October 30, 2014 (Thursday)
3.1. 09:30–10:30 – Excursion to St. Petersburg State University, The Twelve Colleges Building (St. Petersburg, Vasilievsky Island, Universitetskaya emb., 7–9)
3.2. Session V “Legacy of Classical Antiquity in the Byzantine Oikumene and beyond”
10:30–19:30, St. Petersburg State University, The Twelve Colleges Building, Petrovskii Hall (St. Petersburg, Vasilievsky Island, Universitetskaya emb., 7–9)
Time limit for papers — 15 minutes
Working languages: Russian, English
Chairpersons: Anna V. Zakharova, Svetlana V. Maltseva
3.2.1. Julia Ivanova Zlatkova (Institute of Balkan Studies and Center of Thracology, Bulgarian Academy of Sciences, Bulgaria) Classical and Christian Philosophy of Art: Aesthetics of Physics and Metaphysics
3.2.2. Renate Rosenthal-Heginbottom (The University of Göttingen, Germany; Hebrew University; Israel Antiquities Authority, Israel) Dionysos and His Retinue in the Art of Late Roman and Byzantine Palestine
3.2.3. Vladimir V. Vasilik (St. Petersburg State University, Russia) Ancient Tradition in Early Images of Christ
3.2.4. Valeria Z. Kuvatova (Russian State University for Humanities, Russia) Painting of Early Christian Catacombs in the 3rd and the First Half of the 4th Centuries. Semiotic Analysis
3.2.5. Jenny Albani (Hellenic Ministry of Culture and Sports, Directorate of Museums, Exhibitions and Educational Programmes; Hellenic Open University, Greece) A “Reused Antiquity”. Ancient Gems in Byzantine Rings
3.2.6. Livia Bevilacqua (Sapienza University of Rome, Italy; Scientific and Technological Research Council of Turkey; Istanbul University, Turkey) Family Inheritance. Classical Antiquities Reused and Displayed in Byzantine Cities
3.2.7. Svetlana V. Tarkhanova (Research Institute of Theory and History of Architecture and Town Planning of Russian Academy of Architecture and Construction Sciences, Russia) Temenos and Basilica in Hippos Sussita (Golan, Decapolis) during the Hellenistic, Roman and Early Byzantine Periods. Architectural Transformations of the Complex
3.2.8. Vladimir B. Besolov (International Academy for Architecture; Academy of Architectural Heritage, Russia) The formation of Central Domed Structures in the Countries of the Autochthonous and the Hellenized East: the Conflict and Confrontation of Architectural Traditions
3.2.9. Lilit Shavarsh Mikaelyan (Yerevan State University, Armenia) Acanthus and Palmette Motive in Early Medieval Armenian Sculpture and in the Art of Sasanian Iran
3.2.10. Pavla Gkantzios Drapelova (National and Kapodistrian University of Athens, Greece) Early Byzantine Coins in 6th and 7th Centuries. Ancient Influences and Tradition in the Early Middle Ages
3.2.11. Fanny Vitto (Israel Antiquities Authority, Israel) Representations of Biblical Scenes in the Early Byzantine Period: Were They Influenced by Mythology, the Hebrew Text of the Bible or Its Greek Translation?
