Please use this identifier to cite or link to this item: http://dx.doi.org/10.18688/aa155-2-31
Title Delightful landscapes: Elements of the Greco-Roman Tradition in the Work of the Post-Byzantine Painter Ioannis Permeniatis
Author email elenicharchare@yahoo.com
About author Eleni Charchare — Ph. D. student, National and Kapodistrian University of Athens, University Campus, 15784 Athens, Greece
In the section Classical Legacy in the Art of Byzantine Oikoumene and Beyond DOI10.18688/aa155-2-31
Year 2015 Volume 5 Pages 298302
Type of article RAR Index UDK 7.033.2...9 Index BBK 85.14
Abstract

The paper examines the influence of the Graeco-Roman tradition on the work of Ioannis Permeniatis, a post-Byzantine painter who worked in Venice, where he was an active member of the Greek Confraternity in 1523. In his paintings features of the Byzantine tradition are combined with elements adopted from Western art, especially in terms of landscape settings. Some elements in particular, such as shepherds and sheep, castles and rustic buildings, leafy trees and atmospheric distances, are typical of the pastoral landscape, which was popular in the Venetian painting of the first decades of the 16th century. The emergence of pastoral painting in Venice was stimulated by the revival of the pastoral poetry of Сlassical antiquity. Furthermore, classical texts promoted the Renaissance appreciation of the countryside and landscape painting. Ioannis Permeniatis followed popular Venetian models and created his distinctive “delightful landscapes”, thus linking post-Byzantine painting with Renaissance art and classical tradition.

Keywords
Reference Eleni Charchare. Delightful landscapes: Elements of the Greco-Roman Tradition in the Work of the Post-Byzantine Painter Ioannis Permeniatis. Actual Problems of Theory and History of Art: Collection of articles. Vol. 5. Eds: Svetlana V. Maltseva, Ekaterina Yu. Stanyukovich-Denisova, Anna V. Zakharova. St. Petersburg, NP-Print Publ., 2015, pp. 298–302. ISSN 2312-2129. http://dx.doi.org/10.18688/aa155-2-31
Publication Article language english
Bibliography
  • Brown D. A. Venetian Painting and the Invention of Art. Bellini, Giorgione, Titian and the Renaissance of Venetian Painting: exhibition catalogue. Washington — Vienna — New Haven — London, Yale University Press Publ., 2006, pp. 16–37.
  • Chatzidakis M. Icônes de Saint-Georges des Grecs et de la Collection de l’Institut. Venice, Neri Pozza Publ., 1962. 222 p., 79 pl. (in French).
  • Chatzidakis M.; Drakopoulou E. Greek Painters after the Fall of Constantinople (1450–1530). Athens, The National Hellenic Research Foundation Publ., 1997. 468 p. (in Greek).
  • Chatzidakis N. (ed.). From Candia to Venice: Greek Icons in Italy, 15th–16th Centuries: exhibition catalogue. Athens, Foundation for Hellenic Culture Publ., 1993. 197 p.
  • Chatzidakis N. The Adoration of the Magi. An Icon by a Greek Painter of the Early Renaissance. Euphrosynon. Studies dedicated to Manolis Chatzidakis. Athens, Archaeological Receipts Fund Publ., 1992, vol. 2, pp. 713–741 (in Greek with an English summary).
  • Constantoudaki-Kitromilides M. La pittura di icone a Creta veneziana (secoli XV e XVI): Questioni di mecenatismo, iconografia e preferenze estetiche. Venezia e Creta. Atti del convegno internazionale di studi: Iraklion — Chanià, 30 settembre — 5 ottobre 1997. Venice, Istituto Veneto di scienze, lettere ed arti Publ., 1998, pp. 459–479 (in Italian).
  • Constantoudaki-Kitromilides M. L’arte dei pittori greci a Venezia nel Cinquecento. La pittura nel Veneto. Il Cinquecento. Milan, Electa Publ., 1999, vol. 3, pp. 1203–1261 (in Italian).
  • Constantoudaki-Kitromilides M. Ioannis Permeniatis (entry). Dictionary of Greek Artists: Painters — Sculptors — Engravers. 16th–20th Century. Athens, Melissa Publ., 2000, vol. 4, pp. 23–25 (in Greek).
  • Constantoudaki-Kitromilides M. Le icone e l’arte dei pittori greci a Venezia. Maestri in rapporto con la Confraternita greca. I Greci a Venezia. Atti del Convegno Internazionale di Studi: Venezia, 5–7 novembre 1998. Venice, Istituto Veneto di scienze, lettere ed arti Publ., 2002, pp. 569–601 (in Italian).
