Grigory Isaev
Saint Tikhon’s Orthodox University, Russia
The paper examines interaction of religion and art. Any culture is in fact a cult of certain spiritual powers: either light — creative, ...
... to the philosophy of Russian Religious-Philosophical Renaissance.
The analysis of graphic works of the members of the association reveals that an image of a human is a very important theme for them ...
... art form visual information can be viewed as a text whose meanings are apophatic and “read” on the basis of interpreting enigmatic images with the help of cultural and artistic associations.
At first ...
(2015 Russian Art of the 20th Century and Contemporary Russian Art)
... owned by time, the stream of death”. Constant circulation of visual images similar to circulation of market value of goods depreciates the truth of the artistic vision. According to Mikhail Yampolsky, ...
(2015 Russian Art of the 20th Century and Contemporary Russian Art)
... century allows us to find out how the vivid and moving images of characters by R. Rolland, Ch. De Coster, A. Pushkin, N. Gogol and M. Zoshchenko appeared in the artist’s work.
The illustrator’s keen ...
(2015 World Art of the 20th Century and Contemporary Art)
Elizaveta Buluchevskaia
Saint Petersburg State University, Russia
The perception of Italy by Russian emigrant artists of the 20th century is connected with the image of the country formed ...
... imagery in the period that precedes Iconoclastic uprising — that of the first half of 16th century.
The “Last supper”, which is not frequently encountered in the Netherlandish painting in times of the ...
Mariia Prikladova
Saint Petersburg State University, Russia
Piero di Cosimo (1462–1522) — a Florentine painter whose personality causes controversial opinions. During a long period, starting ...
... as the evidence which proves the link between the Renaissance culture and culture of Classical Antiquity. Their images are to be found in significant ensembles like paintings from Lionello d’Este’s studiolo ...
... i.e. to interpret the meaning of the scene. On the contrary, absence of kinemic knowledge may lead to misunderstanding. Analyzing images of dance, professional and non-professional theatre performances ...
Anna Kiseleva
Lomonosov Moscow State University, Russia
The depiction of the Heavenly Jerusalem was one of the most common iconographical motifs in the design of early-medieval censers. The ...
Krassimira Loukitcheva
Russian State University for the Humanities, Russia
This paper analyses images of the Last Judgment in Gothic monumental sculpture of the 13th century in different regions ...
... images of Christ. Using an iconological approach, the author analysed the Western European prototype within its historical cultural and theological context.
The study pays special attention to the genetic ...
Yulia Buzykina
Moscow Kremlin Museums, Russia
Cenobitic monasticism develops in the medieval Russia from the 14th century. Attention to the images of the monks appears in the Russian art in the ...
... “horses” were interpreted as a fairly realistic images of people and animals — the heroes of the epic and pagan deities (B. A. Rybakov, V. N. Vasilenko, N. Chausidis) or as participants in stadia (G. F. Korzoukhina). ...
Natalia Bobrova
State Russian Museum, Russia
Several Byzantine images of the Virgin with the inscription “Н ПЕРΙВΛЕПТОС” survive from the 14th century. The view on the images of the Virgin ...
... That was the time when St. John’s narration was taken from the end to the beginning of the manuscript in order to use the Four Gospels as a Lectionary. Comparison of images and text suggests that subject ...
Oyuna Galdanova
Russian State University for the Humanities, Russia
There are many publications about the iconography of images from Scythian scabbards and gorytoi. B. V. Farmakovsky, G. Richter, ...
... Petersburg State Institute of Film and Television, Russian Federation). Genesis of Russian Portrait: The Theology of the Image
Исповедальное и пророческое слово формировало жанровую специфику и концепцию ...