SPbSU

Saint Petersburg State University

Actual Problems of Theory and History of Art

СПбГУ

Actual Problems of Theory and History of Art

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      • Vol. 12. 2022
        • Byzantine and Eastern Christian Art
        • Western European Medieval Art
        • European Art in the Modern Times
        • Russian Art in the 18th–19th Centuries
        • International Art in the 20th and 21st Centuries
        • Oriental Art
        • Art Theory
        • Interdisciplinary Methods in the Research on Cultural Heritage
        • Collection, Exhibition, Curatorial Practices
        • Balkan Studies
      • Vol. 11. 2021
        • Art of the Ancient World
        • Byzantine and Eastern Christian Art
        • Medieval Russian Art
        • Balkan Studies
        • Western European Medieval Art
        • Art of the Renaissance
        • Russian Art in the 18th–19th Centuries
        • International Art in the 20th and 21st Centuries
        • Museum: Collection, Exhibition, Curatorial Practices
        • Oriental Art
        • Interdisciplinary Methods in the Research on Cultural Heritage
      • Vol. 10. 2020
        • Problems of Theory and History of Art — 2018. Modern and Contemporary Studies. Borders and Horizons
        • European Art in the Modern Times
        • Russian Art in the 18th–19th Centuries
        • International Art in the 20th and 21st Centuries
        • Art Theory
        • Challenges in Displaying Modern and Contemporary Art Collections
        • Art of Africa
        • Balkan Studies
      • Vol. 9. 2019
        • Actual Problems of Theory and History of Art–2018. From Antiquity to the Renaissance. Borders and Horizons
        • Art of the Ancient World
        • Byzantine and Eastern Christian Art
        • Medieval Russian Art
        • Western European Medieval Art
        • Art of the Renaissance
        • Oriental Art
        • Art Critical Surveys and Reviews
      • Vol. 8. 2018
        • Artifact. Art-Object. Argument. An Object in Fine Arts: Acquisition of New Meanings in Modern and Contemporary Eras
        • Western European Art of the Modern Age
        • Russian Art of the 18th Century
        • Russian Art of the 19th Century
        • Russian Art of the 20th–21st Century
        • International Art of the 20th and 21st Centuries: Modernity and Contemporaneity
        • Art Theory
        • Material Culture, Applied Art and Design
        • Museum — Collection, Space, Work of Art
        • Publication and Study of Sources
        • Art Critical Surveys and Reviews
      • Vol. 7. 2017
        • An Object in Fine Arts: Objectives, Methods, Results
        • Art and Artistic Culture of the Ancient World. Archaeological Object and a Work of Art: Their Similarities and Differences
        • Eastern Christian Art
        • Western European Mediaeval Art
        • Mediaeval Russian Art
        • Art of the Renaissance
        • Oriental Art
        • Art Theory
        • Cult and Artistic Culture
        • Publication and Study of Sources
        • Art Critical Surveys and Reviews
      • Vol. 6. 2016
        • Foreword
        • Art of the Ancient World
        • Eastern Christian Art
        • Old Russian Art
        • Western Mediaeval Art
        • Renaissance Art
        • Western Art ca. 1600 – 1900
        • Russian Art of the 18th and 19th centuries
        • World Art of the 20th Century and Contemporary Art
        • Russian Art of the 20th Century and Contemporary Art
        • Theory of Art
        • Cult and Artistic Culture
        • Publication and Study of Sources
        • Instead of an afterword
      • Vol. 5. 2015
        • The Art of Classical Antiquity in the Mirror of the Renaissance
        • Russian Art of the 18th–19th Centuries. Russian View of Classical Tradition
        • Western European Art of the 17th–19th Centuries. Classical Tradition’s Destiny: from Model to Interpretation
        • Art of the 20th–21st Centuries. Faces of Classical Antiquity in the Labyrinth of Modernity
        • Reviews
        • Classical Antiquity and the World around Hellas
        • Classical Legacy in the Art of Byzantine Oikoumene and Beyond
        • The Harmony of Classical Antiquity under the Vaults of Old Russ
        • Classical Antiquity on the Ribs of European Middle Ages
      • Vol. 4. 2014
        • Art of the Ancient World
        • Eastern Christian Art
        • Western Art from the Middle Ages to the 20th Century
        • Western Art of the 20th Century and Theory of Art
        • Russian Art of the 18th - Early 20th Century
        • Russian Art of the 20th Century
      • Vol. 3. 2013
        • Art of the Ancient World
        • Eastern Christian Art
        • Old Russian Art
        • Russian Art of the 18th–20th Centuries
        • Western Art of the 15th–20th Centuries
      • Vol. 2. 2012
        • Ancient and Medieval Muslim Art
        • Eastern Christian Art
        • Old Russian Art
        • Medieval and Early Modern Western Art
        • Western Art of the 19th-20th Centuries and Theory of Art
        • Russian Art of the 18th Century
        • Russian Art of the 19th and Early 20th Centuries
        • Russian Art of the 20th Century
      • Vol. 1. 2011
        • Medieval Art of the Eastern Christian World
        • Russian Art in the 18–20th Centuries
        • The East and the West, from Antiquity to the 20th Century
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Total: 27 results found.

