SPbSU

Saint Petersburg State University

Actual Problems of Theory and History of Art

СПбГУ

Actual Problems of Theory and History of Art

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      • Vol. 12. 2022
        • Byzantine and Eastern Christian Art
        • Western European Medieval Art
        • European Art in the Modern Times
        • Russian Art in the 18th–19th Centuries
        • International Art in the 20th and 21st Centuries
        • Oriental Art
        • Art Theory
        • Interdisciplinary Methods in the Research on Cultural Heritage
        • Collection, Exhibition, Curatorial Practices
        • Balkan Studies
      • Vol. 11. 2021
        • Art of the Ancient World
        • Byzantine and Eastern Christian Art
        • Medieval Russian Art
        • Balkan Studies
        • Western European Medieval Art
        • Art of the Renaissance
        • Russian Art in the 18th–19th Centuries
        • International Art in the 20th and 21st Centuries
        • Museum: Collection, Exhibition, Curatorial Practices
        • Oriental Art
        • Interdisciplinary Methods in the Research on Cultural Heritage
      • Vol. 10. 2020
        • Problems of Theory and History of Art — 2018. Modern and Contemporary Studies. Borders and Horizons
        • European Art in the Modern Times
        • Russian Art in the 18th–19th Centuries
        • International Art in the 20th and 21st Centuries
        • Art Theory
        • Challenges in Displaying Modern and Contemporary Art Collections
        • Art of Africa
        • Balkan Studies
      • Vol. 9. 2019
        • Actual Problems of Theory and History of Art–2018. From Antiquity to the Renaissance. Borders and Horizons
        • Art of the Ancient World
        • Byzantine and Eastern Christian Art
        • Medieval Russian Art
        • Western European Medieval Art
        • Art of the Renaissance
        • Oriental Art
        • Art Critical Surveys and Reviews
      • Vol. 8. 2018
        • Artifact. Art-Object. Argument. An Object in Fine Arts: Acquisition of New Meanings in Modern and Contemporary Eras
        • Western European Art of the Modern Age
        • Russian Art of the 18th Century
        • Russian Art of the 19th Century
        • Russian Art of the 20th–21st Century
        • International Art of the 20th and 21st Centuries: Modernity and Contemporaneity
        • Art Theory
        • Material Culture, Applied Art and Design
        • Museum — Collection, Space, Work of Art
        • Publication and Study of Sources
        • Art Critical Surveys and Reviews
      • Vol. 7. 2017
        • An Object in Fine Arts: Objectives, Methods, Results
        • Art and Artistic Culture of the Ancient World. Archaeological Object and a Work of Art: Their Similarities and Differences
        • Eastern Christian Art
        • Western European Mediaeval Art
        • Mediaeval Russian Art
        • Art of the Renaissance
        • Oriental Art
        • Art Theory
        • Cult and Artistic Culture
        • Publication and Study of Sources
        • Art Critical Surveys and Reviews
      • Vol. 6. 2016
        • Foreword
        • Art of the Ancient World
        • Eastern Christian Art
        • Old Russian Art
        • Western Mediaeval Art
        • Renaissance Art
        • Western Art ca. 1600 – 1900
        • Russian Art of the 18th and 19th centuries
        • World Art of the 20th Century and Contemporary Art
        • Russian Art of the 20th Century and Contemporary Art
        • Theory of Art
        • Cult and Artistic Culture
        • Publication and Study of Sources
        • Instead of an afterword
      • Vol. 5. 2015
        • The Art of Classical Antiquity in the Mirror of the Renaissance
        • Russian Art of the 18th–19th Centuries. Russian View of Classical Tradition
        • Western European Art of the 17th–19th Centuries. Classical Tradition’s Destiny: from Model to Interpretation
        • Art of the 20th–21st Centuries. Faces of Classical Antiquity in the Labyrinth of Modernity
        • Reviews
        • Classical Antiquity and the World around Hellas
        • Classical Legacy in the Art of Byzantine Oikoumene and Beyond
        • The Harmony of Classical Antiquity under the Vaults of Old Russ
        • Classical Antiquity on the Ribs of European Middle Ages
      • Vol. 4. 2014
        • Art of the Ancient World
        • Eastern Christian Art
        • Western Art from the Middle Ages to the 20th Century
        • Western Art of the 20th Century and Theory of Art
        • Russian Art of the 18th - Early 20th Century
        • Russian Art of the 20th Century
      • Vol. 3. 2013
        • Art of the Ancient World
        • Eastern Christian Art
        • Old Russian Art
        • Russian Art of the 18th–20th Centuries
        • Western Art of the 15th–20th Centuries
      • Vol. 2. 2012
        • Ancient and Medieval Muslim Art
        • Eastern Christian Art
        • Old Russian Art
        • Medieval and Early Modern Western Art
        • Western Art of the 19th-20th Centuries and Theory of Art
        • Russian Art of the 18th Century
        • Russian Art of the 19th and Early 20th Centuries
        • Russian Art of the 20th Century
      • Vol. 1. 2011
        • Medieval Art of the Eastern Christian World
        • Russian Art in the 18–20th Centuries
        • The East and the West, from Antiquity to the 20th Century
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Total: 10 results found.

