SPbSU

Saint Petersburg State University

Actual Problems of Theory and History of Art

СПбГУ

Actual Problems of Theory and History of Art

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      • Vol. 12. 2022
        • Byzantine and Eastern Christian Art
        • Western European Medieval Art
        • European Art in the Modern Times
        • Russian Art in the 18th–19th Centuries
        • International Art in the 20th and 21st Centuries
        • Oriental Art
        • Art Theory
        • Interdisciplinary Methods in the Research on Cultural Heritage
        • Collection, Exhibition, Curatorial Practices
        • Balkan Studies
      • Vol. 11. 2021
        • Art of the Ancient World
        • Byzantine and Eastern Christian Art
        • Medieval Russian Art
        • Balkan Studies
        • Western European Medieval Art
        • Art of the Renaissance
        • Russian Art in the 18th–19th Centuries
        • International Art in the 20th and 21st Centuries
        • Museum: Collection, Exhibition, Curatorial Practices
        • Oriental Art
        • Interdisciplinary Methods in the Research on Cultural Heritage
      • Vol. 10. 2020
        • Problems of Theory and History of Art — 2018. Modern and Contemporary Studies. Borders and Horizons
        • European Art in the Modern Times
        • Russian Art in the 18th–19th Centuries
        • International Art in the 20th and 21st Centuries
        • Art Theory
        • Challenges in Displaying Modern and Contemporary Art Collections
        • Art of Africa
        • Balkan Studies
      • Vol. 9. 2019
        • Actual Problems of Theory and History of Art–2018. From Antiquity to the Renaissance. Borders and Horizons
        • Art of the Ancient World
        • Byzantine and Eastern Christian Art
        • Medieval Russian Art
        • Western European Medieval Art
        • Art of the Renaissance
        • Oriental Art
        • Art Critical Surveys and Reviews
      • Vol. 8. 2018
        • Artifact. Art-Object. Argument. An Object in Fine Arts: Acquisition of New Meanings in Modern and Contemporary Eras
        • Western European Art of the Modern Age
        • Russian Art of the 18th Century
        • Russian Art of the 19th Century
        • Russian Art of the 20th–21st Century
        • International Art of the 20th and 21st Centuries: Modernity and Contemporaneity
        • Art Theory
        • Material Culture, Applied Art and Design
        • Museum — Collection, Space, Work of Art
        • Publication and Study of Sources
        • Art Critical Surveys and Reviews
      • Vol. 7. 2017
        • An Object in Fine Arts: Objectives, Methods, Results
        • Art and Artistic Culture of the Ancient World. Archaeological Object and a Work of Art: Their Similarities and Differences
        • Eastern Christian Art
        • Western European Mediaeval Art
        • Mediaeval Russian Art
        • Art of the Renaissance
        • Oriental Art
        • Art Theory
        • Cult and Artistic Culture
        • Publication and Study of Sources
        • Art Critical Surveys and Reviews
      • Vol. 6. 2016
        • Foreword
        • Art of the Ancient World
        • Eastern Christian Art
        • Old Russian Art
        • Western Mediaeval Art
        • Renaissance Art
        • Western Art ca. 1600 – 1900
        • Russian Art of the 18th and 19th centuries
        • World Art of the 20th Century and Contemporary Art
        • Russian Art of the 20th Century and Contemporary Art
        • Theory of Art
        • Cult and Artistic Culture
        • Publication and Study of Sources
        • Instead of an afterword
      • Vol. 5. 2015
        • The Art of Classical Antiquity in the Mirror of the Renaissance
        • Russian Art of the 18th–19th Centuries. Russian View of Classical Tradition
        • Western European Art of the 17th–19th Centuries. Classical Tradition’s Destiny: from Model to Interpretation
        • Art of the 20th–21st Centuries. Faces of Classical Antiquity in the Labyrinth of Modernity
        • Reviews
        • Classical Antiquity and the World around Hellas
        • Classical Legacy in the Art of Byzantine Oikoumene and Beyond
        • The Harmony of Classical Antiquity under the Vaults of Old Russ
        • Classical Antiquity on the Ribs of European Middle Ages
      • Vol. 4. 2014
        • Art of the Ancient World
        • Eastern Christian Art
        • Western Art from the Middle Ages to the 20th Century
        • Western Art of the 20th Century and Theory of Art
        • Russian Art of the 18th - Early 20th Century
        • Russian Art of the 20th Century
      • Vol. 3. 2013
        • Art of the Ancient World
        • Eastern Christian Art
        • Old Russian Art
        • Russian Art of the 18th–20th Centuries
        • Western Art of the 15th–20th Centuries
      • Vol. 2. 2012
        • Ancient and Medieval Muslim Art
        • Eastern Christian Art
        • Old Russian Art
        • Medieval and Early Modern Western Art
        • Western Art of the 19th-20th Centuries and Theory of Art
        • Russian Art of the 18th Century
        • Russian Art of the 19th and Early 20th Centuries
        • Russian Art of the 20th Century
      • Vol. 1. 2011
        • Medieval Art of the Eastern Christian World
        • Russian Art in the 18–20th Centuries
        • The East and the West, from Antiquity to the 20th Century
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Total: 8 results found.