3.2.12. Ernst Gamillscheg (University of Vienna, Institute for Byzantine and Modern Greek Studies, Austria) Late Antique Models for Byzantine Manuscripts: the Case of Catena-manuscripts
13:30–15:00 Break
3.2.13. Silvia Pedone (Sapienza University of Rome, Italy) The Emperor Theophilus (829–842) between “Classicism” and Exoticism
3.2.14. Zaruhi Avetis Hakobyan (Yerevan State University, Armenia) Depiction of Masks in Medieval Armenian Sculpture
3.2.15. Arpine Artush Asryan (Mesrop Mashtots Institute of Ancient Manuscripts Matenadaran, Armenia) Acanthus Ornament in the Decoration of the Cathedral in Ishkhan (End of the 10th Century) and its Parallels in the Late Antique and Early Christian Art
3.2.16. Anna A. Freze (St. Petersburg State University, Russia) Byzantine Octagon-Domed Churches of the 11th Century and the Roman Imperial Architecture
3.2.17. Veronika G. Ushakova (Lomonosov Moscow State University, Russia) Reminiscences of Classical and Byzantine Traditions in the Sculptural Decoration of the West Portal of Basilica di San Nicola in Bari
3.2.18. Ekaterina Gedevanishvili (G. Chubinashvili National Research Centre for Georgian Art History and Preservation, Georgia) Some Elements of Antiquity in Representation of Mountains in the Georgian Painting of the 12th – 13th Centuries
3.2.19. Svetlana V. Ivanova (Russian Institute of Art History, Russia) Byzantine Iconography of the Resurrection: the Influence of Antique Art
3.2.20. Ol’ga V. Chumicheva (Centre for East Christian Culture, Russia) Tricephalos Angel of Holy Wisdom: a Byzantine History of One Classic Personification
3.2.21. Maria I. Iakovleva (Russian State University for Humanities, Russia) Antique Origins of Ornaments in Monumental Mosaic Ensembles of the Early Palaeologan Period
3.2.22. Elena A. Nemykina (St. Petersburg State University, Russia) “The Heavenly Court” Compositions in the Iconography of Wall-Paintings of Serbia and Macedonia of the Second Half of the 14th Century
3.2.23. Elizaveta S. Semenova (State Institute for Art Studies, Russia) Classical Elements in the Painting of Exonarthex of the Virgin Levishka Church in Prizren (1307-1313)
3.2.24. Andjela Gavrilović (Belgrade University, Serbia) The Tricephalos in the Painted Dado of the Church of Nova Pavlica – Possible Origin of Iconography
3.2.25. Svetlana V. Tsymbal (Russian State University for Humanities, Russia) The Mask Motif in Byzantine and Western Medieval Art. Peculiarities of the Mask Motif in the Church of the Virgin Pantanassa in Mistra
3.2.26. Darko Nikolovski (National Conservation Centre, Republic of Macedonia) The Icon of the Prophet Elias in the Desert
3.2.27. Eleni Charchare (National and Kapodistrian University of Athens, Greece) Delightful Landscapes: Elements of the Greco-Roman Tradition in the Work of the Post-Byzantine Painter Ioannis Permeniatis
3.2.28. Elizaveta S. Vaneian (Lomonosov Moscow State University, Russia) Kushan Reminiscenses in the Early Buddhist Sculpture of Japan, 7th – 8th Centuries
3.3. Session IV “Antiquity on the Ribs of European Middle Ages” (Russian-language section)
11:00–12:30, St. Petersburg State University, Institute for History (St. Petersburg, Mendeleevskaya linia, 5, aud. 72)
Time limit for papers —15 minutes
Working languages: Russian
Chairperson: Anna A. Dmitrieva
3.3.1. Anna A. Dmitrieva (St. Petersburg State University, Russia) The Tradition of the Ancient Artistic Thinking in the Images of the Gothic Cathedral of Notre-Dame de Chartres
3.3.2. Ol’ga E. Blinova (St. Petersburg University of Humanities and Social Sciences, Russia) Forms of the Antique Art in the Celtic Artistic Tradition (Study in Celtic Coin Images)
3.3.3. Ariadna A. Voronova (St. Tikhon Orthodox University for Humanities, Russia) Antique Colonies in Dalmatia: Architectural Christianization
3.3.4. Anna A. Kiseleva (Lomonosov Moscow State University, Russia) Two Niches for the Holy Sacrament from Franconia: Features of Style and Iconography
3.3.5. Artem S. Vaniushin (St. Petersburg State University, Russia) Architecture of the Mendicant Orders in Poland — Origins and Characteristics
3.4. Session VI “Art of Classical Antiquity in the Mirror of the Renaissance”
14:00–18:00, St. Petersburg State University, Institute for History (St. Petersburg, Mendeleevskaya linia, 5, aud. 72)
Time limit for papers — 15 minutes
Working languages: Russian, English
Chairperson: Maksim A. Kostyria
3.4.1. Maria Carolina Campone (The Second University of Naples, Italy) Under the Sign of Antiquity: Classical Roots of Architectural Language of the Neapolitan Aragonese Period. The “Catalan” Arc and the Roman Buildings
3.4.2. Birte Rubach (Humboldt-University of Berlin, Berlin-Brandenburg Academy of Sciences and Humanities, Germany) The Census of Antique Works of Art and Architecture Known in the Renaissance — a Database of Visual and Textual Documentation
