christ”. In Byzantine mosaics, such as Communion of the Apostles, and in the ancient Russian icon — “The Last Supper” the perfection of forms is intended to indicate the imperishable ...; Created on 02 January 2016
2. The Omphalion in Floor Decoration of Churches in Pre-Mongol Rus’: (2015 Old Russian Art); ... with large figurative compositions in the centre. These two variants belong to two different traditions. The monuments of the first group are directly linked to the tradition of Byzantine mosaics. The ...; Created on 02 January 2016
3. At the Root: Anthropomorphic and Zoomorphic Images of Early Slavic Metal Plastic and Their Origin: (2015 Old Russian Art); ... represented in Byzantine mosaics, embroideries and casting. Additionally, evidences of the original Byzantine impulse are decorative elements such as etched palm branches, peacock and the camel head in the ...; Created on 02 January 2016
4. Old and new Questions on the Mosaic of the Main Porch of San Marco in Venice: (2015 Eastern Christian Art); ... of glass mosaics and by the mortar dating, already used in the study of Byzantine mosaics in North Italy, with a destructive methodology. As case-study I will propose the methodology used in the laboratories ...; Created on 02 January 2016
5. Yakovleva, Maria I. The Icon of Christ Emmanuel from the State Historical Museum — a Micromosaic of Early Palaiologan Period: (Eastern Christian Art); ... N. Greek Art. Byzantine Mosaics. Athens, Ekdotikē Athēnōn, 1994. 269 p. Demus O. An unknown mosaic icon of the Palaeologan epoch, 1946. Studies in Bizantium, Venice and the West. London, ...; Created on 02 March 2015