Shik, Ida A. Interpretation of the Jacques Lacan’s Concept of “the Mirror Stage” in the Surrealist Photography

Title Interpretation of the Jacques Lacan’s Concept of “the Mirror Stage” in the Surrealist Photography
Author email ida.shik@bk.ru
About author Shik, Ida A. — student, St. Petersburg State University. 7–9 Universitetskaya embankment, St. Petersburg, Russian Federation, 199034. ida.shik@bk.ru
In the section Western Art of the 20th Century and Theory of Art
Year 2014 Volume 4 Pages 368–373
Type of article RAR Index UDK 7.038.53:77 Index BBK 85.14
Abstract

The paper explores the peculiarities of interpretation of Jacques Lacan’s concept of “the mirror stage” in the surrealist photography. In the context of addressing to the concept of “the mirror stage” the surrealist photography concentrates on the problems of the encounter of a person with his double, and also of narcissism and gender identifi cation. Th e author makes the conclusion that practice of using the mirrors and other ways of duplication of an image in the surrealist photography may be considered as fi xation on “the mirror stage”, as well as the interpretation of the photographic process as the medium of an endless repetition of an image of the other.
Keywords
Reference Shik, Ida A. Interpretation of the Jacques Lacan’s Concept of “the Mirror Stage” in the Surrealist Photography. Actual Problems of Theory and History of Art: Collection of articles. Vol. 4. Eds: Svetlana V. Maltseva, Anna V. Zakharova. St. Petersburg, NP-Print Publ., 2014, pp. 368–373. ISSN 2312-2129.
Publication Article language russian
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