Search - The Actual Problems of History and Theory of Art

1. A. MCQUEEN. Opportunities for Female Artists at Sèvres: (2020 Applied Art); ... University, Canada). Opportunities for Female Artists at Sèvres: The Significant Roles of Royal and Imperial Patronage from the Mid-18th through Mid-19th Centuries In this paper, I argue that royal and ...; Created on 13 November 2020
2. T. SIZONENKO. Inscribing Venice through Celestial Visions: (2020 Renaissance Art); ... a portrait of Venice, celebrating the city and its humanist ideals of virtù associated with a certain class of patrons. Reconsidering Bellini’s Procession in the Piazza San Marco (1496), this paper argues ...; Created on 12 November 2020
3. M. D’ATTANASIO. The Nativity Chapel in the Church of Santa Maria dei Martiri: (2020 Renaissance Art); ... dei Martiri in Maranola. Court Patronage in Southern Latium In Maranola, a small village in Southern Latium, there is the Church of Santa Maria dei Martiri; the church is famous in the neighbourhood ...; Created on 12 November 2020
4. A. DOIG. Pride and Penitence: The Alice Chaucer Monument in Its Historical Context: (2020 Medieval Art Studies: Academic Issues); ... her modesty. The wizened semi-naked figure gazes with half-open eyes at paintings of her patron saints on the soffit of the tomb-chest, visible to the living only with the awkward use of a hand-mirror. ...; Created on 12 November 2020
5. A. CORSO. When and Why Ancient Art Became Anonymous: (2020 Art of the Ancient World); ... 1st c. BC and the late AD 2nd c. is the period when artists signed their works more often. It is true that the politican patronage became much more prevalent as the time goes from the Hellenistic age onwards, ...; Created on 12 November 2020
6. Information letter: (Uncategorised); ... planning a number of field trips and special events at the museums and libraries of Saint Petersburg, Novgorod the Great, Pavlovsk, Peterhof and Oranienbaum. The conference is held under the patronage ...; Created on 28 March 2016
7. The Cultural Mission as a Form of Humanitarian Diplomacy: (2015 Artistic Culture and Cult); ... by the state there are numerous projects which exist on the money of sponsors, patrons and stakeholders. In different periods of history the church was engaged in solving many issues, and the task — to ...; Created on 02 January 2016
8. “The Palladian Fancy” of the Counts Razumovsky: (2015 Russian Art ca. 1700–1900); ... theme was indirectly considered in the studies dedicated to the artistic patronage of some famous aristocratic families’ members. The Razumovskys were famous for their building passion — they commissioned ...; Created on 02 January 2016
9. Paintings for the Knights of Malta. Mattia Preti and the Celebration of Martyrdom: (2015 Western Art ca. 1600–1900); ... the first time — the reading of these paintings in the context in which they were produced and in relation with the history of their patrons will clarify the extraordinary and often unique iconographies ...; Created on 02 January 2016
10. Reconsidering the Renaissance in France: New Approaches to Figurative Arts in the Loire Valley: (2015 Renaissance Art); ... deeper archival researches reveal relationship of artists and patrons, and draw interactive social network in Tours around 1500. In this respect, the paper focuses on particular examples: Tours as capital ...; Created on 02 January 2016
11. Cultural Life of Ferrara under Ercole II d’Este: (2015 Renaissance Art); ... of Este, which ruled in the city during the whole period of Renaissance. Duke Ercole II d’Este, like his predecessors, patronized arts, yet still there is no study focused on his patronage. By the way, ...; Created on 02 January 2016
12. The “Myth” of Enea Silvio Piccolomini and the Art of Siena: (2015 Renaissance Art); ... contemporaries and followers. Piccolomini came from an ancient family and wished to glorify his kin and his home town. This wish is revealed in his patronage of art. He turns his place of birth, a small ...; Created on 02 January 2016
13. Vicentine painter Bartolomeo Montagna (1450–1523). A Controversial Painting: (2015 Renaissance Art); ... of the painter are examined through archival documents and stylistic analysis, in order to make new hypothesis on his patrons. After explaining the complex cultural contributions matched by the painter, ...; Created on 02 January 2016
14. “Gnadenstuhl” on the Four-part Icon — a Western Influence?: (2015 Old Russian Art); ... focussed in particular on the winged Gnadenstuhl. Interestingly, however, Makary, one of the greatest and most educated patrons of medieval Russian Orthodox art, was not concerned by this alien detail ...; Created on 02 January 2016
15. Painted Decoration of the Palaeologan Renaissance in Crete: The Wall Paintings of the Panagia in Sklavopoula: (2015 Eastern Christian Art); Jenny Albani Hellenic Ministry of Culture, Education and Religious Affairs; Hellenic Open University, Athens, Greece Palaeologan Renaissance, the flourishing in art and the letters in the ...; Created on 02 January 2016
16. Master Momik: Architect, Sculptor and Miniaturist: (2015 Eastern Christian Art); ... characterized by their constructive and unique artistic solutions. The lords of Syunik region — Orbelian princes — patronized and sponsored master Momik, which was a new phenomenon in the culture of medieval ...; Created on 02 January 2016
17. Actual Problems of Theory and History of Art VII: (Uncategorised); ... The main theme. The conference is held under the patronage of the major Russian universities and supported by the leading museums of Russian Federation; it has a unified structure and a strict order ...; Created on 16 March 2015
18. Jevtic, Ivana. Narrative Mode in Late Byzantine Painting: Questions it Raises about Sacred Images: (Eastern Christian Art); ... V., Cirkovic S., Korac V. Pecka Patrijarsija. Beograd, 1990, p. 146; fig. 91. Gouma-Peterson Th . The Frescoes of the Parekklesion of St. Euthymios in Thessaloniki : Patrons, Workshops ...; Created on 02 March 2015
19. October 28, 2014 (Tuesday): (Uncategorised); ... Urbino Carlo Bo, Italy) Johann Zoffany, Classical Art, Italy and Russian Patronage: Shedding New Light on Models, Men and Paintings 3.5.4. Giovanna Perini Folesani (University of Urbino Carlo Bo, ...; Created on 18 September 2014