SPbSU

Saint Petersburg State University

Actual Problems of Theory and History of Art

СПбГУ

Actual Problems of Theory and History of Art

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      • Vol. 12. 2022
        • Byzantine and Eastern Christian Art
        • Western European Medieval Art
        • European Art in the Modern Times
        • Russian Art in the 18th–19th Centuries
        • International Art in the 20th and 21st Centuries
        • Oriental Art
        • Art Theory
        • Interdisciplinary Methods in the Research on Cultural Heritage
        • Collection, Exhibition, Curatorial Practices
        • Balkan Studies
      • Vol. 11. 2021
        • Art of the Ancient World
        • Byzantine and Eastern Christian Art
        • Medieval Russian Art
        • Balkan Studies
        • Western European Medieval Art
        • Art of the Renaissance
        • Russian Art in the 18th–19th Centuries
        • International Art in the 20th and 21st Centuries
        • Museum: Collection, Exhibition, Curatorial Practices
        • Oriental Art
        • Interdisciplinary Methods in the Research on Cultural Heritage
      • Vol. 10. 2020
        • Problems of Theory and History of Art — 2018. Modern and Contemporary Studies. Borders and Horizons
        • European Art in the Modern Times
        • Russian Art in the 18th–19th Centuries
        • International Art in the 20th and 21st Centuries
        • Art Theory
        • Challenges in Displaying Modern and Contemporary Art Collections
        • Art of Africa
        • Balkan Studies
      • Vol. 9. 2019
        • Actual Problems of Theory and History of Art–2018. From Antiquity to the Renaissance. Borders and Horizons
        • Art of the Ancient World
        • Byzantine and Eastern Christian Art
        • Medieval Russian Art
        • Western European Medieval Art
        • Art of the Renaissance
        • Oriental Art
        • Art Critical Surveys and Reviews
      • Vol. 8. 2018
        • Artifact. Art-Object. Argument. An Object in Fine Arts: Acquisition of New Meanings in Modern and Contemporary Eras
        • Western European Art of the Modern Age
        • Russian Art of the 18th Century
        • Russian Art of the 19th Century
        • Russian Art of the 20th–21st Century
        • International Art of the 20th and 21st Centuries: Modernity and Contemporaneity
        • Art Theory
        • Material Culture, Applied Art and Design
        • Museum — Collection, Space, Work of Art
        • Publication and Study of Sources
        • Art Critical Surveys and Reviews
      • Vol. 7. 2017
        • An Object in Fine Arts: Objectives, Methods, Results
        • Art and Artistic Culture of the Ancient World. Archaeological Object and a Work of Art: Their Similarities and Differences
        • Eastern Christian Art
        • Western European Mediaeval Art
        • Mediaeval Russian Art
        • Art of the Renaissance
        • Oriental Art
        • Art Theory
        • Cult and Artistic Culture
        • Publication and Study of Sources
        • Art Critical Surveys and Reviews
      • Vol. 6. 2016
        • Foreword
        • Art of the Ancient World
        • Eastern Christian Art
        • Old Russian Art
        • Western Mediaeval Art
        • Renaissance Art
        • Western Art ca. 1600 – 1900
        • Russian Art of the 18th and 19th centuries
        • World Art of the 20th Century and Contemporary Art
        • Russian Art of the 20th Century and Contemporary Art
        • Theory of Art
        • Cult and Artistic Culture
        • Publication and Study of Sources
        • Instead of an afterword
      • Vol. 5. 2015
        • The Art of Classical Antiquity in the Mirror of the Renaissance
        • Russian Art of the 18th–19th Centuries. Russian View of Classical Tradition
        • Western European Art of the 17th–19th Centuries. Classical Tradition’s Destiny: from Model to Interpretation
        • Art of the 20th–21st Centuries. Faces of Classical Antiquity in the Labyrinth of Modernity
        • Reviews
        • Classical Antiquity and the World around Hellas
        • Classical Legacy in the Art of Byzantine Oikoumene and Beyond
        • The Harmony of Classical Antiquity under the Vaults of Old Russ
        • Classical Antiquity on the Ribs of European Middle Ages
      • Vol. 4. 2014
        • Art of the Ancient World
        • Eastern Christian Art
        • Western Art from the Middle Ages to the 20th Century
        • Western Art of the 20th Century and Theory of Art
        • Russian Art of the 18th - Early 20th Century
        • Russian Art of the 20th Century
      • Vol. 3. 2013
        • Art of the Ancient World
        • Eastern Christian Art
        • Old Russian Art
        • Russian Art of the 18th–20th Centuries
        • Western Art of the 15th–20th Centuries
      • Vol. 2. 2012
        • Ancient and Medieval Muslim Art
        • Eastern Christian Art
        • Old Russian Art
        • Medieval and Early Modern Western Art
        • Western Art of the 19th-20th Centuries and Theory of Art
        • Russian Art of the 18th Century
        • Russian Art of the 19th and Early 20th Centuries
        • Russian Art of the 20th Century
      • Vol. 1. 2011
        • Medieval Art of the Eastern Christian World
        • Russian Art in the 18–20th Centuries
        • The East and the West, from Antiquity to the 20th Century
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Total: 6 results found.

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1. Renaissance Influence on Post-Byzantine Panel Painting in Crete
(2015 Eastern Christian Art)
Panagiotis Vokotopoulos Academy of Athens, Greece During the 15th–17th centuries the Greek island of Crete, then a Venetian colony, developed a school of painting stemming from the Palaeologan ...
Created on 02 January 2016
2. Painted Decoration of the Palaeologan Renaissance in Crete: The Wall Paintings of the Panagia in Sklavopoula
(2015 Eastern Christian Art)
... Byzantine Empire under the Palaeologan dynasty, can be also attested in Venetian Crete. The small church of the Panagia in the village of Sklavopoula, diocese of Selino, western Crete, is decorated with ...
Created on 02 January 2016
3. Tondo of Vyacheslav Mikhailov
(2015 Russian Art of the 20th Century and Contemporary Russian Art)
... often embodied in an abstract form. Strong classical tradition with an intense emotional charge, characteristic of the artist, lends his works (and “A Tondo” is one of them) utmost concreteness, which ...
Created on 02 January 2016
4. Renaissance Aspects in the Works of Alexey Venetsianov in the Context of “Russian Biedermeier”
(2015 Russian Art ca. 1700–1900)
... is closely linked. The Renaissance ideals were manifested in Biedermeier artists’ interest to a concrete, diverse reality, which they treated as a reasonably arranged system which could be perceived ...
Created on 02 January 2016
5. Compagnie della Calza in the Venetian Art of the 15th–16th Centuries
(2015 Renaissance Art)
... made with documentary preciseness showing some coat of arms, stripes and tabs or even sometimes a concrete person who belonged to a certain Compagnia della Calza; 2. Paintings of the Venetian Renaissance ...
Created on 02 January 2016
6. The Venetian ‘Sacra Conversazione’ Type in Works of Post-Byzantine Painting
(2015 Renaissance Art)
... as in Venetian-ruled areas of the former Byzantine Empire, such as the islands of Crete and Cyprus, were directly exposed to Venetian art and they absorbed its influence at various levels. During the 16th ...
Created on 02 January 2016
 
 
 

Publications

  • Vol. 1. 2011
  • Vol. 2. 2012
  • Vol. 3. 2013
  • Vol. 4. 2014
  • Vol. 5. 2015
  • Vol. 6. 2016
  • Vol. 7. 2017
  • Vol. 8. 2018
  • Vol. 9. 2019

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Actual Problems of Theory and History of Art.
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