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1. Malkova, Eugenia M. A Decoration or a Symbol: Diadem in the Ancient Greek Art
(Art of the Ancient World)
Title of the article A Decoration or a Symbol: Diadem in the Ancient Greek Art Authors Malkova, Eugenia M.  In ...
Created on 02 March 2015
2. A. CORSO. When and Why Ancient Art Became Anonymous
(2020 Art of the Ancient World)
КОРСО АНТОНИО (Университет Падуи, Италия). Когда и почему античное искусство стало анонимным ANTONIO CORSO (University of Padua, Italy). When and Why Ancient Art Became Anonymous Ancient Greek art ...
Created on 12 November 2020
3. Tuscan Icons of the 13th Century and Byzantine Prototypes. Style as a Distance
(2015 Western Medieval Art)
... After the fourth crusade the situation changes when icons by Greek artists begin to appear in Tuscany. Around the second quarter of the century Byzantine icons begin to be copied in great numbers, but ...
Created on 02 January 2016
4. Celtic Art
(2015 Ancient Art)
... 5th century BC. Motives like palmettos and lotos flowers were derived from the Etruscan and Greek art, zoomorph motives were developed unter Scythian influence. In the Celtic art these motives were developed ...
Created on 02 January 2016
5. Yakovleva, Maria I. The Icon of Christ Emmanuel from the State Historical Museum — a Micromosaic of Early Palaiologan Period
(Eastern Christian Art)
... N. Greek Art. Byzantine Mosaics. Athens, Ekdotikē Athēnōn, 1994. 269 p. Demus O. An unknown mosaic icon of the Palaeologan epoch, 1946. Studies in Bizantium, Venice and the West. London, ...
Created on 02 March 2015
6. Kisbali, Tamás Péter. Sculptural Program of the Mausoleum at Halicarnassus
(Art of the Ancient World)
... F.B. Centauromachy and Amazonomachy in Greek Art: The Reasons for Their Popularity. American Journal of Archeology. 1920, vol. 24, no. 3, pp. 226‒231. Walker S., Matthews K.J. The marbles ...
Created on 02 March 2015
7. Jijina, Nadia C. On the Crossroads of Knowledge or Th e Age of Topicality: Problems of Greek and Roman Art as Part of General Classical Studies
(Art of the Ancient World)
... and poetry. Edel'son E. transl. Kuznetsova N. ed. Lessing G.E. Selected Works. Moscow, Khudozhestvennaia literatura, 1953, pp. 385–516. (in Russian). Sparkes B. Greek Art. 2d ed. Cambridge ...
Created on 23 January 2015
8. October 28, 2014 (Tuesday)
(Uncategorised)
... Italy) The Birth and the Development of the Idealized Concept of Arcadia in Classical Greek Art 1.1.10. Felix I. Ter-Martirosov (National Academy of Sciences of Armenia, The Erevan State University, ...
Created on 18 September 2014
 
 
 

Publications

  • Vol. 1. 2011
  • Vol. 2. 2012
  • Vol. 3. 2013
  • Vol. 4. 2014
  • Vol. 5. 2015
  • Vol. 6. 2016
  • Vol. 7. 2017
  • Vol. 8. 2018
  • Vol. 9. 2019

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