3.4.3. Lidia P. Krasnoperova, Maria V. Shchetina (Radishchev State Art Museum in Saratov, Russia) North Italian Artist of the 16th Century: “Roma Handles the Destiny of Rome to Christian Church”
3.4.4. Dar’ia A. Churkina (Lomonosov Moscow State University, Russia) Image of a Ruler and Classical Tradition at the Court of Ferrara in the 15th and Early 16th Centuries
3.4.5. Marina A. Lopukhova (Lomonosov Moscow State University, Russia) “Ornamenti Infiniti” and Antique Legacy in Benedetto da Rovezzano’s Creativity
3.4.6. Liudmila V. Mikhailova (St. Petersburg State University, Russia) Perception of Classical Subjects and Forms in the Court Art of the Emperor Maximilian I of Habsburg
3.4.7. Marina L. Ferry (St. Petersburg State University, Russia; Catholic University of Leuven, Belgium) Images of Antique World in the Mediaeval and Renaissance Secular Book Illumination
15:30–16:00 Break
3.4.8. Maksim A. Kostyria (St. Petersburg State University, Russia) Images of Antique Cities and “Fire Landscapes” in European Art of the 16th Century
3.4.9. Stefania A. Kovbasiuk (Taras Shevchenko Kyiv National University, Ukraine) Quackery in the Netherlands Art of Late 15th – First Half of the 16th Centuries: Classical Allusions in the Renaissance Iconography of Deceit
3.4.10. Liudmila V. Vashchuk (Taras Shevchenko Kyiv National University, Ukraine) Paintings of Francis I’s Gallery: Stories and Symbolism of Images
3.4.11. Elena N. Chernozemova (Moscow State Pedagogical University, Russia) Destiny of Apelles: Ancient Artist as a Personage of a Dramatic Work of English Renaissance. “Campaspe” by John Lyly
3.4.12. Maria A. Prikladova (St. Petersburg State University, Russia) Image of Spanish King in the Art of the 16th – 17th Centuries
3.4.13. Victoria S. Dremova (St. Petersburg State University, Russia) Image of Warrior in Spanish Painting of the 15th Century
3.4.14. Mariia Prokhortsova (St. Petersburg State University, Russia) Retablo and Iconostasis: Parallels in Composition
3.5. Session VII “Western European Art of the 17th –19th Centuries. Classical Tradition’s Destiny: from Model to Interpretation”
10:00–19:00, St. Petersburg State University, Institute for History (St. Petersburg, Mendeleevskaya linia, 5, aud. 70)
Time limit for papers — 15 minutes
Working languages: Russian, English
Chairpersons: Il’ia А. Doronchenkov, Еkaterina А. Skvortsova
3.5.1. Floor Anna Koeleman (Radboud University, Nijmegen, the Netherlands) Studying the Studio – The Art Gallery of Rubens Depicted?
3.5.2. Margarita-Ana Vázquez-Manassero (UNED - The National Distance Education University, Madrid, Spain) Twelve Caesars’ Representations from Titian to the End of the 17th Century: Military Triumph Images of the Spanish Monarchy
11:00–11:15 Coffee-break
3.5.3. Anna Maria Ambrosini Massari (University of Urbino Carlo Bo, Italy) Johann Zoffany, Classical Art, Italy and Russian Patronage: Shedding New Light on Models, Men and Paintings
3.5.4. Giovanna Perini Folesani (University of Urbino Carlo Bo, Italy) Sir Joshua Reynolds and Classical Art: Notes on his Mythological Paintings, Most Notably “The Infant Hercules” for Empress Catherine II
3.5.5. Basile Baudez (Paris Sorbonne University, France) The Classical Tradition in French Architectural Competition Drawings, from the Académie Royale to the Ecole des Beaux-Arts
12:15–12:30 Coffee-break
3.5.6. Iuliia B. Balakhanova (State Hermitage Museum, Russia) Ovid versus Philostratus the Elder: Primary Ancient Sources for the 17th-century European Emblems
3.5.7. Vera N. Zakharova (European University at St. Petersburg, Russia) “The Renaissance Antiquity” in the Works of Erwin Panofsky
3.5.8. Maria V. Sokolova (Lomonosov Moscow State University, Russia) “Another Antiquity”: Images and Themes of the Antique World in the European Art of the 18th – 19th Centuries
3.5.9. Iurii G. Tulupenko (Herzen State Pedagogical University, Russia) Antiquity in the 18th-century English Garden: Aesthetics and Politics
14:00–15:00 Break
3.5.10. Mariia A. Chernysheva (St. Petersburg State University, Russia) Quatremère de Quincy on Mimesis. A Classical Concept in the Neoclassical Theory of Arts
3.5.11. Olga V. Permiakova (Ekaterinburg Museum of Fine Arts, Russia) The Antique Images Made in Bronze at the Factory of Ferdinand Barbedienne. On the Question about the Interest in the Classical Antiquity in the Middle – the Second Half of 19th Century
3.5.12. Natal’ia A. Bol’shakova, Tat’iana V. Shlykova (State Hermitage Museum, Russia) An Example of Interpretation of Ancient Themes in Meissen Porcelain. On the Conservation of “The Fire” and “The Earth” Vases from the “Four Elements” Series by I. I. Kändler
3.5.13. Tat’iana V. Sidorova-Sliusarenko (State Radio-Television Channel “Culture”, Russia) Antiquity and Biedermeier: Do They Have Anything in Common?
