Search - The Actual Problems of History and Theory of Art

1. Poetics of the Title in Russian Painting. Stating the Problem: (2015 Theory of Art); ... in visual arts we use examples from Russian painting. We came to a conclusion that a title, considered to be a true one, always has an impact on perception. This is easy to prove on several cases: “Empty ...; Created on 02 January 2016
2. The “Shikotan Group” and Two Tendencies of the Soviet Landscape Painting: (2015 Russian Art of the 20th Century and Contemporary Russian Art); ... after the island where they summered for months at a time and created thousands of landscape paintings. Their activities lasted until 1991, when the group disappeared soon after the demise of the communist ...; Created on 02 January 2016
3. Soviet Portrait Painting at the Turn of the 1960s and the 1970s between Renaissance Heritage and Social Realism Traditions: (2015 Russian Art of the 20th Century and Contemporary Russian Art); Vera Otdelnova State Institute of Art Studies, Russia At the turn of the 1960s and the 1970s the new generation of the seventies came to stage. In contrast to the civil pathos of their predecessors ...; Created on 02 January 2016
4. Representation of Traditional Cultures in the Painting of the First Half of the 20th Century on the Example of Grigory Ivanovich Choros-Gurkin and Albert Namatjira: (2015 Russian Art of the 20th Century and Contemporary Russian Art); ... and became a professional artist. His thematic preferences and approaches to painting were similar to a representative of the indigenous population of Central Australia Albert Namatjira, who mastered the ...; Created on 02 January 2016
5. Association of Artists of Revolutionary Russia: “Russian Painting Renaissance” or “Obsolescent Art of Epigones”? On the Question of the Polemic against 8th AKhRR Exhibition «Life and Being of the People ...: (2015 Russian Art of the 20th Century and Contemporary Russian Art); ... till November 1926. The opinions varied from the definition of AKhRR as “Russian painting Renaissance” to regarding it as an extreme “artistic conservatism”. Consideration of the exhibition gradually ...; Created on 02 January 2016
6. Antique and Renaissance Reminiscences in the Monumental Russian Neoclassical Painting of the early 20th Century: Favourite Themes: (2015 Russian Art of the 20th Century and Contemporary Russian Art); Andrey Nikolskiy State Institute of Art Studies, Moscow, Russia The report focuses on the antique and Renaissance themes in the national monumental painting of the 1900–1910s, the subject ...; Created on 02 January 2016
7. Ornament and Its Interpretation in the Monumental Painting of Russian and Polish Artists of the Late 19th Century: (2015 Russian Art ca. 1700–1900); Leila Khasianova The Russian Academy of Arts, Russia In Russia, the monumental painting of the 60–80s of the 19th century is experiencing a crisis, this was due to the interest of the creative ...; Created on 02 January 2016
8. Russian Icon Painting at the Turn of the 20th Century and the Modern Style: (2015 Russian Art ca. 1700–1900); Alexandra Radushevskaya Saint Petersburg State University, Russia Russian icon painting of the modern era has not been researched for a long time because of historical and economic reasons, ...; Created on 02 January 2016
9. Artistic Word Born from the Painting: The Role of Ceremonial Portrait in the Chronicle “Zahudaliy Rod” by N. S. Leskov: (2015 Russian Art ca. 1700–1900); ... both verbal and visual. The subject of the writer’s creative interest is not only paintings, but also the history of their creation, as well as the artist and the broadest approach to his work. In this ...; Created on 02 January 2016
10. The “Renovatio” of Baroque Paintings in the Books of Jorge Semprun: (2015 Western Art ca. 1600–1900); ... Holland, Italy and Spain lies mainly in the renovation, the new life that he attributes to them by integrating baroque works in the history of modern Europe. Three famous paintings, Johannes Vermeer’s ...; Created on 02 January 2016
11. Renaissance Themes in the 19th Century Historical Painting. Works by Paul Delaroche from the Collection of Anatoly Demidov: (2015 Western Art ca. 1600–1900); Maria Chernysheva Saint Petersburg State University, Russia A new type of history painting emerges in the 19th century France due to the unprecedented development of historical consciousness. ...; Created on 02 January 2016
12. Renaissance Inspirations in the Polish Paintings of the 19th and 20th Centuries: (2015 Western Art ca. 1600–1900); ... Renaissance painting in Polish art are related to the activities of the artistic colony in Rome formed around 1820. In the center of interest was mainly the work of Raphael, to which Wojciech Korneli Stattler ...; Created on 02 January 2016
13. The Problem of Distinctive Character of Spanish Painting in the 17th–18th Centuries in the National Literature on Art: (2015 Western Art ca. 1600–1900); Anna Morozova Saint Petersburg State University, Russia The Spanish Art was badly known in Europe of the 17th–18th centuries. Spanish painting was understood only as the variant of Italian ...; Created on 02 January 2016
14. Paintings for the Knights of Malta. Mattia Preti and the Celebration of Martyrdom: (2015 Western Art ca. 1600–1900); ... the first time — the reading of these paintings in the context in which they were produced and in relation with the history of their patrons will clarify the extraordinary and often unique iconographies ...; Created on 02 January 2016
15. Painting of the Italian Renaissance in the Collection of Stroganoffs. New Facts about the Destiny of the Masterpieces from the Collection: (2015 Renaissance Art); ... attribution and contained 87 canvases. In 1800 it included the descriptions of 116 paintings, and 16 of them were the creations of the Renaissance masters with Andrea del Sarto, Bronzino, Correggio, Carracci ...; Created on 02 January 2016
16. The Renaissance Paintings from the Gotzkowsky’s Collection as the First Hermitage Collection. Review of Attribution and the Newly Discovered Masterpieces: (2015 Renaissance Art); Elena Ris Freie Universität Berlin, Germany The gallery of the Western European painting, which belonged to the Berlin merchant Gotzkowsky and moved to the collection of Empress Catherine II ...; Created on 02 January 2016
17. “Vision of St. Bernard” by Filippino Lippi and Its Legacy in the Florentine Painting of the Early 1500s: (2015 Renaissance Art); ... solutions found in the master paintings of the city. Considerable quantity of the predella panels and painted paliotto, as well as cassone and spalliera paintings speak volumes for this phenomenon. One ...; Created on 02 January 2016
18. Muses Images in the Renaissance and after-Renaissance Painting From Lionello d’Este’s Studiolo to Neo-Classical Paintings: (2015 Renaissance Art); ... as the evidence which proves the link between the Renaissance culture and culture of Classical Antiquity. Their images are to be found in significant ensembles like paintings from Lionello d’Este’s studiolo ...; Created on 02 January 2016
19. Garland in the Renaissance Religious Painting: (2015 Renaissance Art); ... We propose to pay attention to some interpretation features of this insufficiently studied detail of religious paintings. Garland is often towered above the image of Madonna and Christ, especially honored ...; Created on 02 January 2016
20. Vicentine painter Bartolomeo Montagna (1450–1523). A Controversial Painting: (2015 Renaissance Art); Laura De Zuani University of Padua, Italy This essay presents the painter Bartolomeo Montagna (1452–1523), founder of the Renaissance vicentine school of painting. He was born in Orzinuovi ...; Created on 02 January 2016