Please use this identifier to cite or link to this item: http://dx.doi.org/10.18688/aa155-2-29
Title Some Elements of Antiquity in Representation of Mountains in Georgian Painting of the 12th and 13th Centuries
Author email guguchli@yahoo.co.uk
About author Ekaterine Gedevanishvili — Ph. D., researcher. G. Chubinashvili National Research Centre for Georgian Art History and Preservation, Georgi Atoneli Str., 9, 0105 Tbilisi, Georgia
In the section Classical Legacy in the Art of Byzantine Oikoumene and Beyond DOI10.18688/aa155-2-29
Year 2015 Volume 5 Pages 287293
Type of article RAR Index UDK 7.033.2 Index BBK 85.14; 63. 3 (0) 4
Abstract

From the beginning of the 12th century onwards representation of mountains in Byzantine painting became particularly elaborate. The same tendency can be traced in contemporaneous murals of Georgian churches. An attempt has been previously made to consider the latter in the contexts of stylistic change. However, some images can be interpreted wider. The paper focuses on two different types of images: mountain with huge roots as shown in the murals of Ikvi (12th century), and mountain shaped as a human profile as presented in the St. George church at Gelati Monastery (13th century).

The clue to understanding of the first image is provided by the mediaeval cosmological concept: the roots are primary perceived as a cosmological element showing the ‘nature’ of the mountain. Alongside with this example the paper discuses the mountains with wave-like slopes (Pavnisi, Matskvarishi), which are interpreted in the cosmological context as well.

Though the anthropomorphism of the mountain in the scene of the “Ascension of Christ” in the murals of Gelati should be explained by special significance of the Mount Olive itself, it might be also linked to the Neo-Platonic studies of the famous Gelatian philosopher Ioanne Petritsi. 