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1. ХАИРОВА В.Ш. К творческому наследию русского зарубежья
(2020 Issues of World Architecture)
... British Architects in London При осмыслении масштаба личности Г.К. Лукомского только теперь можно осознать весь спектр задач, которые он успел поставить перед современниками и будущим поколением. Часть ...
Created on 13 November 2020
2. ВОЗВЫШАЕВА Т.И. Реновация Лондона
(2020 The 20th-Century and Contemporary Art)
... застройки TATIANA VOZVYSHAEVA (Research Institute of Theory and History of Architecture and Urban Planning, Russian Federation). Renovation of London. Innovative Architecture in the Context of Historical ...
Created on 13 November 2020
3. M. GIORGINI, A.M. PANZERA. Women in Art
(2020 The 20th-Century and Contemporary Art)
... exhibitions and ventures dedicated to women artists. Just to give the latest examples (2019/2020): the great travelling exhibition of Natalia Goncharova (London, Tate Modern — Florence, Palazzo Strozzi ...
Created on 13 November 2020
4. ВАНЕЯН Е.С. «Живые образы» против «обмирщения»
(2020 Oriental Art)
... B., Mann R. London: Routledge, 2014 японская скульптура, культовое искусство, историография, эпоха Камакура, стиль, секуляризация Japanese sculpture, sacred art, scholarship, Kamakura period, style, ...
Created on 13 November 2020
5. ГУСЕВА А.В. Каталог лондонской выставки 1935 года
(2020 Oriental Art)
... искусства ANNA GUSEVA (The National Research University Higher School of Economics, Russian Federation). Catalogue of the London Exhibition (1935) as a Source on the History of Collecting of Chinese ...
Created on 13 November 2020
6. КУЛАКОВА О.Ю. Исследовательский интерес
(2020 Western Art of the Modern Times)
... nature in early modern Europe, 1500–1700. London, 2011] исследуются традиции изображения насекомых в работах таких художников, как Й. Хофнагель, Альдорванди, Мария Сибилла Мериан. К подобным темам обращается ...
Created on 12 November 2020
7. F. COLAS RANNOU. An Anatolian Perspective for Lycian art?
(2020 Art of the Ancient World)
... sculpture attracted the European scholars’ interest and large pieces of Lycian sculpture have been moved to European museums (in London and Vienna). The names given, since the 19th century, to the most ...
Created on 12 November 2020
8. L. CAVALIER. The Nereid Monument at Xanthos
(2020 Art of the Ancient World)
... in London, the use of 3D technologies will allow to produce a model of the Nereid monument, assisted by interactive educational tools. This particular fold of the project, still in the making, proved to ...
Created on 12 November 2020
9. Anna Zakharova (Lomonosov State university)
(Organizing Committee)
... of the 11th century" Anna Zakharova had an internship in Rome (French School scholarship 2001, 2004; Vatican library scholarship 2004-2005), London (The Warburg Institute of the University of ...
Created on 03 January 2016
10. Ekaterina Skvortsova (St. Petersburg State university)
(Organizing Committee)
... completed in 2012. In 2011 had an academic training in London in terms of partnership with Paul Mellon Centre for Studies in British Art. Ekaterina Skvortsova takes part in international conferences, ...
Created on 03 January 2016
11. Anatoly Rykov (St. Petersburg State university)
(Organizing Committee)
... 3. St. Petersburg, 2005 Contemporary art and aesthetics of neo-conservatism. London school // St. Petersburg State university bulletin, 2005 Western art of the 20thcentury, ...
