SPbSU

Saint Petersburg State University

Actual Problems of Theory and History of Art

СПбГУ

Actual Problems of Theory and History of Art

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      • Vol. 12. 2022
        • Byzantine and Eastern Christian Art
        • Western European Medieval Art
        • European Art in the Modern Times
        • Russian Art in the 18th–19th Centuries
        • International Art in the 20th and 21st Centuries
        • Oriental Art
        • Art Theory
        • Interdisciplinary Methods in the Research on Cultural Heritage
        • Collection, Exhibition, Curatorial Practices
        • Balkan Studies
      • Vol. 11. 2021
        • Art of the Ancient World
        • Byzantine and Eastern Christian Art
        • Medieval Russian Art
        • Balkan Studies
        • Western European Medieval Art
        • Art of the Renaissance
        • Russian Art in the 18th–19th Centuries
        • International Art in the 20th and 21st Centuries
        • Museum: Collection, Exhibition, Curatorial Practices
        • Oriental Art
        • Interdisciplinary Methods in the Research on Cultural Heritage
      • Vol. 10. 2020
        • Problems of Theory and History of Art — 2018. Modern and Contemporary Studies. Borders and Horizons
        • European Art in the Modern Times
        • Russian Art in the 18th–19th Centuries
        • International Art in the 20th and 21st Centuries
        • Art Theory
        • Challenges in Displaying Modern and Contemporary Art Collections
        • Art of Africa
        • Balkan Studies
      • Vol. 9. 2019
        • Actual Problems of Theory and History of Art–2018. From Antiquity to the Renaissance. Borders and Horizons
        • Art of the Ancient World
        • Byzantine and Eastern Christian Art
        • Medieval Russian Art
        • Western European Medieval Art
        • Art of the Renaissance
        • Oriental Art
        • Art Critical Surveys and Reviews
      • Vol. 8. 2018
        • Artifact. Art-Object. Argument. An Object in Fine Arts: Acquisition of New Meanings in Modern and Contemporary Eras
        • Western European Art of the Modern Age
        • Russian Art of the 18th Century
        • Russian Art of the 19th Century
        • Russian Art of the 20th–21st Century
        • International Art of the 20th and 21st Centuries: Modernity and Contemporaneity
        • Art Theory
        • Material Culture, Applied Art and Design
        • Museum — Collection, Space, Work of Art
        • Publication and Study of Sources
        • Art Critical Surveys and Reviews
      • Vol. 7. 2017
        • An Object in Fine Arts: Objectives, Methods, Results
        • Art and Artistic Culture of the Ancient World. Archaeological Object and a Work of Art: Their Similarities and Differences
        • Eastern Christian Art
        • Western European Mediaeval Art
        • Mediaeval Russian Art
        • Art of the Renaissance
        • Oriental Art
        • Art Theory
        • Cult and Artistic Culture
        • Publication and Study of Sources
        • Art Critical Surveys and Reviews
      • Vol. 6. 2016
        • Foreword
        • Art of the Ancient World
        • Eastern Christian Art
        • Old Russian Art
        • Western Mediaeval Art
        • Renaissance Art
        • Western Art ca. 1600 – 1900
        • Russian Art of the 18th and 19th centuries
        • World Art of the 20th Century and Contemporary Art
        • Russian Art of the 20th Century and Contemporary Art
        • Theory of Art
        • Cult and Artistic Culture
        • Publication and Study of Sources
        • Instead of an afterword
      • Vol. 5. 2015
        • The Art of Classical Antiquity in the Mirror of the Renaissance
        • Russian Art of the 18th–19th Centuries. Russian View of Classical Tradition
        • Western European Art of the 17th–19th Centuries. Classical Tradition’s Destiny: from Model to Interpretation
        • Art of the 20th–21st Centuries. Faces of Classical Antiquity in the Labyrinth of Modernity
        • Reviews
        • Classical Antiquity and the World around Hellas
        • Classical Legacy in the Art of Byzantine Oikoumene and Beyond
        • The Harmony of Classical Antiquity under the Vaults of Old Russ
        • Classical Antiquity on the Ribs of European Middle Ages
      • Vol. 4. 2014
        • Art of the Ancient World
        • Eastern Christian Art
        • Western Art from the Middle Ages to the 20th Century
        • Western Art of the 20th Century and Theory of Art
        • Russian Art of the 18th - Early 20th Century
        • Russian Art of the 20th Century
      • Vol. 3. 2013
        • Art of the Ancient World
        • Eastern Christian Art
        • Old Russian Art
        • Russian Art of the 18th–20th Centuries
        • Western Art of the 15th–20th Centuries
      • Vol. 2. 2012
        • Ancient and Medieval Muslim Art
        • Eastern Christian Art
        • Old Russian Art
        • Medieval and Early Modern Western Art
        • Western Art of the 19th-20th Centuries and Theory of Art
        • Russian Art of the 18th Century
        • Russian Art of the 19th and Early 20th Centuries
        • Russian Art of the 20th Century
      • Vol. 1. 2011
        • Medieval Art of the Eastern Christian World
        • Russian Art in the 18–20th Centuries
        • The East and the West, from Antiquity to the 20th Century
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Total: 17 results found.

