SPbSU

Saint Petersburg State University

Actual Problems of Theory and History of Art

СПбГУ

Actual Problems of Theory and History of Art

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      • Vol. 12. 2022
        • Byzantine and Eastern Christian Art
        • Western European Medieval Art
        • European Art in the Modern Times
        • Russian Art in the 18th–19th Centuries
        • International Art in the 20th and 21st Centuries
        • Oriental Art
        • Art Theory
        • Interdisciplinary Methods in the Research on Cultural Heritage
        • Collection, Exhibition, Curatorial Practices
        • Balkan Studies
      • Vol. 11. 2021
        • Art of the Ancient World
        • Byzantine and Eastern Christian Art
        • Medieval Russian Art
        • Balkan Studies
        • Western European Medieval Art
        • Art of the Renaissance
        • Russian Art in the 18th–19th Centuries
        • International Art in the 20th and 21st Centuries
        • Museum: Collection, Exhibition, Curatorial Practices
        • Oriental Art
        • Interdisciplinary Methods in the Research on Cultural Heritage
      • Vol. 10. 2020
        • Problems of Theory and History of Art — 2018. Modern and Contemporary Studies. Borders and Horizons
        • European Art in the Modern Times
        • Russian Art in the 18th–19th Centuries
        • International Art in the 20th and 21st Centuries
        • Art Theory
        • Challenges in Displaying Modern and Contemporary Art Collections
        • Art of Africa
        • Balkan Studies
      • Vol. 9. 2019
        • Actual Problems of Theory and History of Art–2018. From Antiquity to the Renaissance. Borders and Horizons
        • Art of the Ancient World
        • Byzantine and Eastern Christian Art
        • Medieval Russian Art
        • Western European Medieval Art
        • Art of the Renaissance
        • Oriental Art
        • Art Critical Surveys and Reviews
      • Vol. 8. 2018
        • Artifact. Art-Object. Argument. An Object in Fine Arts: Acquisition of New Meanings in Modern and Contemporary Eras
        • Western European Art of the Modern Age
        • Russian Art of the 18th Century
        • Russian Art of the 19th Century
        • Russian Art of the 20th–21st Century
        • International Art of the 20th and 21st Centuries: Modernity and Contemporaneity
        • Art Theory
        • Material Culture, Applied Art and Design
        • Museum — Collection, Space, Work of Art
        • Publication and Study of Sources
        • Art Critical Surveys and Reviews
      • Vol. 7. 2017
        • An Object in Fine Arts: Objectives, Methods, Results
        • Art and Artistic Culture of the Ancient World. Archaeological Object and a Work of Art: Their Similarities and Differences
        • Eastern Christian Art
        • Western European Mediaeval Art
        • Mediaeval Russian Art
        • Art of the Renaissance
        • Oriental Art
        • Art Theory
        • Cult and Artistic Culture
        • Publication and Study of Sources
        • Art Critical Surveys and Reviews
      • Vol. 6. 2016
        • Foreword
        • Art of the Ancient World
        • Eastern Christian Art
        • Old Russian Art
        • Western Mediaeval Art
        • Renaissance Art
        • Western Art ca. 1600 – 1900
        • Russian Art of the 18th and 19th centuries
        • World Art of the 20th Century and Contemporary Art
        • Russian Art of the 20th Century and Contemporary Art
        • Theory of Art
        • Cult and Artistic Culture
        • Publication and Study of Sources
        • Instead of an afterword
      • Vol. 5. 2015
        • The Art of Classical Antiquity in the Mirror of the Renaissance
        • Russian Art of the 18th–19th Centuries. Russian View of Classical Tradition
        • Western European Art of the 17th–19th Centuries. Classical Tradition’s Destiny: from Model to Interpretation
        • Art of the 20th–21st Centuries. Faces of Classical Antiquity in the Labyrinth of Modernity
        • Reviews
        • Classical Antiquity and the World around Hellas
        • Classical Legacy in the Art of Byzantine Oikoumene and Beyond
        • The Harmony of Classical Antiquity under the Vaults of Old Russ
        • Classical Antiquity on the Ribs of European Middle Ages
      • Vol. 4. 2014
        • Art of the Ancient World
        • Eastern Christian Art
        • Western Art from the Middle Ages to the 20th Century
        • Western Art of the 20th Century and Theory of Art
        • Russian Art of the 18th - Early 20th Century
        • Russian Art of the 20th Century
      • Vol. 3. 2013
        • Art of the Ancient World
        • Eastern Christian Art
        • Old Russian Art
        • Russian Art of the 18th–20th Centuries
        • Western Art of the 15th–20th Centuries
      • Vol. 2. 2012
        • Ancient and Medieval Muslim Art
        • Eastern Christian Art
        • Old Russian Art
        • Medieval and Early Modern Western Art
        • Western Art of the 19th-20th Centuries and Theory of Art
        • Russian Art of the 18th Century
        • Russian Art of the 19th and Early 20th Centuries
        • Russian Art of the 20th Century
      • Vol. 1. 2011
        • Medieval Art of the Eastern Christian World
        • Russian Art in the 18–20th Centuries
        • The East and the West, from Antiquity to the 20th Century
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Total: 24 results found.

