Please use this identifier to cite or link to this item: http://dx.doi.org/10.18688/aa166-5-35
Title The Vatican Palace and the Formation of the Roman Palazzo in the Second Half of the 15th Century.
Author email mashadunina@mail.ru
About author Dunina, Maria Vladimirovna — Ph. D. student. Lomonosov Moscow State University, Leninskie Gory, 1, 119991 Moscow, Russian Federation.
In the section Renaissance Art DOI10.18688/aa166-5-35
Year 2016 Volume 6 Pages 345351
Type of article RAR Index UDK 728.034(450)4 Index BBK 85.11
Abstract

In mid. 15th century Rome, which was barely recovering from the devastating period of Avignon Papacy, the private construction was not supported by any theoretical basis or consistent logic of an artistic conception. The situation changed radically when Pope Nicholas V (1447–1455) set a goal to create a new image of the Eternal City. In the historiography of architecture of the 15th century, the Roman palazzo did not receive adequate attention. The creation of secular architecture of the Renaissance is often associated solely with the Florentine tradition, which did not appear in Rome until the end of the 1480s. There was almost no attempt to trace the birth and the development of the Roman palazzo. According to the author, the Vatican wing of Nicholas V established the clear typology of the Roman palazzo, consistent with ideas of  L. B. Alberti. The earlier palaces — St. Apollinare, Capranica, Orsini — present a chaotic combinations of vertical and horizontal articulation, living apartments, towers and loggias. In Vatican palace and the palaces built after its example, the same elements are arranged as a homogeneous monumental structure. The author highlights the following steps in the development of the Vatican palace type: 1) the emergence of huge courts that repeat the motifs of the Loggia of the Blessings; (Palazzo Venezia and Palazzo Borgia); 2) an increase in the number of references to antiquity (Palazzo Nardini, della Rovere, San Pietro in Vincoli, Santi Apostoli); 3) the Roman palace all’antica (the role of angular towers and the Vatican planning system in the construction of Palazzo Cancelleria and Castellesi).

Keywords
Reference Maria Dunina. The Vatican Palace and the Formation of the Roman Palazzo in the Second Half of the 15th Century.. Actual Problems of Theory and History of Art: Collection of articles. Vol. 6. Eds: Anna V. Zakharova, Svetlana V. Maltseva, Ekaterina Yu. Stanyukovich-Denisova. St. Petersburg, NP-Print Publ., 2016, pp. 345–351. ISSN 2312-2129. http://dx.doi.org/10.18688/aa166-5-35
Publication Article language russian
Bibliography
  • Alberti L. B. De Re Aedificatoria. On the Art of Building in Ten Books. Cambridge, Mass, 1988. 442 p.
  • Bruschi A. Il contributo di Bramante alla definizione del rinascimentale romano. Il Palazzo dal Rinascimento a oggi. Atti del Convegno Internazionale. Rome, Gangemi Publ., 1989, pp. 55–72 (in Italian).
  • Burckhardt J. The Architecture of the Italian Renaissance. Chicago, The University of Chicago Press Publ., 1987. 283 p.
  • Callari L. I palazzi di Roma e le case d’importanza storica e artistica. Rome, Ugo Sofia-Moretti Publ., 1932. 506 p. (in Italian).
  • Clarke G. Roman House — Renaissance Palaces: Inventing Antiquity in Fifteenth-Century Italy. Cambridge, Cambridge University Press Publ., 2003. 412 p.
  • Delumeau J. Histoire des pères et de la paternité. Paris, Larousse Publ., 2000. 478 p. (in French).
  • Frommel C. L. Der Palazzo Venezia in Rom. Wiesbaden, VS Verlag für Sozialwissenschaften Publ., 1982. 54 p. (in German).
  • Frommel C. L. Il palazzo della Cancelleria. Il Palazzo dal Rinascimento a oggi. Atti del Convegno Internazionale. Rome, Gangemi Publ., 1989, pp. 29–54 (in Italian).
  • Frommel C. L. Il Palazzo Sforza Cesarini nel Rinascimento. Palazzo Sforza Cesarini. Rome, De Luca Editori d’Arte Publ., 2008, pp. 23–44 (in Italian).
  • Frommel C. L. Living all’antica: Palaces and Villas from Brunelleschi to Bramante. Italian Renaissance Architecture from Brunelleschi to Michelangelo. London, Thames and Hudson Publ., 1994, pp. 183–203.
  • Frommel C. L. Papal Policy: The Planning of Rome during the Renaissance. Art and History. Images and Their Meaning. Cambridge, Cambridge University Press Publ., 1988, pp. 39–65.
  • Golzio V.; Zander G. L’arte in Roma nel secolo XV. Bologna, Capelli Publ., 1968. 624 p. (in Italian).
  • Letarouilly P. M. Edifices de la Rome moderne ou recueil des palais, maisons, eglises, couvents, de la ville de Rome. New York, Princeton Architectural Press Publ., 1997. 386 p. (in French).
  • Magnuson T. Studies in Roman Quattrocento Architecture. Stockholm, Almqvist & Wiksell Publ., 1958. 389 p.
  • Müntz E. Les Arts à la cour des papes aux XVe et XVIe siècle, vol. 2. Paris, Ernest Thorin Publ., 1879. 349 p. (in French).
  • Murray P. Architecture of the Renaissance. New York, Abrams Publ., 1971. 401 p.
  • Pastor L. von. Geschichte der Päpste seit dem Ausgang des Mittelalters, vol. 1. Freiburg im Breisgau, Herder Publ., 1895. 723 p. (in German).
  • Shearman J. The Vatican Stanze. Functions and Decoration. London, Oxford University Press Publ., 1972. 58 p. Tomei P. L’architettura a Roma nel Quattrocento. Rome, Palombi Publ., 1942. 318 p. (in Italian).
  • Westfall C. W. Alberti and the Vatican Palace Type. Journal of the Society of Architectural Historians, 1974, vol. 33, no. 2, pp. 101–121.