Mitić, Lora The Exhibitions of American Art in Belgrade during the Cold War: Problem of the Relationship between Art and Politics

Title The Exhibitions of American Art in Belgrade during the Cold War: Problem of the Relationship between Art and Politics
Author email loramitic@yahoo.com
About author Mitić, Lora. The Exhibitions of American Art in Belgrade during the Cold War: Problem of the Relationship between Art and Politics. Actual Problems of Theory and History of Art: Collection of Articles. Vol. 3. Svetlana V. Maltseva (ed.), Ekaterina. Yu. Stanyukovich-Denisova (ed.) St. Petersburg, NP-Print Pabl., 2013, pp. 492–498. ISSN 2312-2129.
In the section Western Art of the 15th-20th Centuries
Year 2013 Volume 3 Pages 492–498
Type of article RAR Index UDK 7.036(7) Index BBK 85.03
Abstract

During the 5th and 6th decades of the 20th c. that were marked with the atmosphere of Cold war, Yugoslavia was shaping its political, social, cultural identity. By changing the political strategies after degrading the relations with the USSR since 1947, and by turning to the West, i.e. towards Europe and especially the US in the 1950’s, social life and culture were in a very specific and complex Yugoslav space, going through a special stadium of liberalization. Belgrade as the capital of Yugoslavia and a crucial point of the most important cultural events became the scene of many foreign, international exhibitions. Our aim is to describe two very important exhibitions of American art (1956, 1961) and to problematize the question of influences of American art on Belgrade artistic scene.
Keywords
Reference Mitić, Lora. The Exhibitions of American Art in Belgrade during the Cold War: Problem of the Relationship between Art and Politics. Actual Problems of Theory and History of Art: Collection of articles. Vol. 3. Eds: Svetlana V. Maltseva, Ekaterina Yu. Stanyukovich-Denisova. St. Petersburg, NP-Print Publ., 2013, pp. 492–498. ISSN 2312-2129.
Publication Article language english
Bibliography
  • Ambrozić K. Izložba američke umetnosti // Književne novine, br. 154. 22. Septembar 1961.
  • Arnason H. Savremena američka umetnost: katalog izložbe. Beograd, 1961.
  • Cockcroft E. Abstract Expressionism: Weapon of the Cold War // Artforum. June 1974.
  • Cocroft E. Abstract Expressionism, Weapon of the Cold War // Art in Modern Culture: An anthology of critical texts / eds. F. Frascina, J. Harris. Phaidon Press, 1992.
  • Denegri J. Jedna moguća istorija umetnosti: Beograd kao internacionalna umetnička scena, 1965‒1998. Beograd, 1998.
  • Denegri J. Pedesete: teme srpske umetnosti (1950‒1960). Novi Sad, 1993.
  • Dimitrijević B. Utopijski konzumerizam: nastanak i protivrečnosti potrošačke kulture u socijalističkoj Jugoslaviji (1950‒1970): doktorska disertacija. Beograd: Univerzitet u Beogradu, 2011.
  • Đorđević D. Izložba savremene američke umetnosti // Borba. 1. oktobar 1961.
  • Gatalović M. Darovana sloboda. Partija i kultura u Srbiji: 1952‒1958. Beograd, 2010.
  • Guilbaut S. How New York Stole the Idea of Modern Art. Chicago, University of Chicago Press, 1983.
  • Kozlof M. Izbor tekstova. Beograd, 1986.
  • Kozloff M. American Painting During the Cold War // Artforum. May 1973.
  • Lorejn L. Održavanje Tita na površini. Sjedinjene države, Jugoslavija i hladni rat. Beograd, 2003.
  • Marković P. Beograd između istoka i zapada, 1948‒1965. Beograd, 1996.
  • Merenik L. Ideološki modeli: srpsko slikarstvo 1945‒1968. Beograd, 2001.
  • Pavlović Z. Savremeno američko slikarstvo // Danas. 27. Septembar 1961.
  • Petković R. Jedan vek odnosa Jugoslavije i SAD. Beogard, 1992.
  • Savremena umetnost u SAD: katalog izložbe. Beograd, 1956.
  • Shapiro D., Shapiro C. Abstract Expressionism: the Politics of Apolitical Painting // Prospects 3 / ed. J. Salzman. 1977.
  • Stonor S.F. Th e Cultural Cold War. The CIA and the World of Art and Letters. New York, 2000.
  • Trifunović L. Američko slikarstvo. NIN, 24. Septembar 1961 // Trifunović L. Studije, ogledi, kritike. Beograd, 1990.
  • Vučetić R. Koka kola socijalizam. Beograd, 2012.