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1. The Image and the Word in Works by Piero di Cosimo
(2015 Renaissance Art)
Mariia Prikladova Saint Petersburg State University, Russia Piero di Cosimo (1462–1522) — a Florentine painter whose personality causes controversial opinions. During a long period, starting ...
Created on 02 January 2016
2. ГУБАРЕВА О.В. Магия структуры
(2020 Artistic Culture and Cult)
... семиотические теории, рассматривающие культуру как текст. икона, религия космоса, гештальт, магия, искусство Возрождения, Византия, православие icon, gestalt, religion of the Cosmos, magic, renaissance ...
Created on 13 November 2020
3. КОКОВИНА Е.Н. А.Н. Бенуа
(2020 Applied Art)
... Щедровский, В. Ф. Тимм, Павильон Армиды, Петрушка, балетный костюм A.N. Benois, Louis-Rene Bouquet, Jean-Francois de Trois, I.S. Shchedrovsky, V.F. Timm, Armida’s Pavilion, Petrushka, ballet costume ...
Created on 13 November 2020
4. ВАНЬКОВИЧ С.М. Стилистическая эволюция
(2020 Applied Art)
... Trend in Women’s Court Costume (Late 18th – Early 21st Centuries) Мода всегда откликалась на значимые исторические события и своевременно отражала их в костюме. С последних десятилетий XVIII столетия ...
Created on 13 November 2020
5. ТИМАШОВА С.А. Проблема классификации портретов
(2020 Russian Art in the 18th–19th Centuries)
ТИМАШОВА СВЕТЛАНА АЛЕКСАНДРОВНА (Санкт-Петербургский государственный университет, Российская Федерация). Проблема классификации портретов в русском костюме последней трети XVIII — первой трети XIX в. SVETLANA ...
Created on 13 November 2020
6. ХОЛЕВ Р.Р. «Юноша с алебардой» Якопо Понтормо
(2020 Renaissance Art)
... споре ROMAN KHOLEV (Lomonosov Moscow State University, Russian Federation). Pontormo’s Portrait of a Halberdier as a Portrait of Cosimo I de’ Medici: New Arguments of Identification  «Портрет алебардиста» ...
Created on 12 November 2020
7. Ekaterina Skvortsova (St. Petersburg State university)
(Organizing Committee)
...  John Atkinson’s role in the development of the panorama genre in Russian art // Actual problems of theory and history of art, St. Petersburg, 2011 Types of “costume albums”: ...
Created on 03 January 2016
8. Hesychasm and Leonardo da Vinci
(2015 Artistic Culture and Cult)
... and enclose in the painting frame. Da Vinci is unequalled in the Western world in the level of supersubstantial cosmos comprehension. In Russia, only Andrei Rublev, Theophanes the Greek and Dionysius reached ...
Created on 02 January 2016
9. Rhythm and Metaphor in the Context of Theological and Aesthetic Analysis of Icons
(2015 Artistic Culture and Cult)
... (by way of light, flattening, so-called “reverse perspective” and other stylistic devices which are traditionally pointed out by iconology), but creation of an entire microcosm, an image perfectly fitted ...
Created on 02 January 2016
10. The Mystery of Creating a Graphical Image in Evgeny Kibrik’s Illustrations. Transformation Mystery According to the Stanislavsky System
(2015 Russian Art of the 20th Century and Contemporary Russian Art)
... century allows us to find out how the vivid and moving images of characters by R. Rolland, Ch. De Coster, A. Pushkin, N. Gogol and M. Zoshchenko appeared in the artist’s work. The illustrator’s keen ...
Created on 02 January 2016
11. Renaissance Inspirations in the Polish Paintings of the 19th and 20th Centuries
(2015 Western Art ca. 1600–1900)
... the motifs of the Renaissance architecture and costumes appeared in the painting of Adam Chmielowski, whose attention was drawn to BÖcklin and Feuerbach (The Italian siesta). Similarly, with Aleksander ...
