Томич Джурич М. Монументальная живопись в государстве Мрнявчевичей и позднесредневековом Новгороде: параллели в иконографии и программах росписей

Please use this identifier to cite or link to this item: http://dx.doi.org/10.18688/aa199-2-30
Title Монументальная живопись в государстве Мрнявчевичей и позднесредневековом Новгороде: параллели в иконографии и программах росписей
Author email marka.tomic@gmail.com
About author Томич Джурич Марка — Ph. D., научный сотрудник. Институт Балканских исследований, Сербская академия наук и искусств, Кнез Михаила 37/IV, Белград, Сербия, 11000. marka.tomic@gmail.com
In the section Византийское и восточнохристианское искусство DOI10.18688/aa199-2-30
Year 2019 Volume 9 Pages 339–349
Type of article RAR Index UDK 7.033.2(497), 7.033.2(471) Index BBK 85.14, 85.143(2)
Abstract

В статье исследуются иконографические и программные параллели между ансамблями росписей в двух далеких друг от друга регионах — в государстве Мрнявчевичей на Балка нах (1365–1395) и Новгороде конца XIV — XV в. В первой части статьи анализируются купольные программы в наиболее значимых постройках семьи Мрнявчевичей (церкви Св. Димитрия Маркова монастыря на Сушице близ Скопье, Св. Димитрия в Прилепе, Св. Андрея на Треске) и в шести новгородских храмах второй половины XIV в. (церкви Успения на Волотовом поле, Спаса Преображенияна Ильине улице, Св. Феодора Стратилата на Ручью, Спаса на Ковалеве, Рождества на Красном полеи Архангела Михаила на Сковородке). Во второй части статьи рассматриваются особенности циклов менология в Марковом монастыре (сентябрь — декабрь) и в церкви Св. Симеона Богоприимца (1467) в Зверине монастыре (сентябрь —август). Между двумя циклами существуют очевидные различия во времени создания, иконографических и агиографических источниках, количестве изображений и расположении каждого из циклов.Тем не менее есть основания утверждать, что и сербский, и русский ансамбль следуют одной и той же логике. Оба относятся к восточнохристианской традиции иллюстрирования церковного календаря, для которой характерно сокращение изображений до единственного типа — портрета святого.
Keywords
Reference Томич Джурич М. Монументальная живопись в государстве Мрнявчевичей и позднесредневековом Новгороде: параллели в иконографии и программах росписей // Actual Problems of Theory and History of Art: Collection of articles. Vol. 9. Ed: A. V. Zakharova, S. V. Maltseva, E. Iu. Staniukovich-Denisova. — Lomonosov Moscow State University / St. Petersburg: NP-Print, 2019, pp. 339–349. ISSN 2312-2129. http://dx.doi.org/10.18688/aa199-2-30
Publication Article language english
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