Keywords
Reference Ekaterine Gedevanishvili. Some Elements of Antiquity in Representation of Mountains in Georgian Painting of the 12th and 13th Centuries. Actual Problems of Theory and History of Art: Collection of articles. Vol. 5. Eds: Svetlana V. Maltseva, Ekaterina Yu. Stanyukovich-Denisova, Anna V. Zakharova. St. Petersburg, NP-Print Publ., 2015, pp. 287–293. ISSN 2312-2129. http://dx.doi.org/10.18688/aa155-2-29
Publication Article language english
Bibliography
  • Aladashvili N. A. The Programme and the System of the Wall Painting in the St. George Church at Ikvi. Studies on Georgian Art. Tbilisi, 2005, vol. IV, pp. 22–26.
  • Aleksidze A. Marta-Mariami, gamorcheuli pirovneba bizantiuri da qartuli civilizaciis istoriashi, berznebi shav zgvaze (Martha-Mariam, the Prominent Person in the History of Byzantine and Georgian Civilization. Greeks on the Black sea). Tbilisi, Logos Publ., 2008, pp. 311–317 (in Georgian).
  • Aristotle. Meteorology. Webster E. W. (transl.). Available at: The Internet Classics Archive http://classics.mit.edu/ Aristotle/meteorology.html (Accessed March 1, 2015).
  • Belting H. Likeness and Presence: a History of the Image before the Era of Art. Chicago, The University of Chicago Press Publ., 1994. 651 p.
  • Davit Agmasheneblis istorikosi (Historian of David the Builder). Qartlis cxovreba (Life of Kartli). Tbilisi, Metsniereba Publ., 1955, vol. 1, pp. 328–350 (in Georgian).
  • Didebulidze M. Zenobanis macxovris eklesiis moxatuloba (Murals of the Saviour Church at Zenobani. Study in the History of the Georgian Monumental Painting between 1200 and 1250. [Dissertation of Candidate in History of Fine Arts]. Tbilisi, 1990. 190 p. (in Georgian).
  • Didebulidze M. Artistic Qualities of the Wall Painting of St. Nikolas Church at Kintsvisi. [Dissertation of Doctor in History of Fine Arts]. Tbilisi, 2006. 250 p. (in Georgian).
  • Gukova S. Kosmograficheskii traktat Evstafiia Nikeiskogo (The Cosmological Treatise of Eustrateos of Nicea). Vizantiickii Vremenik (Byzantine Chronicle), 1986, vol. 47, pp. 145–156 (in Russian).
  • Gukova S. Cosmology in the System of the Byzantine Science and Education in the 11th–12th centuries. Gorodskaja kultura, Srednevekovie i nachalo Novogo vremeni (Urban Culture. Middle Ages and Early New Times). Leningrad, Nauka Publ., 1986, pp. 27–43 (in Russian).
  • Herrin J. Byzantium. The Surprising Life of a Mediaeval Empire. Princeton, Princeton University Press Publ., 2008. 391 p.
  • John of Damascus. Watson E. W.; Pullan L. (transl.), Schaff Ph.; Wace H. (eds.). An Exact Exposition of the Orthodox Faith. From Nicene and Post-Nicene Fathers. Buffalo — NY, Christian Literature Publishing Co., 1899.
  • Každan A. P.; Wharton Epstein A. Change in Byzantine Culture in the Eleventh and Twelfth century. Berkeley, University of California Press Publ., 1985. 312 p.
  • Kiladze C. Shiomgvimis monastris jvartamaglebis tazris moxatuloba (Murals in the Church of “The Holy Cross Triumph” at the Shio-Mghvime Monastery) [Dissertation of Candidate in History of Fine Arts]. Tbilisi, 2005. 172 p. (in Georgian).
  • Kizinger E. The Mosaics of St. Mary’s of the Admiral in Palermo. Washington, Dumbarton Oaks Studies Publ., 1990. 484 p.
  • Litavrin G. G., Udal’tsova Z. V. (eds.). Kultura Vizantii, vtoraja polovina VII–XII vv. (Byzantine Culture of the Second Half 7th – 12th centuries). Moscow, Nauka Publ., 1989. 680 p. (in Russian).
  • Melikishvili D. Gelati — ateni da meore ierusalemi (Gelati — Another Athens and Second Jerusalem). Tbilisi, Metsniereba Publ., 2006. 70 p. (in Georgian).
  • Petritsi I. Ganmarteba prokle diadoxosis gvgtismetyvelebis safuzvlebisa (Translation of the “Elements of Theology” of Proclus diadochus). Tbilisi, Metsniereba Publ., 1999. 400 p. (in Georgian).
  • Polesso-Schiavon P. Un trattato inedito di Meteorologia di Eustrazio di Nicea. Rivista di Studi bizantini e neoellenici, 1965–1966, vol. 2–3, pp. 284–304 (in Italian).
  • Popovich L. Personification in Paleologan Painting, 1261–1453. A Bryn Mawr College Doctoral Thesis. Washington D.C, 1963. 452 p.
  • Privalova E. L. Pavnisi. Tbilisi, Metsniereba Publ., 1977. 161 p. (in Russian).
  • Talbot Rice D. Three Mountains of Sinai. Vizantia, Iuzhnye Slaviane i Drevniaia Rus‘ (Byzantium, South slovenias, Ancient Russia). Moscow, Nauka Publ., 1973, pp. 172–178 (in Russian).
  • Virsaladze T. The Frescoes by the Painter Mikhael Maglakeli at Matskvarishi. Gruzinskaia srednevekovaia monumental’naia zhivopis’ (Mediaeval Georgian Monumental Painting). Tbilisi, Nekeri Publ., 2007, pp. 145–224 (in Russian).
  • Wolf G. The Holy Face and the Holy Feet. Some Considerations in Front of the Novgorod Mandylion. Vostochnokhristianskie relikvii (Eastern Christian Relics). Moscow, Progress-Traditsiia Publ., 2003, pp. 281–290.