Created on 02 January 2016
12. The English Watch Art of the 16th–17th centuries. The Renaissance Ornamental Tradition
(2015 Western Art ca. 1600–1900)
... and luxury. At the same time watch is an essential part of costume, which means that watch as an accessory formed an appearance of the man of those days and determined main fashion tendencies of the 16th–17th centuries. ...
Created on 02 January 2016
13. Paintings for the Knights of Malta. Mattia Preti and the Celebration of Martyrdom
(2015 Western Art ca. 1600–1900)
Alessandro Cosma Sapienza University of Rome, Italy Arriving in Malta in 1660, Mattia Preti progressively become the official painter of the Knights of St. John, and changed radically their ...
Created on 02 January 2016
14. Minor Artists of the Officina Ferrarese in the 15th Century
(2015 Renaissance Art)
... Italian art historian Adolfo Venturi. The art of three main masters active at the court of the Este family: Cosme’ Tura, Francesco del Cossa and Ercole de’ Roberti was on the scholar agenda in the early ...
Created on 02 January 2016
15. Garland in the Renaissance Religious Painting
(2015 Renaissance Art)
... of the garland in works of Cosme Tura is very remarkable. For example, in “Madonna with the sleeping child” (Galleria dell’ Accademia, Venice) conventional design of zodia­cal constellations in form of golden ...
Created on 02 January 2016
16. Fortification in the Architectural Culture of the Italian Renaissance
(2015 Renaissance Art)
... problem of numerical relations that reveal the correlation of the micro- and macrocosm; the utopia of the Platonian ideal state; harmonic proportions. All these ideas formed the intellectual space that ...
Created on 02 January 2016
17. Fresco Art of Medieval Soldaja: Review of Sources
(2015 Western Medieval Art)
... monastery in the natural boundary of Dimitraki. Among the surviving frescos of Genoese Soldaja, related to the painting of the Italian Renaissance, we will mention the following. The fresco of “Temple ...
Created on 02 January 2016
18. Painted Decoration of the Palaeologan Renaissance in Crete: The Wall Paintings of the Panagia in Sklavopoula
(2015 Eastern Christian Art)
... scenes (Nativity, Presentation in the Temple, Betrayal of Judas, Crucifixion, Descent into Hell, Incredulity of St. Thomas, Pentecost), a few scenes from the life of the Virgin (Prayer of St. Anne, Birth ...
Created on 02 January 2016
19. The Iconography of the “Gesture of Blessing” in the Hellenistic, Roman and Byzantine Periods in the Near East
(2015 Eastern Christian Art)
... Stone sculpture and reliefs, sarcophagi, mosaics and wall paintings, clay and bronze figurines, cosmetic containers and coins will be presented and discussed. Male and female divinities, their worshipers, ...
Created on 02 January 2016
20. Courtyards in the Architecture of Asia Minor in the 2nd Millennium BC
(2015 Ancient Art)
... and porticos, thus contributing to the study of detached columns in ancient architecture. The buildings under consideration also influenced the architecture of the 1st millennium BC in Asia Minor and adjacent ...
Created on 02 January 2016
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Publications

  • Vol. 1. 2011
  • Vol. 2. 2012
  • Vol. 3. 2013
  • Vol. 4. 2014
  • Vol. 5. 2015
  • Vol. 6. 2016
  • Vol. 7. 2017
  • Vol. 8. 2018
  • Vol. 9. 2019

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