... Petersburg State University, Russian Federation). Visual Rhetoric in the English Renaissance Portrait. Contexts and Interpretations
Преобладание в английском изобразительном искусстве XVI века портретной ...
... of artistic letters published in his Due lezzioni (1550), the iconographic collaboration can’t be reduced to the already well known and well-studied portraits of common friends and lovers (Lorenzo Lenzi, ...
... споре
ROMAN KHOLEV (Lomonosov Moscow State University, Russian Federation). Pontormo’s Portrait of a Halberdier as a Portrait of Cosimo I de’ Medici: New Arguments of Identification
«Портрет алебардиста» ...
... a portrait of Venice, celebrating the city and its humanist ideals of virtù associated with a certain class of patrons. Reconsidering Bellini’s Procession in the Piazza San Marco (1496), this paper argues ...
... Moscow State University, Russian Federation). Funerary Portraiture in Early Christian Catacombs
Изображения умерших раннехристианского периода в силу своих формальных характеристик долгое время не воспринимались ...
... Studies of Ancient Portraiture in the Works of Oscar Waldhauer and Mikhail Rostovtsev
Основные направления российской школы антиковедения, к началу XX века завоевавшей международное признание, были обозначены ...
... proposed a statuary group, with an old man leaning on a stick. Ross Holloway speculated a portrait of Charondas of Catania, author of the political constitution at Rhegion. Angelo Maria Ardovino identifies ...
... Portrait in Marianne von Werefkin’s Art
Kristina V. Mikhal’chi. Depiction of Movement in the Air in Soviet Painting of 1920s – 1930s.
Il’ia M. Lapin. Academic Architectural Design in the Second Free ...
...
Anna Morozova. The Problem of Distinctive Character of Spanish Painting in the 17th–18th Centuries in the National Literature on Art
Anna Korovkina. European Portrait around 1800. England and France ...
... entered the Department of Art History, Lomonosov State university. He wrote his thesis on donors’ portraits of Medieval Russia of the 11–13thcenturies under the supervision of E. Smirnova. In 2004 he completed ...
... Europa – Il Dizionario dei Pittori". Milano, 2003.
Portrait of an artist in Soviet literature of the 1920–1970s // Phenomenon of creative personality in culture. Moscow, 2006
The ...
... Romanovna Dashkova’s “Notes” on her stay in Italy // Italian compendium. Moscow, 1999.
Homo Faber. Portrait of an art historian // Italian compendium. Moscow, 2000.
From ...
... completed her PhD in 1963. From 1967 on she has been teaching art history at the Faculty of History. In 1980 she finished her second PhD “Ivan Veshnyakov. Role of the genre of portrait in Russian painting ...
... in a portrait indicate the status of the portrayed person. The set of objects may create a semantic field: skull, clock and fading flowers in a still life stay for vanitas, but in genre painting clock ...
... and is tackled in different ways: as a generalized overpersonal image, which expresses the unity of humans and as a portrait, which shows a sitter’s individual inner world. Such kinds of a human image ...
(2015 Russian Art of the 20th Century and Contemporary Russian Art)
... Renaissance motives are revealed in portraiture by Y. Kaluta, V. Borovik, E. Zubov and in landscape paintings by A. Bliok, N. Tsitsin, M. Atayants, M. Razdoburdin. There is no doubt, that in the works ...
(2015 Russian Art of the 20th Century and Contemporary Russian Art)
... portraits by R. Kotovich-Borisyak. Self-portraits and portraits creatively implemented the synthesis of classical, iconic and avant-garde elements. Visual impression and intellectual perception harmoniously ...
(2015 Russian Art of the 20th Century and Contemporary Russian Art)
... enjoyed painting the region where he lived (the Maslovka district). Some of his portraits were depicted against the Petrovskii Park (The Girl with a red bow, 1930). His genre paintings and magazine illustrations ...
(2015 World Art of the 20th Century and Contemporary Art)
... This theme can be clearly illustrated by the series of portraits of Dubuffet and his interpretation of the concept of beauty, which, according to the artist, is to be contrasted with the ancient ideals. ...
... French service is a chain of acanthus scrolls, among which alternating portrait- and story-cameo medallions are placed. Art historians trace acanthus decoration of the service back to various Roman monuments ...