Created on 03 January 2016
12. The Оld European Synagogues in G. K. Lukomski’s Drawings
(2015 Artistic Culture and Cult)
... in London and Paris a series of exhibitions of G. Lukomsky was arranged. Being an impressive array of depictions of ancient European synagogues it was surprising in its novelty. Exhibitions were held in a number ...
Created on 02 January 2016
13. Russian Pavilions at the World Exhibitions at the Turn of the 19th–20th Centuries. The Problems of Architecture and Exhibition
(2015 Russian Art of the 20th Century and Contemporary Russian Art)
Arthur Kharitonov Lomonosov Moscow State University, Russia A history of the international exhibitions goes back to more than 160 years. Since the Great Exhibition of 1851 in London such events ...
Created on 02 January 2016
14. Renaissance Themes in the 19th Century Historical Painting. Works by Paul Delaroche from the Collection of Anatoly Demidov
(2015 Western Art ca. 1600–1900)
... Demidov, a first Russian collector of the new historical painting: “The Execution of Lady Jane Grey” (1833, oil on canvas, National Gallery, London) and “The Assassination of the Duke of Guise” (1832, ...
Created on 02 January 2016
15. The English Watch Art of the 16th–17th centuries. The Renaissance Ornamental Tradition
(2015 Western Art ca. 1600–1900)
... evolution was the fact, that in London original and distinctive horo­logical tradition had already existed for a very long time, since the very beginning of the 16th century. In addition to the phenomenon ...
Created on 02 January 2016
16. The Image and the Word in Works by Piero di Cosimo
(2015 Renaissance Art)
... compositions on mythological theme (in particular, it is true for the “Liberation of Andromeda”, ca. 1510–1513, The Uffizi, Florence; “A Satyr mourning over a Nymph”, ca. 1495, the National Gallery, London). ...
Created on 02 January 2016
17. Participants
(Uncategorised)
... Saint Martins College, London Tate Modern University of Cambridge University of Durham University of Essex University of Oxford University of Warwick University of Westminster USA Cornell ...
Created on 16 March 2015
18. Emblem
(Uncategorised)
... had a great success. His other “semiotic” works were presented at his personal exhibitions in Paris, Leon and during “Russian non-conformism” exhibition in London, New York, Vienna and Tokyo. During his ...
Created on 16 March 2015
19. Lovino, Francesco. The Illustrations of Michael Glycas’ Βίβλος χρονική in the Marcianus gr. 402
(Eastern Christian Art)
... 395 à 1057. Bâle; Genève; St. Petersbourg, 1871. Weitzmann K. Studies in Classical and Byzantine Manuscript Illumination, ed. H.L. Kessler. Chicago; London, 1971. Xyngopoulos ...
Created on 02 March 2015
20. Yakovleva, Maria I. The Icon of Christ Emmanuel from the State Historical Museum — a Micromosaic of Early Palaiologan Period
(Eastern Christian Art)
... N. Greek Art. Byzantine Mosaics. Athens, Ekdotikē Athēnōn, 1994. 269 p. Demus O. An unknown mosaic icon of the Palaeologan epoch, 1946. Studies in Bizantium, Venice and the West. London, ...
Created on 02 March 2015
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Publications

  • Vol. 1. 2011
  • Vol. 2. 2012
  • Vol. 3. 2013
  • Vol. 4. 2014
  • Vol. 5. 2015
  • Vol. 6. 2016
  • Vol. 7. 2017
  • Vol. 8. 2018
  • Vol. 9. 2019

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