|Title||The Importance of Musical Notation for the Development of Paul Klee’s Abstract Art .|
|Author||Alekseeva, Anna V.||email@example.com|
|About author||Alexeeva, Anna V. — Ph.D. student, Repin St. Petersburg State Academy Institute of Painting, Sculpture and Architecture. 17 Universitetskaia embankment, St. Petersburg, Russian Federation, 199034.|
|In the section||Western Art of the 20th Century and Theory of Art|
|Type of article||RAR||Index UDK||7.038+781.2||Index BBK||85.14|
This article is dedicated to the role of musical notation in the development of Paul Klee’s abstract art. The aim of this research is to prove the existence of music-painting analogies in artist’s works, which were denied by some scholars (in particular, by S. Partch), and also to reveal the meaning of some of the musical signs in Klee’s art.
|Reference||Alekseeva, Anna V. The Importance of Musical Notation for the Development of Paul Klee’s Abstract Art .. Actual Problems of Theory and History of Art: Collection of articles. Vol. 4. Eds: Svetlana V. Maltseva, Anna V. Zakharova. St. Petersburg, NP-Print Publ., 2014, pp. 339–345. ISSN 2312-2129.|
|Full text version of the article||Article language||russian|