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1. T. SIZONENKO. Inscribing Venice through Celestial Visions
(2020 Renaissance Art)
СИЗОНЕНКО ТАТЬЯНА (Исследовательский институт Гетти, США). Новый взгляд на исторические картины Джентиле Беллини TATIANA SIZONENKO (Getty Research Institute, USA). Inscribing Venice through Celestial ...
Created on 12 November 2020
2. Old and new Questions on the Mosaic of the Main Porch of San Marco in Venice
(2015 Eastern Christian Art)
Valentina Cantone University of Padua, Italy I propose a critical survey on the mosaic of the main porch of San Marco in Venice, in terms of style, chronology and conservation. The first ...
Created on 02 January 2016
3. МУСИНА Р.И. Композиция церковного фасада
(2020 Renaissance Art)
МУСИНА РЕНАТА ИЛЬДАРОВНА (Московский государственный университет имени М.В. Ломоносова, Российская Федерация). Композиция церковного фасада в архитектуре раннего венецианского Возрождения: постановка проблемы ...
Created on 12 November 2020
4. Emblem of 2020 Conference
(Uncategorised)
... widely experimenting across different art forms. He participated multiple high-status Russian and international projects and exhibitions, including MANIFESTA 10 (2014) and 56th Venice Biennale (2015). ...
Created on 29 March 2020
5. Sergey Karpov (Lomonosov Moscow State University)
(Organizing Committee)
... (Italy), member of the Leibniz academic society (Berlin, Germany), correspondent member of Venice deputy of Russian history (Italy). State award (1996), Lomonosov award (1992). Academic interest: ...
Created on 03 January 2016
6. The Оld European Synagogues in G. K. Lukomski’s Drawings
(2015 Artistic Culture and Cult)
... Paris, Rome, Venice, etc. His interest in architectural antiquities combined the study of architectural forms with a relentless desire to render them in his pictures. From February 1934 to July 1935 ...
Created on 02 January 2016
7. Renaissance Motifs in the Contemporary Art of St. Petersburg Academic Artists
(2015 Russian Art of the 20th Century and Contemporary Russian Art)
Svetlana Gracheva Saint Petersburg Academy of Arts, Russia Since the foundation of the Russian Imperial Academy of Arts, its education system has been mainly based on the study of the Renaissance ...
Created on 02 January 2016
8. Compagnie della Calza in the Venetian Art of the 15th–16th Centuries
(2015 Renaissance Art)
... falls on his knee. The research of the phenomenon of Compagnie della Calza in the social life of the Republic of Venice in the15th–16th centuries opens to the historians of art a remarkable opportunity ...
Created on 02 January 2016
9. Garland in the Renaissance Religious Painting
(2015 Renaissance Art)
... of the garland in works of Cosme Tura is very remarkable. For example, in “Madonna with the sleeping child” (Galleria dell’ Accademia, Venice) conventional design of zodia­cal constellations in form of golden ...
Created on 02 January 2016
10. The Treatise De Harmonia Mundi by Francesco Giorgio (1525). Architecture as Allegory of the Universe at the Age of Renaissance
(2015 Renaissance Art)
... this proportion shall be repeated in architectural practice. He figured out himself the proportion of the interior of the temple San Francesco della Vigna in Venice rebuilt by Jacopo Sansovino and finished ...
Created on 02 January 2016
11. Vicentine painter Bartolomeo Montagna (1450–1523). A Controversial Painting
(2015 Renaissance Art)
... Giovanni Bellini. Bartolomeo Montagna met the Venetian master during two journeys to Venice between 1469 and 1483. Looking at his eighties production, bounded to the Venetian experience and to Antonello ...
Created on 02 January 2016
12. The Venetian ‘Sacra Conversazione’ Type in Works of Post-Byzantine Painting
(2015 Renaissance Art)
Eleni Charchare National and Kapodistrian University of Athens, Greece The paper examines the adoption of the Venetian ‘sacra conversazione’ type in the work of Greek painters who lived in Venice ...
Created on 02 January 2016
13. The Double Life of a Statue: the Muse Calliope in Antiquity, St. Justine in the Renaissance
(2015 Ancient Art)
... of Saint Justine to be set up on a water basin in the Basilica from the sculptor Laskaris, a Greek who at the time lived in Venice. He gave this old statuette to the friars, changing the subject to Saint ...
Created on 02 January 2016
14. Libraries of the Hellenistic and Roman Period on the Territory of Asia Minor
(2015 Ancient Art)
Ekaterina Izmailkina The State Hermitage Museum, Russia Buildings specially intended for holding libraries start to appear in Asia Minor during the Hellenistic and Roman times. Depending on the ...
Created on 02 January 2016
15. Emblem
(Uncategorised)
... widely experimenting across different art forms. He participated multiple high-status Russian and international projects and exhibitions, including MANIFESTA 10 (2014) and 56th Venice Biennale (2015). ...
Created on 16 March 2015
16. Yakovleva, Maria I. The Icon of Christ Emmanuel from the State Historical Museum — a Micromosaic of Early Palaiologan Period
(Eastern Christian Art)
... N. Greek Art. Byzantine Mosaics. Athens, Ekdotikē Athēnōn, 1994. 269 p. Demus O. An unknown mosaic icon of the Palaeologan epoch, 1946. Studies in Bizantium, Venice and the West. London, ...
Created on 02 March 2015
17. Jevtic, Ivana. Narrative Mode in Late Byzantine Painting: Questions it Raises about Sacred Images
(Eastern Christian Art)
... pp. 74‒87, 114, 119‒120. Todic B. Staro Nagoricane. Beograd, 1993, pp. 110‒113; figs. 40, 48, 60, 69, 73. Trahoulia N.S. The Venice Alexander Romance: Pictorial Narrative ...
Created on 02 March 2015
 
 
 

Publications

  • Vol. 1. 2011
  • Vol. 2. 2012
  • Vol. 3. 2013
  • Vol. 4. 2014
  • Vol. 5. 2015
  • Vol. 6. 2016
  • Vol. 7. 2017
  • Vol. 8. 2018
  • Vol. 9. 2019

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