... Roman provinces, which have been saved in the works of historians and today are situated in the museums or only exist partially or not at all (for example the lost sculptures of goddess Nemesis from Viminatium ...
... man with turned up around head. This figurative convention first appears during the period of Michelangelo’s youth and it depends on the new discovering of classical sculptures in Rome.
Michelangelo ...
... composed by sculpture, an important corpus can be dated from the 6th c. to the 4th century BC. Recent studies on Lycian art have clearly shown how an Anatolian background was ingeniously mixed with borrowings ...
... игравшей роль сакрального образа в святилище или в общественно значимом центре античного Пантикапея.
скульптура, памятник, классический стиль, интерпретация, иконография
sculpture, monument, classical ...
... “The Eternal Marbles. Sculpture from Classical Antiquity in Tutorial Practice of the Stieglitz Academy”
15:00-19:30
Art of the Ancient World (day 1)
10:00-17:00
Museum Studies
---------------------- ...
... Repin Painting Institute of Painting, Sculpture and Architecture; since 1994 is a member of Saint-Petersburg Union of Artists. He is known as a painter, sculptor, graphic artist, a creator of installations, ...
... Efimova (Lomonosov Moscow State University), Svetlana Gracheva (Repin State Academy Institute of Painting, Sculpture and Architecture), Antonio Iacobini (Sapienza University of Rome, Italy), Nadia Jijina ...
... University), Ilya Antipov (St. Petersburg State University), Julia Arutyunyan (I. Repin St. Petersburg State Academy Institute of Painting, Sculpture and Architecture), Julia Balakhanova (The State Hermitage ...
... Ilya Antipov (St. Petersburg State University), Julia Arutyunyan (I. Repin St. Petersburg State Academy Institute of Painting, Sculpture and Architecture), Julia Balakhanova (The State Hermitage Museum), ...
... State Art Studios (SGHM)
Andrei A. Bliok. The Leningrad School of Tapestry, 1970s–1990s. Interpretation of the Classics
Polina K. Manova. Classicist Tradition in the Sculpture of Igor Krestovsky
Elena K. ...
... Union of artists in Russia and ICOMOS/Armenia, representative of Armenia in ICORP/ICOMOS.
Research interests
Early Christian and Medieval architecture
Monumental sculpture ...
... historian: anthology, vol. 3. St. Petersburg, 2007
Time in the minimalist theory // Art criticism 2/06. Moscow, 2006
What is contemporary sculpture? (Reflections on the ...
(2015 Russian Art of the 20th Century and Contemporary Russian Art)
... of Painting and Sculpture founded the “Prix de Rome” that allowed outstanding artists to undertake trips to Rome.
During the 20th century the art residencies appeared in museums, galleries and educational ...
(2015 Russian Art of the 20th Century and Contemporary Russian Art)
Svetlana Gracheva
Saint Petersburg Academy of Arts, Russia
Since the foundation of the Russian Imperial Academy of Arts, its education system has been mainly based on the study of the Renaissance ...
(2015 Russian Art of the 20th Century and Contemporary Russian Art)
... in room 415 (now room 318). According to the original plan the exposition was to include the art of contemporary Western European masters, received in exchange for paintings and sculptures of Soviet artists. ...
(2015 Russian Art of the 20th Century and Contemporary Russian Art)
... an artist was under the hardest conditions among other representatives of the creative professions.
In 1924 A. Lunacharsky wrote: “Russian sculpture is in the greatest decline. The painting still exists, ...
(2015 World Art of the 20th Century and Contemporary Art)
... of construction and building form, nevertheless focused on the facade styling, enriched with ornaments, stylized reliefs, sculptures and fine-detailed ironwork.
Architects Medvedev, Stashevski, Papkov ...
... atelier which belonged to Alexis Denissov-Uralsky where craftsmen created some polychrome stone sculptures.
At the same moment, European artists started to produce volume mosaic. For instance, in Italy ...
... relatives, many of whom were dead by the time of woodcuts creation. In the official art of Maximilian I there are two different ways of representing dead people: showing them dead (burial sculptures) or ...