  • Constantoudaki-Kitromilides M. Giovanni Permeniatis: I santi Pietro, Domenico e Francesco (entry). Pinacoteca Civica di Vicenza. Dipinti dal XIV al XVI secolo. Vicenza, Musei Civici di Vicenza Publ., 2003, no. 74, pp. 220–221 (in Italian).
  • Constantoudaki-Kitromilides M. Viaggi di pittori tra Costantinopoli e Candia: documenti d’archivio e influssi sull’arte (XIV–XV sec.). I Greci durante la venetocrazia: Uomini, spazio, idee (XIII–XVIII sec.). Atti del Convegno Internazionale di Studi: Venezia, 3–7 dicembre 2007. Venice, Hellenic Institute for Byzantine and Post-Byzantine Studies in Venice Publ., 2009, pp. 709–723 (in Italian).
  • Constantoudaki-Kitromilides M. Trends and the main representatives of icon-painting in Crete, Cyprus and the Ionian Islands after the Fall of Constantinople. La Grecia durante la Venetocrazia. Approccio alla sua storia. Athens — Venice, Hellenic Institute for Byzantine and Post-Byzantine Studies in Venice Publ., 2010, vol. I, pp. 493–534 (in Greek).
  • Drandaki A. Between Byzantium and Venice: Icon painting in Venetian Crete in the Fifteenth and Sixteenth Centuries. The Origins of El Greco: Icon Painting in Venetian Crete: exhibition catalogue. New York, Onassis Cultural Center Publ., 2009, pp. 11–18.
  • Gombrich E. H. The Renaissance Theory of Art and the Rise of Landscape. Norm and Form: Studies in the Art of the Renaissance. London, Phaidon Publ., 1971, pp. 107–121.
  • Halperin D. M. Before Pastoral: Theocritus and the Ancient Tradition of Bucolic Poetry. New Haven, Yale University Press Publ., 1983. 289 p.
  • Hunt J. D. Introduction: Pastorals and Pastoralisms. Studies in the History of Art. Symposium Papers XX: The Pastoral Landscape. 1992, no. 36, pp. 10–19.
  • Kazanaki-Lappa M. Influssi occidentali sull’iconografia della Natività e della Passione (XV–XVII sec.). Cristo nell’Arte Bizantina e Postbizantina. Atti del Convegno:Venezia, 22–23 settembre 2000. Venice, Hellenic Institute of Byzantine and Post-Byzantine Studies in Venice, Christian Archaeological Society of Greece Publ., 2002, pp. 71–86 (in Italian).
  • Maltezou C. (ed.). La Grecia durante la Venetocrazia. Approccio alla sua storia, 2 vols. Athens — Venice, Hellenic Institute for Byzantine and Post-Byzantine Studies in Venice Publ., 2010 (in Greek).
  • Maguire H. Nectar and Illusion: Nature in Byzantine Art and Literature. New York, Oxford University Press Publ., 2012. 198 p.
  • Maltezou C. A. The historical and social context. Literature and Society in Renaissance Crete. Cambridge, Cambridge University Press Publ., 1991, pp. 17–47.
  • Maltezou C. A. Venice of the Greeks. Athens, Militos Publ., 1999. 474 p.
  • Marx L. Does Pastoralism Have a Future? Studies in the History of Art. Symposium Papers XX: The Pastoral Landscape, 1992, no. 36, pp. 208–225.
  • Nuttall P. From Flanders to Florence: The Impact of Netherlandish Painting, 1400–1500. New Haven — London, Yale University Press Publ., 2004. 307 p.
  • Rearick W. R. From Arcady to the Barnyard. Studies in the History of Art. Symposium Papers XX: The Pastoral Landscape, 1992, no. 36, pp. 136–159.
  • Rosand D. Giorgione, Venice and the Pastoral Vision. Places of Delight: The Pastoral Landscape: exhibition catalogue. Washington, D.C.: The Phillips Collection — New York: C. N. Potter Publ., 1988, pp. 21–81.
  • Rosand D. Pastoral Topoi: On the Construction of Meaning in Landscape. Studies in the History of Art. Symposium Papers XX: The Pastoral Landscape Studies in the History of Art, 1992, no. 36, pp. 160–177.
  • Sotheby’s, London, 5 March 2014. 1000 Ways of Seeing: The Private Collection of the late Stanley J. Seeger.
  • Steppan T. A. Überlegungen zur Landschaftsdarstellung der “Kretischen Schule” in der ersten Hälfte des 16. Jahrhunderts. Deltion of the Christian Archaeological Society, 2001, no. 22, pp. 305–320.
  • Villa G. C. F. ed. Cima da Conegliano: poeta del paesaggio: exhibition catalogue. Venice, Marsilio Editori Publ., 2010. 286 p. (in Italian).