3.5.14. Elena G. Goikhman (Lomonosov Moscow State University, Russia) The Aspects of Conception and Interpretation of the Classical Antiquity Images and Forms in the Works of Eugène Delacroix of the 1820s.
16:40–17:00 Coffee-break
3.5.15. Vera B. Zhizhina-Hefter (Bibliotheca Classica Petropolitana, Russia) Serge A. Ivanoff’s Italian Etudes: to the Problem of Archaeological Reconstructions in 1800s–1850s
3.5.16. Oksana I. Dubitskaia (Association of Art Critics, Russia) Pre-Raphaelites and Antiquity: Seeing through the Prism of Subjective “Avant-garde” Aesthetics
3.5.17. Irina V. Belintseva (Research Institute of Theory and History of Architecture and Town Planning, Central Research and Restoration Project Workshop, Russia) Palace Baynunen in East Prussia (now Kaliningrad Region) and Its Antique Collection
3.5.18. Anastasiia S. Iarmosh (St. Petersburg State University, Russia) Neoclassicism in Creative Practice of Royal Copenhagen Porcelain Manufactory Masters
3.5.19. Polina A. Trusova (State Hermitage Museum, Russia) Monuments of Ancient Architecture in Maurice Denis’s Landscapes of the Early 20th Century in the Context of Discussion about Classical Tradition of French Art
Posters:
3.5.20. Ol’ga Iu. Perevedentseva (I. Repin St. Petersburg State Academy Institute of Painting, Sculpture and Architecture, the Russian Academy of Arts, Russia) Antique Images in the European Cabinets of Curiosities in 1590–1660
3.5.21. Anna K. Gur’ianova (St. Petersburg University of Humanities and Social Sciences, Russia) Ancient Canon on Coins of the Early Modern Period
3.5.22. Nadezhda M. Sim (Art College “World of Art”, Russia) Baroque Period in the Architecture of Granada. “Granadino” Style Problem
3.5.23. Dar’ia D. Kolpashnikova (Lomonosov Moscow State University, Russia) Theatricality of the “Jesuit Baroque” and Its Manifestations on the Example of the Ceiling Paintings of the Roman Churches
3.6. Session VIII “Art of the 20th – 21st Centuries. Faces of Classical Antiquity in the Labyrinth of Modernity”
11:00–19:30, St. Petersburg State University, Institute for Philosophy (St. Petersburg, Mendeleevskaya linia, 5, aud. 25)
Time limit for papers — 15 minutes
Working languages: Russian, English
Chairpersons: Anatolii V. Rykov, Ekaterina Iu. Staniukovich-Denisova, Anastasiia S. Iarmosh
3.6.1. Jerzy Malinowski, Irina Gavrash (Polish Institute of World Art Studies in Warsaw; Nicolaus Copernicus University in Torun, Poland) Inspiration with Antiquity in Polish Art around 1900
3.6.2. Natalia Yu. Bartosh (Novosibirsk State University, Russia) «Charmides» of Oscar Wilde: Modernism in Search of Antique Sophrosyne
3.6.3. Svetlana Ia. Kagarlitskaia (Moscow State Pedagogical University, Russia) The Metamorphoses of Dyonisus
3.6.4. Mariia S. Oleinik (State Russian Museum, Russia) Portrait in Marianne von Werefkin’s Art
3.6.5. Anna V. Alekseeva (I. Repin St. Petersburg State Academy Institute of Painting, Sculpture and Architecture, the Russian Academy of Arts, Russia) Guillaume Apollinaire’s “Orphism”. Antique Myth and “Pure” Painting of F. Kupka, R. Delaunay and F. Picabia
3.6.6. Joan Robledo-Palop (Yale University, USA) Classical Bodies in European Art and Politics 1918-1939
3.6.7. Ida A. Shik (St. Petersburg State University, Russia) The Reception of the Myth of the Androgyne in the Surrealist Photography
3.6.8. Anna G. Viazemtseva (Research Institute of Theory and History of Architecture and Town Planning of Russian Academy of Architecture and Construction Sciences, Russia) Towards “the Adaptation of Heritage”. Architecture in Italian-Soviet Relationship between Two World Wars
3.6.9. Maiia M. Gybina (Moscow Institute (State Academy) for Architecture, Russia) Interpretation of the Classic Architectural Themes in the Work of Marcello Piacentini