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1. Symbolism and Antiquity: Perception through the Lens of Subjective “avant-garde” Aesthetics
(2015 Western Art ca. 1600–1900)
... doesn’t understand where the novelty is. The works of Puvis de Chavannes(1824–1898) are at the origins of symbolism. The ancient stories (“Orpheus”) the artist turned to linked him with the writers — symbolists, ...
Created on 02 January 2016
2. ДАВЫДОВА О.С. Динамика изучения символизма
(2020 Western Art of the Modern Times)
... в контексте европейской традиции OLGA DAVYDOVA (Research Institute of Theory and History of Fine Arts of the Russian Academy of Arts, Russian Federation). The Dynamics of the Study of Symbolism: Russian ...
Created on 12 November 2020
3. СПИРГИС Р.В. Растительный орнамент ливских овальных фибул конца XII–XIII вв.
(2020 Medieval Art Studies: Academic Issues)
СПИРГИС РОБЕРТ ВАЛТЕРОВИЧ (Институт истории Латвии при Латвийском Университете, Латвия). Растительный орнамент ливских овальных фибул конца XII–XIII вв. в контексте средневекового христианского искусства ...
Created on 12 November 2020
4. Armen Kazaryan (State Art Institute of the Ministry of Culture of Russian Federation)
(Organizing Committee)
... and liturgical space of the Zvartnots // iconostasis: origins - development – symbolism. Moscow, 2000 Muqarnas drawing from the 13thcentury Armenia and the use of architectural drawings ...
Created on 03 January 2016
5. Inner Alchemy. On the Philosophy of the Materials in Works by Anselm Kiefer and Joseph Beuys
(2015 World Art of the 20th Century and Contemporary Art)
Anna Borodkina Saint Petersburg State University, Russia Symbolism of the materials, as a part of alchemy, was an important element of the Middle Ages’, and later on, of the Renaissance philosophical ...
Created on 02 January 2016
6. Ornament and Its Interpretation in the Monumental Painting of Russian and Polish Artists of the Late 19th Century
(2015 Russian Art ca. 1700–1900)
... Jan Matejko and V. M. Vasnetsov, which become a sort of link between the 19th century and time of Secession — Symbolism and early modernism. As the critic S. K. Makovsky wrote: “Vasnetsov created a style. ...
Created on 02 January 2016
7. Renaissance Vector in the Works by Ferdinand Hodler
(2015 Western Art ca. 1600–1900)
... Art Nouveau and Symbolism. The artist appears to be a “renaissance” identity in the paradigm of art of the late 19th — early 20th centuries. Hodler’s response to the challenges of the time: the study ...
Created on 02 January 2016
8. Fernand Khnopff’s Logogriphic Method: A Case Study of “I Lock the Door upon Myself”
(2015 Western Art ca. 1600–1900)
Elena Klyushina Saint Petersburg State University, Russia Fernand Khnopff’s art, like the Belgian symbolism as a whole, has been little studied in Russia. Except for some modest references ...
Created on 02 January 2016
9. The Virgin of Passion in Russian Tradition: Actualization of Iconography in Cross-Cultural Context
(2015 Old Russian Art)
... was founded (1654). In Western European tradition the cycles of Christ’s Passion and symbolism of the Instruments of the Passion were by that time very popular. The actualization of the Passion scenes ...
Created on 02 January 2016
10. October 28, 2014 (Tuesday)
(Uncategorised)
... in the Renaissance Iconography of Deceit 3.4.10. Liudmila V. Vashchuk (Taras Shevchenko Kyiv National University, Ukraine) Paintings of Francis I’s Gallery: Stories and Symbolism of Images 3.4.11. Elena N. ...
Created on 18 September 2014
 
 
 

Publications

  • Vol. 1. 2011
  • Vol. 2. 2012
  • Vol. 3. 2013
  • Vol. 4. 2014
  • Vol. 5. 2015
  • Vol. 6. 2016
  • Vol. 7. 2017
  • Vol. 8. 2018
  • Vol. 9. 2019

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