3.6.10. Lada S. Balashova (University of Essex, Great Britain) Arturo Martini and Etruscan Artistic Traditions in Italian Art of the 1930s
3.6.11. Belinda Grace Gardner (University of Fine Arts of Hamburg, Germany) Trajectories of Passion. The Lasting Impact of Classical Allegories of Love on Representations of Emotional Longing
3.6.12. Sof’ia V. Aksenova (Lomonosov Moscow State University, Russia) Perception and Using Principles of the Classical Architectural Tradition in the 1920-1930s
3.6.13. Ol’ga K. Ivanova (State Tretiakov Gallery, Russia) Philosophy of Alexander Bykhovskii’s Creativity: Art and Poetry (1888-1978)
3.6.14. Kristina V. Mikhal’chi (Lomonosov Moscow State University, Russia) Depiction of Movement in the Air in Soviet Painting of 1920s – 1930s
14:30–16:00 Break
3.6.15. Angelina Lucento (Central European University, Hungary) Antiquity and the New Man: The Classical Figure in the Work of Evgenii Katsman
3.6.16. Giorgi Papashvili (Tbilisi State Academy of Arts; G. Chubinashvili National Research Centre for Georgian Art History and Heritage Preservation, Georgia) Photography in the Art of Giorgi (Gigo) Gabashvili (on the Intellectual Re-interpretation of Ancient Themes)
3.6.17. Igor’ V. Glazov (I. Repin St. Petersburg State Academy Institute of Painting, Sculpture and Architecture, the Russian Academy of Arts, Russia) Ancient Tradition in Russian Painting of the Second Half of the 20th Century
3.6.18. Nataliia V. Shchetinina (St. Petersburg State University, Russia) Appropriation of Images of Antiquity in the Work of J. Koons
3.6.19. Marina A. Chekmareva (State Hermitage Museum, Russia) The Up-to-Date Antiquity. Body Cult in the Mirror of Contemporary Art
3.6.20. Elena S. Kashchenko (St. Petersburg State University, Russia) Images of Ancient Rome in the Context of Hollywood Cinema
3.6.21. Iurii P. Volchok (Research Institute of Theory and History of Architecture and Town Planning of Russian Academy of Architecture and Construction Sciences, Russia) Knowledge of Antiquity and Architectural Studies in the 1960s: Arche of Modern Architecture
3.6.22. Anna K. Florkovskaia (V. Surikov Moscow State Academy Art Institute, the Russian Academy of Arts, Russia) Forms of Antiquity in Postmodern Poetics. Moscow Unofficial Art of the 1980s.
3.6.23. Ol’ga V. Kalugina (The Research Institute of Theory and History of Art of the Russian Academy of Arts, Russia) Antique Images in Modern Russia Easel Sculpture: A Problem of Interpretation
3.6.24. Elizaveta V. Sheveleva (St. Petersburg State University of Culture and Arts; St. Petersburg State University, Russia) The Phenomenon of Roman Glass in Modern Jewelry
3.6.25. Elena I. Bulycheva (Nizhni Novgorod State Conservatoire (Academy), Russia) The Cycle “Frauen” by Thomas Schütte: A Dialogue with the Antiquity
3.6.26. Natalia S. Shalina (University of Westminster, United Kingdom) Museums of Contemporary Art as New Forums: Definition, Functions, Features
Posters:
3.6.27. Elena A. Petukhova (St. Petersburg State University of Technology and Design, Russia) French Art Deco Poster: Artistic Language and Stylistic Aspects
3.6.28. Ol’ga V. Smirnova (I. Repin St. Petersburg State Academy Institute of Painting, Sculpture and Architecture, the Russian Academy of Arts, Russia) Some Aspects of the Decoration of the House in the Alcolena Street: A Myth about Cupid and Psyche as the Subject of the Stained Glass by José Sobral de Almada Negreiros
3.6.29. Mariia A. Ivanova (St. Petersburg State University, Russia) Interpretation of the Theme of Catharsis as an Example of the Modern Way of Reading Frida in Art Photography
3.6.30. Ekaterina Iu. Staniukovich-Denisova (St. Petersburg State University, Russia) Abstract Classicism of Oleg Liagatchev-Helgi and Digital Art of 1990s